Among the Trees

In a forest, I rarely
speak to trees. A guest there,
I don't want to interrupt
their conversations.

Pine trees: often
the chattiest, gesturing
with boughs. Oaks
mumble, if that.

Old shaggy cedars
withdraw from gab,
cover themselves
in green resin blankets.

Stern fir trees speak
judgmentally, telling
neighbors to straighten
out their posture.

I think of all the roots down
there, arboreal working class.
They groan, grip rocks,
in darkness mine for water.

hans ostrom 2024

Birch Tree

Let's shelve the angst and see the old

birch tree, leafless, against gray sky.
Its bare sprigs that will later carry green
and gold and tiny perfect cones
hang now like brown shawls finely knit.

Its white trunk and branches, bright
white in winter light, meander, lithe
and liquid in wind, never stiff like
conifers and oaks. Close up,

black hieroglyphs write themselves
into birch-bark history. Birch tree,
often solitary, growing its own way.

hans ostrom

Ginko Divestiture

That old ginko tree flung
its cache of currency at the wind
as if it had taken a vow
of ginko poverty. Here,
it said to Fall, have it all,
and tell Winter to choke
on it, like gall.


hans ostrom 2019

Oblique

Pavement is silence
and rain is noise.
Air is a mystery
filled with solutions.
Trees are anguish;
factories, disappointment.
I've heard the music
that results from your playing.
It is less interesting than
you, and who can blame it?



hans ostrom 2018

every year another live show

black branch, red
leaves. brown leaves,
green branch. white
branch, gold leaves.
red/brown/gold/orange/
mottled leaves; brown branch.

and an array of variations,
deciduous improvisations.

and dancing down the street,
with ice-shoes on her feet,
comes the woman who
calls herself Winter.



hans ostrom 2017

In Old Palm Springs

In old Palm Springs, north, just beyond
the charming attempts at glamour,
trunks of big palm trees look like
elephants' legs: parched, dermatologically
checked, and weary.  The Earth
is each palm's shoe, and all the trees
are taking a walk through space.


hans ostrom 2017

"Date Palms in San Diego," by Hans Ostrom

Have It History's Way

Shaggy evergreens shrug and sway in a rainstorm.
Ezra Pound wasn't much for trees--Wordsworth-weary,
I suppose. Couldn't see history in or through them.
Instead he thought of rocks, layered, and of drills.
He was an American engineer. He wanted

comprehensive control of culture as if it were
acreage for the over-taking. Mineral rights.

But history's circulatory, and it's wet. It's
flexible, weird, and mysterious. Try to package
it, and you'll lose the magic. Impose upon
it, and it will flee like an Idaho mountain lion.

No, don't drill it, as if you were going
to set a charge, blast some ore.  Receive
it easy like a storm, shrug and sway and stay
surprised by it, and you will have its way with you.


Copyright 2012 Hans Ostrom

Creature in a Copse

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Creature in a Copse

Scuffed rough gray trunks of fir trees
in a copse stand ruler-straight, may
suggest modest ambition or nothing
but the image they help compose.
"Yes, trees are everywhere," wrote
Pound, dismissively, the rest of the
argument left unstated. True, almost

no one can really take a nature-break
from civilization because in retreat
even a recluse thinks of civilization.
A lot. Still, the still copse is. How
these particular (not just any) boughs
play riffs on breeze matters if you
notice. No performance is identical.

Of course there's machinery, there are
people, more or less nearby. And there's
you, as envoi from the not-wild. To come
here, to look at a stand of conifers, always
intricate, proves a worth, re-establishes
a modest, appropriate dignity not
discoverable by drilling through rocks

from civilizations' virtual rubble of myths
and texts. A precocious smart-ass in a copse
is just another creature amid trees that
keep on with the being thing and breathe.


Copyright 2011 Hans Ostrom