Not that you asked, but here's what I'm reading (and I usually have 5-6 books going at once, a practice that drives some people with different reading habits figuratively crazy):
The Long Loneliness, Dorothy Day's autobiography--of interest to those wanting to know more not just about her but about radical politics in the early 20th century (socialism, anarchist-movements, organized labor, "distributism," anti-war movements, etc.), the Catholic Worker movement, whether politics and religion can intermingle effectively, women and religion, working-class life in Chicago and New York City, and the progressive/populist strain in Catholicism. Oddly enough, Day experienced the great S.F. earthquake, although she and her family were living in Berkeley, so their home wasn't destroyed. Apparently, the quake-proper lasted over 2 minutes. Of course, animals felt it coming as early as the evening before, she and others report.
Early Christian Rhetoric, Amos Wilder--older brother of Thornton.
The Beggar, by Naguib Mahfouz--Egyptian novelist, winner of the Nobel Prize.
The Walls of Jericho, a novel by Harlem Renaissance writer Rudolph Fisher. This partly for work, as I agreed to write an article on Fisher.
Selected Poems, A.R. Ammons. He was born in North Carolina but is associated, too, with New England. Free verse, but highly attentive to sound; rooted in everyday life, as W.C. Williams's poetry is, but Ammons strays from imagism and often writes tight little conceptual or meditative poems. I rather like this philosophical aspect of his poetry. He's also a master of very short poems. He can be whimsical, like cummings.
My books were finally paroled from storage, but they are in a half-way house situation--still sitting in boxes, awaiting the construction of shelves. More slowly than the tortoise, I'm cataloguing them on LibraryThing.
That's my bookish update. I'll leave you (or someone) with an epigram from Oscar Wilde: "A cynic knows the price of everything but the value of nothing."
Showing posts with label Wilde. Show all posts
Showing posts with label Wilde. Show all posts
Monday, May 26, 2008
Sunday, October 28, 2007
GLBT Poets
October is the month in which gay, lesbian, bisexual, and transgendered persons, past and present, are celebrated, remembered, and honored. In the spirit of the month, here's a list of some of my favorite poets who are or were G, L, B, or T. As with poets in general, some chose to write about sexuality, their own and others', and some didn't. Some were in the closet and some were out, and in some cases those categories hadn't been labeled that way. While I'm thinking about it, I'll also mention my favorite general modern-and contemporary-GLBT history: Out of the Past, the author of which I'll have to add later (and it's later, and the author is Neil Miller). I'm pretty sure it's in print in paperback. Highly readable. The poets:
W.H. Auden
Countee Cullen
Mark Doty
Allen Ginsberg
John Giorno
Thom Gunn
A.E. Housman
Audre Lorde
Frank O'Hara
Adrienne Rich
Walt Whitman
Oscar Wilde (better known for his plays; a novel; being incarcerated for being gay; and one-liners, but also a good poet)
Langston Hughes, one of my all-time favorite poets, was probably bisexual, but his main biographer, Arnold Rampersad, concludes that Hughes essentially became "asexual," and this topic was easily the most controversial one mentioned in the two-volume biography. One good way of starting an argument among Hughes-scholars is to raise the question of his sexuality. I have no doubt Langston is amused my this, from his perch up there with Duke Ellington, Carl Van Vechten, Arna Bontemps, other friends, and a great number of just plain folk, whom he liked the best.
W.H. Auden
Countee Cullen
Mark Doty
Allen Ginsberg
John Giorno
Thom Gunn
A.E. Housman
Audre Lorde
Frank O'Hara
Adrienne Rich
Walt Whitman
Oscar Wilde (better known for his plays; a novel; being incarcerated for being gay; and one-liners, but also a good poet)
Langston Hughes, one of my all-time favorite poets, was probably bisexual, but his main biographer, Arnold Rampersad, concludes that Hughes essentially became "asexual," and this topic was easily the most controversial one mentioned in the two-volume biography. One good way of starting an argument among Hughes-scholars is to raise the question of his sexuality. I have no doubt Langston is amused my this, from his perch up there with Duke Ellington, Carl Van Vechten, Arna Bontemps, other friends, and a great number of just plain folk, whom he liked the best.
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