Bookshelves

In a musty library room

in a friend's old abode,

dark wooden shelves,

floor to ceiling, look like

rows of secrets, willing

to be opened like gates

and doors and windows

and minds. To reach

for one book, clothbound

with no dust jacket, and 

take it from its snug space,

fulfills a desire. For what?

You don't entirely know,

do you? But there it is,

the book, quiet and pliant

in your hands, centuries

of the printing art floating

invisibly behind it. The rest

of the books on all the shelves

and walls look on,

like spectators at a stadium--

but they're the quietest

audience ever. A clock's

bell dings, softly, softly. 

Hans Ostrom 2024

Solitary Book

She's a solitary book. She
wants a shelf all to herself.

She's well printed inside
and bound with a durable,

beautiful cover. She's full
of ideas, pathos, and humor.

Sometimes she invites me in.
There it is a local heaven.

From her name and table
of contents through to the

colophon, back and forth
I go along innumerable paths,

knowing her story in some
of its endless ways. It's never

long before she sends me away.
She likes a shelf all to herself

and is most comfortable when
closed.



hans ostrom 2018

The Semicolon in Modern Thought

The Semicolon in Modern Thought

Scholars disagree; they are disagreeable.

According to Jeb Nolocimis, Distinguished

Three-Legged Chair in Social Podiatry at

Bandsaw University, a hallucinating German

printer presided over the marriage of Period

and Comma in his shop, located in

Mainz-am-Rhein, circa 1498. However,

Dr. Lola Doirep of the Toots Institute

rejects Nolocimis's account as "surreal

historicism." She argues periodically

that the semicolon should be interpreted

semiotically first as inhabiting a liminal

zone vexed by indecision (stop or continue?)

and second as the right and left eyes

of an iconic emoticon, which more deeply

represents "winking post-modernity"

and "the rise of Cyber-cute." Meanwhile,

Argentinian-American poet Rexi Vivaldo,

in his long poem, "Stubby's Quest,"

alludes to the semicolon as "a sad

period's single tear, frozen in time

and space--a lament

for the mortality of clauses . . . ;"

Copyright 2008/2017 Hans Ostrom