A fine poem by David Wagoner, widely acclaimed poet and former professor of creative writing at the University of Washington. Reading/video:
Showing posts with label David Wagoner. Show all posts
Showing posts with label David Wagoner. Show all posts
Friday, November 6, 2020
Monday, September 24, 2007
Answering Questions In Poems
In his book, The Triggering Town: Lectures and Essays on Poetry and Writing (W.W. Norton, 1979, but still in print), Richard Hugo includes a chapter on "Nuts and Bolts" in which he gives such specific advices as "use no. 2 pencils," "never erase--just cross out [lines or words you don't like as you write]", and "If you ask a question [in a poem], don't answer it, or answer a question not asked, or defer. . . .If you can answer the question [in a poem], to ask it is a waste of time" (p. 40).
Of course, the business about pencils is a bit tongue-in-cheek--but also refreshingly specific, especially in contrast to the tired, vague advice usually given to writers, such as "write what you know" or "show, don't tell." Because poetry and fiction concern imagination, or making things up, one is always writing what one doesn't know even when s/he is writing what s/he knows. And sometimes it's better to tell rather than show. You just never know.
A student in class reacted to some of this advice (from Hugo) by saying that it made him want to do just the opposite of what Hugo advised; he had the "don't-tell-me-what-do-do" response, not a bad one for a poet to have. Probably Hugo himself would endorse the reaction, and of course most writers and teachers of writing assume that when they give advice, it will be taken, dismissed, and/or modified but that each of these three responses is fine as long as it works. No doubt Hugo deliberately gives specific advice on seemingly trivial matters (in some cases) just to get poets thinking specifically about how they write, not to get them to write exactly as he does.
In the following poem, I think I unintentionally followed Hugo's advice about not answering questions. The poem does ask and answer questions (a no-no), but, arguably, it also answers questions not asked (okay according to Hugo's "rules"). (It's interesting that all politicians answer questions not asked, but probably not for poetic reasons.) The poem first appeared in Poetry Northwest (Spring 1987), a venerable magazine (founded at the University of Washignton, edited by David Wagoner for a long time) that went out of business but was just revived--in Oregon, I believe. Rather belatedly, I'll "dedicate" the poem to the late Richard Hugo. I never met him, but we exchanged letters once in which fishing was mentioned. Here's the poem:
From Another Part of the Forest
How are you today?
Ten dead fish float in the lake.
May I help you?
Five cattle lie in the shade.
Won’t you please sit down?
A bobcat rakes a deer’s back.
Do you love me?
A butterfly folds up its wings.
What are you waiting for?
Seven geese waddle toward a pond.
Are you sure?
A frog jumps from a log into mud.
Copyright 2007 Hans Ostrom. First published in Poetry Northwest (Spring 1987).
Of course, the business about pencils is a bit tongue-in-cheek--but also refreshingly specific, especially in contrast to the tired, vague advice usually given to writers, such as "write what you know" or "show, don't tell." Because poetry and fiction concern imagination, or making things up, one is always writing what one doesn't know even when s/he is writing what s/he knows. And sometimes it's better to tell rather than show. You just never know.
A student in class reacted to some of this advice (from Hugo) by saying that it made him want to do just the opposite of what Hugo advised; he had the "don't-tell-me-what-do-do" response, not a bad one for a poet to have. Probably Hugo himself would endorse the reaction, and of course most writers and teachers of writing assume that when they give advice, it will be taken, dismissed, and/or modified but that each of these three responses is fine as long as it works. No doubt Hugo deliberately gives specific advice on seemingly trivial matters (in some cases) just to get poets thinking specifically about how they write, not to get them to write exactly as he does.
In the following poem, I think I unintentionally followed Hugo's advice about not answering questions. The poem does ask and answer questions (a no-no), but, arguably, it also answers questions not asked (okay according to Hugo's "rules"). (It's interesting that all politicians answer questions not asked, but probably not for poetic reasons.) The poem first appeared in Poetry Northwest (Spring 1987), a venerable magazine (founded at the University of Washignton, edited by David Wagoner for a long time) that went out of business but was just revived--in Oregon, I believe. Rather belatedly, I'll "dedicate" the poem to the late Richard Hugo. I never met him, but we exchanged letters once in which fishing was mentioned. Here's the poem:
From Another Part of the Forest
How are you today?
Ten dead fish float in the lake.
May I help you?
Five cattle lie in the shade.
Won’t you please sit down?
A bobcat rakes a deer’s back.
Do you love me?
A butterfly folds up its wings.
What are you waiting for?
Seven geese waddle toward a pond.
Are you sure?
A frog jumps from a log into mud.
Copyright 2007 Hans Ostrom. First published in Poetry Northwest (Spring 1987).
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