Lake Como

The mountains say
What should we do
with all this snow?

The lake says
What should I do with
all these mountains?

Together the mountains
and the lake say Get these
people out of here. We
don't need them. 


hans ostrom 2018

Appointments in the Flatlands

In the '56 Chevrolet sedan, steel and wheels,
we barreled down and up and down three
canyons' worth of Sierra peaks. A mother,
an aunt, 2-3 kids, no seat belts, logging trucks
and steep killer drops to make it interesting.

Eight pistons pushed us through the forest.
Ma and Aunt sang folk songs in two-part
harmony, Clementine drowning and Tom
Dooley killing. I was the youngest in the car
and brooded on ghastly lyrics instead of

lightening up with the lilt. And I couldn't
sing worth a shit. If you looked close
out the window, you saw smears and blurs,
if far, you saw the forest staying still.
Breton would have envied the provincial

surrealism.  Berryman, D.D.S., soon
loomed, mustachioed. His tooth drill
was slow and sullen.  What did I know,
what did we know? Only that life
unfolds and boulders are everywhere.


hans ostrom 2017

"Sierra Buttes," by Hans Ostrom

The Sierra Buttes
are what Cubism
had wanted to be:
a multi-planed,
sui generis impro-
vization, a force
of nature admired
as an object d'arte.

Up were the plates
thrust in the patient
geological crash.
Then came the mother
tongue, ice, which

ultimately withdrew
(think how slowly),
leaving this grand
stone assemblage,
this blue-jazz
diorite peak
with no peak,
instead a bulbous
massif.

Every different angle
invents a new Buttes
(plurality in the
singularity of the
plural singular),
each resulting in

an entirely different
understanding of
"the Sierra Buttes."
Standing in the town
of Sierra City,
one notices that
looking up
creates in humans
uncomfortable planes
for the head and the

neck. And it is
no wonder that people
who live in
Sierra City and other
small mountain-towns
around our
geological globe
tend to
develop highly original
designs for calamity,
have crafted
grand existential comedies--
forces of life
that may never
be shaped into art.

For there is no answer
to the mountain,
there is no solution
to how the Sierra Buttes
trivialize
human endeavor,
or so think humans
(this is drama
on our scale)
as they consider
the mountain the
mountain.


hans ostrom 2014

"Cabin in Snow"