Satirical poem by Jamaican-American poety Claude McKay (1890-1948) first published in The Liberatore in 1919. Set to electronic music. McKay was part of the Harlem Renaissance.
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Satirical poem by Jamaican-American poety Claude McKay (1890-1948) first published in The Liberatore in 1919. Set to electronic music. McKay was part of the Harlem Renaissance.
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set to folk-rock song
poem in villanelle form
Robinson: 1869-1935
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A Canto often noted for its sensual, erotic qualities.
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