Showing posts with label folk songs. Show all posts
Showing posts with label folk songs. Show all posts
Sunday, November 27, 2022
Wednesday, June 3, 2020
"Alive Today With You" (song)
Recording of Roger Illsley performing "Alive Today With You," for which he wrote the music, and I wrote the lyrics:
link:
https://www.youtube.com/watch?v=jv6djgQLPEU
link:
https://www.youtube.com/watch?v=jv6djgQLPEU
Wednesday, December 14, 2016
Busker in the Rain
I am a folksinger
sitting in the rain,
playing my guitar,
very much in pain.
Nobody's listening,
nobody cares.
Someone took the table,
leaving broken chairs.
I am a failing busker.
And I love it so.
I am myself, and that's
about all I know.
Nobody's listening,
they all turn away.
They look like hollow barns
that hold no hay.
hans ostrom
sitting in the rain,
playing my guitar,
very much in pain.
Nobody's listening,
nobody cares.
Someone took the table,
leaving broken chairs.
I am a failing busker.
And I love it so.
I am myself, and that's
about all I know.
Nobody's listening,
they all turn away.
They look like hollow barns
that hold no hay.
hans ostrom
Thursday, July 2, 2009
What Was That Thing?
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Song: What Was That Thing?
What was that thing
I tried to forget?
If I could recall,
I'd be glad to regret.
What was that thing
I always desired?
Seems I forgot
What I required.
What was that grudge
I used to hold?
Seems that slow smolder
went quickly cold.
Things move on down to
where flood meets sea,
a delta-land
of used-to-be.
A delta-land
of used-to-be
frees you from you
and me from me.
What was that hate
that drove me blind?
How did that love
turn me so kind?
What were those plans
I once held dear?
Hey, life came by,
changed There to Here.
Who was that I
Who once was me?
He tried too hard,
now lets it be.
Time flows through space
like silt to sea--
a delta-land,
believe you me:
a delta-land
of used-to-be
frees you from you
and me from me.
Copyright 2009 Hans Ostrom
Tuesday, May 27, 2008
Folk Music
Folk Music
Some strumming sums up sundown,
down on the brown bank by a riverside--
be it banjo, guitar, mandolin--or
some kind of eerie zephyr overloaded
with the recently departed. "How did it
get started--this music?" Good question.
Save it for later. Now we must listen
to thump, pluck, and twang, above which
is sung a rough, melodious tale. The song
roots us to a plowed heritage, a furrowed
alluvial communal pain, a bedecked extravagance
of crops, and fatal work. Yes, we must drop
what we're thinking and listen for and under
a spell, hear harmonies swell against apron,
shack-wall, levee, and archive. The instruments
are made of wood. So are the trees. The songs
are made of air. So is the wind. The people
are made of memories. So are the songs,
the folks' songs.
Copyright 2008 Hans Ostrom
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