Transformation: Sea Creature

When I become a sea creature,
I become larger than I already am.
I am alone and wet. I breathe water
and don't drown. I talk into it,
the water, and listen to myself.

I can't see well far but can see
clearly on both sides of me.

Eat, swim, eliminate. Catch
a show of iridescent fish.

Sometimes I lie down,
moving with, against,
and inside sleep, which
is like the sea except
inside of me.



hans ostrom 2016

See also "Sea Monster"

To Eddie Some Weeks After the Winter Solstice

Oceans are the ultimate artists, Edward,
more variously capable and constantly
original than earthquakes, rivers, ice,
and erosion. Of course, human art,

in contrast to all of these, is not
really in the conversation. Human art
is always a bit of a knock-off.
Sculpture, painting, surrealism,
realism, epic tales, Dada, absurdism,
comedy, tragedy, scrambled genres,
modes, and impulses, and forms
we cannot even grasp abound

in oceans, by oceans. The oceanic
opus is constantly changing,
ever-expanding, and utterly
unconcerned about audience,
remuneration, and critical success.

Sad Plato, when he was thought-seeking
for ideal forms, should have recalled
the ideal generator of forms:
the sea! The Greek seas alone
would have cheerfully overwhelmed
Plato's wee dialogues and allegories
and turned them into fantastic
shapes to nourish starved imaginations.

What do you think about that, Eddie
of La Jolla? I know how you like your
Plato and his greatest invention Socrates,
who, like a professional wrestling
star, always won his contests.

As you warm up your pipes to sing
in response to me, Eddie, let me stand you
to a salty tequila cocktail, an
ocean unto itself, some say.

hans ostrom 2016

"Eel Grass," by Edna St. Vincent Millay

"Sea Calm," by Langston Hughes

"Towards Evening," by Hans Ostrom