from "For the Time Being," by W.H. Auden

"November," by William Dean Howells

Getting Old: An Introduction

You'll admit you always had the illusion
you were almost hip, sort of with-it, and
you'll admit that you never were and that
you're now completely out of step. Bones

and muscles will ache as easily as they used
not to. To the extent you had personal enemies,
they'll either be dead now or seem
ludicrous--like you.  Hair

will have grown in places you hadn't
imagined hair could grow, as in  for example
the inside of your ears. By turns, you'll want
to cry out "Leave me alone!" and "Please

notice me!" If the young notice you,
they'll look through you. Lust won't leave
you. It will just badger you and make
you seem creepy. In fact, this is a country

for old men and women.  The problem
is simply that age doesn't earn you anything
special, and pneumonia's always
out there, waiting like a burglar,

and nobody cares what you know.


Copyright 2012 Hans Ostrom

"The Mid-Day Moon," by John Banister Tabb

Of Time and the Poets

While Since was settling its accounts
with time, Then subsequented itself
right on down the line. And Because
pretended to be more influential
than it was, as Correlation made
real differences and, well, caused
a bit of buzz. Later, when Eventually,
Never, Seldom, and Once raided the place,

narrative lost face, storytellers
interrupted each other, and poets
withdrew to a corner where
not-that-much-happens, and
where plots are as tedious as
blueprints and Immediately
shouts, "Can I get an Amen?"

Copyright 2012 Hans Ostrom

"Evolution," by John Banister Tabb

"Storm Ending," by Jean Toomer

Retirement Communities Advertise (Of Course They Do)

The retirement communities, where retirements
live in groups, advertise themselves. They
feature images of people who seem vibrant
like earthquakes, active like yeast, and
damned White, if you ask me.

I'm closer to living in such a place
than I was yesterday. I guess this
is true of a lot of people. My hip
aches, so I won't have too much more
to say here (a lie) than I wish the ads weren't

so cheery: It's basically the same appeal
that's used to get American children to get
their parents to buy cubic tons of stuff made
in Asia.  Except now the kids are indirectly
urged to shelve the Old Man and Ma here,
and not there. I'd prefer ads narrated

by Charon from his ferry. "Come on down!
We're at the corner of Styx and Acheron!"
Or a riff on Bergman's white-masked Death
playing chess. "It's your move . . . into
assisted living!"  Or an actor playing
Robert Johnson singing, "Meet me
at the crossroads, baby. We'll eat
some peas and mashed potatoes."

Or how about this: "Look, it's a
dormitory for the gray, it's okay
to smoke weed, and we promise
not to bother you or make you pray.
We don't guarantee it, but you
might get laid, somehow, some way."


Copyright 2012 Hans Ostrom

In the Last Gangster Movie

In the last (what the the fuck took so long?) gangster movie,
the Italians and the Irish and the Russians and who the fuck
else cares kill each other.  Fat illiterate loud men in track suits
self-immolate, Martin Scorcese and Francis Ford Go Fuck
Yourself retire, and
brains exploding on walls no longer appeal:
well what a fucking surprise!

"It's just a bunch of stupid men
killing each other, and most of them
seem to be Catholics and, you know,
underachieving," observed an observer.

Roll out the fucking Brooklyn, Little Italy,
Atlantic City, Las Vegas, Dildo-ville accents.
Lay out the buffet of sociopathic practices.
And then, for fuck's sake, go away
forever and always. Badda-boom,
badda-fucking-bore.


Hans Ostrom 2012

"Autumn Scene," by Basil Dowling

Have It History's Way

Shaggy evergreens shrug and sway in a rainstorm.
Ezra Pound wasn't much for trees--Wordsworth-weary,
I suppose. Couldn't see history in or through them.
Instead he thought of rocks, layered, and of drills.
He was an American engineer. He wanted

comprehensive control of culture as if it were
acreage for the over-taking. Mineral rights.

But history's circulatory, and it's wet. It's
flexible, weird, and mysterious. Try to package
it, and you'll lose the magic. Impose upon
it, and it will flee like an Idaho mountain lion.

No, don't drill it, as if you were going
to set a charge, blast some ore.  Receive
it easy like a storm, shrug and sway and stay
surprised by it, and you will have its way with you.


Copyright 2012 Hans Ostrom

Weary of Movie Acting

Sometimes I get fed up
with the "great" acting
movie-actors enact.

I watch a scene,
and I think, "These
are famous people

doing something
for which they're
famous." I look

at the make-up,
the mannerisms,
the evidence

that the director
has had to suck up
to the celebrity.

I don't give even
one fuck what
the alleged

"story" is about.
I see angles, noses,
lips. I listen

to the goddamned
dubbing. I see how
the famous actor

demanded better
lighting and lots
of money

on "the back end."
They are acting up a storm.
And I am weary. 

And what do I do?
I go read a novel in
well worn paperback form.


Copyright 2012 Hans Ostrom

"Leaves of Grass [9]," by Walt Whitman