Bloomsbury Park

 (September 2022)

Bloomsbury Park
isn't melting yet
in the plump heat
of London, late summer.

A locust tree
shows tendons
and bends like an
arm at the elbow.

The only birds
are pigions. Brown
plates of stone make
a center square

and we strangers
sit on black benches.
We're mostly mute.
Cornflowers persist--

the rest of the beds
are parched like a
hangover. On my way
out, one pigeon escorts

me to the gate. We say our
forms of goodbye. I wonder
if one of his ancestors
spoke to Virginia Woolf.

The "melting" in the first stanza alludes to the famous/infamous Jim Webb song, "MacArthur Park," as sung-spoken by Richard Harris. "MacArthur Park is melting in the dark 

At Paddington Station

At Paddington Station, in a tunnel

just off the platforms, you want to capture

images of faces & bodies with memory

not camera--the ancient pickling mode.

Impossible. Commuting workers

stride with purpose verging on menace.

Tourists--sluggish, confused, quarrelsome,

sweaty, laden. . . . The tunnel space

seems eager to ingest people (it has

seen them all already, the Alis and

the Bens, the Antonios, Angelikas,

and Vlads, the Prufrocks, Sukis,

Eriks, and Khans). Such tunnels

snake like arteries through urban

bodies, delivering toil to the maw

of the Economy, serving sweat-labor

and schticks of expertise, nutrients

of the perpetual Now. The proper

English woman's voice narrates

train-info ("with breakfast service

to Swansea"), a positive-thinking

pigeon head-thrusts into the mix,

content with crumbs. What a seething

thing is a big city, but every person

is still one person, loaded with duty,

aches, words, terrors, whole worlds

of thought hiding behind stoic faces. 

A mind among millions, holding on,

holding off insanity and defeat.

A large sign states WAY OUT. Its

message is a mirage. And so it is

if you're a certain you, you'll enter

stage-lit platorms to board a serpent-

snouted Great Wester Railway train

to Cardiff, from where you'll go to

Aberdare in search of dark grey

headstones and places where

the dead once walked, worked,

and wondered. They couldn't see

your present, the future. You can't

see their past, that present.

Ghost trains roll

by each other silently on tracks

laid down by Time. 

hans ostrom 2024

Regina

 t the Rosewood Hotel, London

Regina, of the hotel's front desk,
I like the way you write your name.
Your printing looks both regal
and tentative. You made the word
you made sincerely. It's your name.

Regina, of the helpful suggestions,
I like your lovely, narrow face,
your way of talking about Portugal,
your homeland, and how you speak
English fast when you come out

from behind the desk to tell us
about an exhibition at the Tate Modern,
and to tell us you're and artist
and tell us your parents encouraged
your art. Regina, artist.

hans ostrom 2023

London, 2023

A brisk but polite flow

of people on sidewalks, in cars.
Yelling and honking--rare.
Women everywhere, from
everywhere: how splendid.

A sturdiness of old kept-up
buildings--like thick, healthy
urban bones. Conversations
that include listening and evidence.
Reading, valued. Few symptoms
of sick rage. A relative

freedom from guns, which now
hold American well being hostage--
a pistol to the national head.
A certain lust for gardens
and the farms beyond. A troubling
dearth of birds. Except for

pigeons, who have become
full citizens (I love them). An
adequacy, at least, of bookstores.
Calm news-readers, free
from pressurized speech
and false drama. Loquacious
cab-drivers with comic schticks.

A healthy getting-on-with-it.

"Houses," by F.S. Flint