Beside the Ocean With a Baby

  for Henry

I'm sitting next to the ocean
in San Diego, a year-old baby
on my lap.

White-edged waves
roll over surfers' heads
like ripples of cream.

A mesmerizing dream,
the sea, at its edge.
The baby and I

Listen and see. We
watch and hear. We
feel the wind.

A cormorant glides
down--from where?--lands on
blue-grey glassy water.

At Del Mar Beach

At Del Mar Beach, waves

rush, colliding, hurry-hurry,
riding on high tide. They

nibble and chew at clay
banks below multi-million
ducat mansions. Black-suited

surfers look like flies on foam.
Joggers and cyclists pad and pedal
perpendicular to the sand.

I sit and listen to the ocean's
constant secret speech, never
able to translate it, but

mesmerized, almost absorbed,
by it. An ocean is
the grandest siren of them all.

Sand

Shapes of accumulated sand
reminded us we live among and are
insconstant forms:
a dune arcs, sags, collapses, reappears,
swells. We're

spending one long shifty afternoon
at a beach. Waves
unload more sand, delivery after
delivery. Land
tries to give it back. Projections

suggest the entire province
soon will be composed of sand.
What is soon? What is
a province? We're delirious

and barefoot. That lump there
used to be a castle. That
ocean there is coming for us.


hans ostrom 2020

Stingrays

Small stingrays propel floating
as if they were broad flesh-leaves
rising from secret forests on the sea
floor. How can their skin be so softly
liquid to the touch? How can the edges
of their bodies undulate and curl so subtly?
The rays move like intuitive insight
through the mind of the water. They
are a marvelous surmise.


hans ostrom 2017

Underwater History

for Don Parkerson

They're there, our oceanic blunders.
Monitor and Merrimack. Spanish galleons.
And our depravities: slave ships.

Submarines like the Thrusher
could not cope with fathoms.

Weed and coral enhance remaining
shapes. A crucifix grows ocean hair.
A doubloon swells into a rock,
and a captain's iced skull lectures to
a school of fish. Diving down,

the historian cannot afford to haul
a text. Theories don't hold oxygen. He
monitors (and merrimacks) his every
breath like a meditating monk.

What comes clear in obscure depths
is the sluggishness of history,
the persistence with which events
get devoured: how a ship only gradually
slips off the reef to ultimate depths;
how accoutrements of empire
dissolve like common soda.

Floating there, the burden of breath
on his back in steel tanks, the historian
sees small sharks swim through
portholes of a destroyer.  The broadsides
of history went unheard here. Ocean,
imbued with oblivion's appetite,
accepted all defeated ships,
all wars and atrocities, settled or not.


hans ostrom 2017

"Four By the Clock,' by Henry Wadsworth Longfellow

No Answer to the Ocean

It's like this, maybe: A tide comes in.


It brings things you come to believe.


There they are, objects on glassy sand.


They're what's come of all your coping.


A stone, a crab-shell, a worn piece of


wood, a string of kelp. They're no answer


to the ocean. They don't add up to a code.



You keep walking on the beach,


trying to figure things out. There's


nothing wrong with that--walking,


wondering. What are you hoping for?





Hans Ostrom