Death to Super-Heroes

Even people over the age of 10 now
seem enthralled with "super-heroes."
I don't take this as a good sign
about our culture. I'm the guy
walking the wrong way as a stupefied
crowd staggers toward me on its way
to a movie house that's playing
"Elbow Man" or "Spandex Woman"
or whatever this week's
piece of silly junk is. I know:

I'm not supposed to "get it."
I'm demographically challenged.

Unless "Ant Man" falls
into the conical trap
of Ant Lion and gets
pulled under the dirt,
I'm not interested.

My mother and I agreed
that puppets are stupid,
and I put "super-heroes"
in that category.

Sometimes she asked new
acquaintances, "Do you like puppets?"
It's a hell of an exploratory
question when you think about it.
It isn't a question.


hans ostrom 2015

Aspects of the Main Stream

In the pavilions of forbidden solitude,
citizens could not escape their screens.
And tiny hovering machines
recorded what little reflection people
could manage to generate,
for thoughtfulness was deemed
counter-productive to all aspects
of the status quo. There had been no need

to prohibit poetry, improvised musics,
philosophy, and playful disquisitions
in public squares, for all of these,
including public squares, had simply
fallen out of style, and style was all.

Self-regimentation and enervated irony
(pallid sarcasms) prevailed in those days.
The cinema and its derivatives featured
chiefly "super heroes" and sequels,
categories that rose like massive
computer-generated plinths
over the tomb of imagination.


hans ostrom 2015