"The Composer," by W.H. Auden

At the Edge of the Road One Evening

He was quite high and making
up nonsense songs as he stood
in battered sandals on the gravel.
Dusk. In one of the lyrics he

rhymed spaghetti with confetti.
It was a mournful ballad.
Turning from composing and
performing, he asked himself

if there was any discernible
reason for humanity. He was weary
of the standard answers. He
imagined looking at the human-

phenomenon from another side
of the galaxy and thinking,
"What's that for?" in a British
accent. He then heard his name

called and listened to the familiar
voice as if for the first time. Then
it was no longer dusk but night,
what a drag.


hans ostrom 2017

Duke, Again

With Ellington, never
just one mood, ever
two or more.

State profoundly
something simple
but please

don't decorate.
Slip something
gut-bucket,

not quite profane
but close, into
urbane constructions.

Make smart choices.
Move efficiently
like a chess

assassin. The players
are the source:
so obvious, but

almost always
overlooked: Aristotle
understood. Remain

madly allergic
to cliche. Dodge in
and out of the fray.


hans ostrom 2015