Showing posts with label simile. Show all posts
Showing posts with label simile. Show all posts

Sunday, June 19, 2016

Candelabra in a Desert

Like a candelabra stuck in desert sand,
I wonder what my purpose is. Like
a coin made by the previous empire,
I wonder what I'm worth. Like a stray
cat in a cold alley, I wonder if I'll
ever be wanted again. Like a statue
opposite the Bureau of Statistics,
I'm facing facts. Like a traveler

picked clean by thieves, I have
nothing to trade for that old feeling
of being interesting, desired,
caressable. Like a hermit, I close
a door on all this silly yearning
and read until I fall asleep.
Sleep it seems will still accept me.


hans ostrom 2016

Sunday, March 29, 2009

Scuffling With A Poem














A Poetry Scuffle


The poem asserted snow "is like
an invasion of feathers," and I said,
"Snow isn't anything of the sort. What
a ridiculous comparison." Then the poem
and I really got into it. It threw
an overhand quatrain and caught
the side of my head. I kneed it
in the last line. We ended up
on the floor, gouging and choking.


Our friends finally broke it up.
One of them told me, "You're
not supposed to beat up your
own poetry. That's what critics
are for." "He started it!" I lied.
"You're an adult poet," said my
friend. "Act like one. So what if
there is a dumb simile in the poem.
Ever heard of 'revision'?"


Copyright 2009 Hans Ostrom

Wednesday, January 14, 2009

Manor of Speaking













Manor of Speaking


A simile is like or as
it should be, attached
to the thing it purports
to describe. Thing and
simile clutch each other
and dance in front of
an apprehending audience,
cutting a fine figure
of speech indeed, while
the dance operates
as a metaphor for how
a simile performs for
an audience. Welcome
to the mirror of halls,
where this is like that
and in so many words
is, as in were, in a
fanciful Manor of Speaking.


Copyright 2009 Hans Ostrom

Friday, October 10, 2008

Like a Simile, As a Sign













Like a Simile, As a Sign


Briefly astonishing, then gone, the semiotician
vanished like a gray fox at dusk. Like
a tectonic plate, the structuralist's bowels
shifted. She quaked. Like the moon,
the tides, the sun, and the seasons,
the rhetorician repeated himself
conventionally. As the banker dismissed
the janitor's dignity with a sneer, so
the academic Marxist derided poetry
as bourgeois scribbling, even if
practiced by a welder. As the feminist
lauded the recovery of a lost novel,
so the waitress frowned to see the size
of the gratuity this scholar left. Like
the universe, there is no thing. There
is no thing like the universe.


Copyright 2008 Hans Ostrom