Late Bloomer

The symmetrical mound

of purple chrysanthemums has bloomed.
Such a restrained flower--
signaling Fall like a lovely
but modest actuarial checking
her calendar. And the bees,

the bees, greedy for nectar,
hover--then attach themselves
to purple and got to work,
with their whole bodies,
to extract, as if they sensed
an urgency in the air.

hans ostrom 2023

The Sanity of a Nap Amidst Mint

Oh, almost overheated

in humid sunshine, I
sit down to pull up wicked
grass out of an emerald bed
of mint. I feel like a

Gulliver washed up on a
perfumed isle. What a plant
is mint! As tough as port rope.
As cool as 1950s jazz.

I regret not cooking with it
more. Turkey, Arabia, and Iran
treat it with proper respect.

Shirt soaked in salted sweat,
I want to lie down to nap
on this bed of mint, sedated
by the extravagant odor. Such
plain desires keep me sane.

hans ostrom 2023

The Burst

Garden's

green about to
burst into pink and red,
yellow, purple, lavender, white.
Late May.

hans ostrom 2023

Woman Standing on Brown Stones

brown stones in garden
sunlight look warm. they're
cold. when she stands on
them butterflies swarm & you
look at her bare feet.

who is she? isn't that
the point--to know her
standing there without
knowing name or story?

instead to eat cabbage soup
in a stinking room & dream
of her remote poise, which
unpredictably gives way
to gasping giggles. you

can barely afford your rent
in Brooklyn or St. Petersburg
& you're in "love" with a woman
who doesn't exist in a garden
you tend in your mind. it
might all work out, who knows?


hans ostrom 2020

Green of the Herbs

Thyme leaves look like frog
tears. Sage leaves
look fog-green suede.

Mint is a warrior
with shiny emerald shields.
Everything runs from it.

What should we say about
parsley? Such a hard worker.
Then it goes mad and pretends

to be a tree.


hans ostrom 2019

Hollywood's Not Doing it For Me

I was watching a digitalized video
of a film in which immensely wealthy
celebrities with slight builds
(made more slight by Hollywood's
emaciation-demands) were pretending
on a sound stage to be tough cowboys
or gangsters or spies or cops. It wasn't
working for me. Their acting

couldn't overcome the built-in
farce of the system that made
the product--the insincere,
serious, transparently cynical,
ghastly moving-picture factory.

I turned off the machine.

I imagined the two men
having to work a shift
building a house. That scene
worked for me. I imagined
them quitting after ten
minutes and hobbling
toward the limousine.

After that scene stopped
in my head, I went outside
and dug a hole to plant
a green-gauge plum tree in.
I was entertained.



hans ostrom 2015

"Come Slowly, Eden," by Emily Dickinson

But It Does

I don't know
why the yellow-jacket
stands motionless
on a pale green
wrinkled new leaf
of lettuce in sunlight.
But it does.
I don't know
why the universe
keeps occurring.
But it does.

--Hans Ostrom, 2012