The Ohio Players, Jazz Alley, Seattle, 10/2022
The first beat hitslike a boulder dropped on a roof.Drums and bass hammer hard &velvet vines of joy entwine from there.Everything sizzles, black and bubbling--horns, guitar, keyboards. Thisis music for community, to get bodiesup & dancing and minds up to floatabove their troubles. Webs ofcall-and-response spread. Atleast three of these Black menhave been brewing this elixir for 50 years.The small wizened manat one keyboard, baseball capset back, is the chieftainof arrangement. Funk, hotand cool, climbed the highestmountain of rhythm-and-blues.Apotheosis, mof-fo. From there,pop music settled in soft digital foothills,calibrating robot beats, dismissingmusicians, hiring impresariosof turntables and knobs. Playedlive, funk draws blood from allthe way back to Africa, acrossoceans painted by blood-redmoons, up through islandsand land-masses into New Orleans,then up the rivers to industrialBlack cities. Funk stompson evil as it dances. It turns-on lovers. Funk screamssweetly, jokes, smiles, winks, punchesin syncopation like Muhammad Ali,lays out opponents--boredom,worry, snobbery. Funkwill find a way to turn you intoa dancing fool--the best kind--even if you just sit there and on the floorinside your head, roll yourhips, shake your head, raiseyour hands, laugh and smile,hold that other body with you there,and praise the big-little lord called Life.
hans ostrom 2022