She's Making Changes

So I'm dropping off my weekly

sack of canned food & baby formula
to a food bank when
an older woman pushing
a shopping cart stops to declaim:

"I'm changing my name
and my birthday," she says,
her speech not hampered
much by missing teeth. "Two
years ago on my birthday,
I got hit in the face with a baseball
bat. This year on my birthday,
I got hit by a U-Haul truck."

I want to ask what new name
she's chosen and maybe the fresh
birthday but instead say,
"That's terrible," one of my go-to
expressions of sympathy. She
scowls and says, "I know it's
terrible. You think I'm an idiot?"
"No, ma'am," I say, and scamper
with my bag toward the food bank.

hans ostrom 2024

Seeds in My Bed

Dark brown seeds
in my bed. From bread.
(Bed is a place for sleep,
books, and sex. Beyond
these three, life does have
a few other highlights.)

The seeds look like tiniest
canoes. I'm going to sleep
beside them because I
am not moved to tidy up.

I won't have the recurring
dream of lying flat in a canoe
and floating down a river,
night, many others floating
in their canoes beside me.

The river rivers me
toward a sunny place where
people seem okay and help
me ashore. Because the

brown seeds made me want
to dream that dream,
the law of dreams will not
let me dream it. Goodnight.


hans ostrom 2019

Unhappy Meal

The soup is thin
and dejected. I console
it while ladling.
The bread is dry, as
rigid as a hateful pastor.
I introduce the bread
to the soup and it
softens. The wine's eyes
are bright with tears.
It misses vineyard
sunshine. I sip it gently.

This is sustenance. I am
grateful for it but
cannot deny it
is a meal in mourning.
Therefore I finish
and leap up, kind of.
I flee in search of
rich desserts or a
witty woman in a red
dress or both.


hans ostrom 2019

Unhappy Meal

The soup is thin
and dejected. I console it
while spooning it up.

The bread is dry
and rigid like an
angry pastor.

I introduce it
to the soup,
baptizing it,

and it softens.
The wine's eyes
are bright with tears.

It misses sunshine.
I sip it gently.
This food is sustenance,

I must not complain.
But I cannot deny
that this meal

is in mourning. So
I leap up, kind of.
I flee in search

of a rich dessert
or a witty woman in
a red dress, or both.


hans ostrom 2018

October Figs

Finally they've changed
from hard green knobs to small
soft purple pouches, veined.
Inside they're vegetative
geodes. As filtered through
O'Keefe and Lawrence, they
may amuse you with vaginal
likeness. That's fun, but anyway:
harvest. Their deep brown stems
are so soft now, the figs
fall into your palm almost
before the pick. The taste
is outside sweet or savory.
It's creamy, calmly robust.
If you must, think of lust.


hans ostrom 2018

Aren't We?

Tonight the rice-marsh glows,
and rows of plum trees feed
their purple particulars. The scene
means food. Poetry and photography
will want to extract more from it,
impose more on it.  They're tools
of the greedy, insatiable grunting
wanter with the frothy name,
Imagination. No. We're not doing
that tonight. For we're satisfied.



hans ostrom 2017

Nutritious, Too

It was a little bistro, as I recall, located
somewhere between Sierra City, California,
and Istanbul. "Tabula Rasa" was the name.
Minimalist dining. Never to be found using
GPS. Somehow they block the signal.

Minimalist dining. No decorations.
Simple wooden tables. Two kinds of soup,
one kind of bread, olive oil. One type
of salad, one entree. No specials.
Water and/or vodka. Table white, table red.

Servers wore white aprons and did
not reveal their names.  They opened
the conversation with philosophical
questions, such as, "Is language
a medium of deception?" (I think
I answered, "It depends." )

Ten different desserts, three ports,
several brandies and scotches.
Absinthe. It kind of sneaks up on you,
a place like that. Impressions are made
on your senses. Things about a bistro
of this nature catch in memory's webbing.

Yeah, and after the kitchen closed,
the dancers came out. The lighting
changed.  Tables disappeared. Short
surrealist films appeared on the walls.
I think of it now as a transformative
dining experience.


hans ostrom 2016

Unhappy Teriyaki

Perhaps I shouldn't have eaten at
the "Unhappy Teriyaki." For the sauce
was morose, the service glum. Clientele:
numb. It was as if we all were extras

in a black-and-white film, waiting
for the star to come in out of the
fake rain playing a humorless,
wandering anti-hero. Short handsome

zero. Even if it wasn't as if that,
I tell you only the rice looked upbeat.
Songs of lamentation emerged
from the kitchen. A percussion-section

warms up in my orchestra pit.


hans ostrom 2015

Lima Beans

Please don't tell the Moche,
please don't tell the Spanish Viceroy,
but I've been estranged from lima beans
for quite some time. I recoiled,
regretfully, from their taste
and texture. It's hardly worth

mentioning, of course. --Except
maybe as a segue to sanguine
acceptance of other's satisfaction
with lima beans. There is

accounting for taste. It just
never adds up, is all.


hans ostrom 2015

"Spuds"--yes, a potato poem