The Ohio Players, Jazz Alley, Seattle, 10/2022
The first beat hits
like a boulder dropped on a roof.
Drums and bass hammer hard &
velvet vines of joy entwine from there.
Everything sizzles, black and bubbling--
horns, guitar, keyboards. This
is music for community, to get bodies
up & dancing and minds up to float
above their troubles. Webs of
call-and-response spread. At
least three of these Black men
have been brewing this elixir for 50 years.
The small wizened man
at one keyboard, baseball cap
set back, is the chieftain
of arrangement. Funk, hot
and cool, climbed the highest
mountain of rhythm-and-blues.
Apotheosis, mof-fo. From there,
pop music settled in soft digital foothills,
calibrating robot beats, dismissing
musicians, hiring impresarios
of turntables and knobs. Played
live, funk draws blood from all
the way back to Africa, across
oceans painted by blood-red
moons, up through islands
and land-masses into New Orleans,
then up the rivers to industrial
Black cities. Funk stomps
on evil as it dances. It turns-
on lovers. Funk screams
sweetly, jokes, smiles, winks, punches
in syncopation like Muhammad Ali,
lays out opponents--boredom,
worry, snobbery. Funk
will find a way to turn you into
a dancing fool--the best kind--
even if you just sit there and on the floor
inside your head, roll your
hips, shake your head, raise
your hands, laugh and smile,
hold that other body with you there,
and praise the big-little lord called Life.
hans ostrom 2022
