It's 1949 . . .

... and the rural mountain saloon's
full of cigarette smoke and men, maybe
a woman or two, though the word gal
is still in use. One man's missing
a leg up to the hip. Another's
almost blind: the war. No one
shares their most private thoughts--
of death, desire, fear, poverty.

Glasses of beer and whiskey
go to lips. It's an age of basic booze.
Smoke goes in and out of lungs,
spiders up to the stained wood ceiling.

The bartender, red-faced, washes
glasses, empties ash-trays, wipes
the dark varnished bar, counts back
coins stained with dirt and grease.

Already another war is coming. Like
waves, wars keep coming. The bosses
of history don't visit bars like this
or live in towns like this or work
with their hands. Calendars
and clocks trick the mind,
and it's almost dinner time.

hans ostrom 2023

Exhausted Monuments

Our monuments are weary.
They want to quit their jobs.
They hate fronting for history.
They like birds, rain, sunshine,
and snow because all four
play in the present.

Our monuments want to travel
abroad to meet other monuments.
Some days they just want
to break apart to become
the abstract and liberated
art of rubble.

One monument told me it
simply feels in the way,
heavy, ridiculous. It
stands there shilling
for something people
who have either forgotten
or want to forget what lies
behind the monument,
which wants only to support
birds, darken for rain,
shine for sun, change
shape with snow.


hans ostrom 2020

And the Smiles Don't Disappear

In another century, you walked
across Litenyny Bridge,
St. Petersburg. Snow with notions
of rain fell tangentially then.
You'd come from Sweden
expecting nothing. The city
was scuffed, stained, and strained.
Puffing buses spewed black exhaust,
hauling hardiest people. You
were on your way to the Finland
Station, because of what you'd read,
not what you'd lived. The river
was white. And beautiful.

Now in this century, lights
of St. Petersburg have bloomed.
The Bronze Horseman's vision
of the City has been buffed.
Hope's been hauled up out
of sad pits. People breathe
and laugh, walk to school
and work in good clothes.
Fresh vegetables for all.
Revolution enough, but don't
tell Lenin. When in St. Petersburg,

you must look for Akhmatova's
house--well, one she lived
in. Because you like living,
you seek beet soup in September
as rain with notions of sunshine
falls in a kindly way on  massive
monuments and canal water, on

people's hats and umbrellas--

on their smiles, which do not disappear.


hans ostrom 2019

out of the moonlight rode the tall grasshopper

history

          is

  all knotted up.

inactivity is active interactive interactive

i like

         dirt

hans ostrom 2018

Underwater History

for Don Parkerson

They're there, our oceanic blunders.
Monitor and Merrimack. Spanish galleons.
And our depravities: slave ships.

Submarines like the Thrusher
could not cope with fathoms.

Weed and coral enhance remaining
shapes. A crucifix grows ocean hair.
A doubloon swells into a rock,
and a captain's iced skull lectures to
a school of fish. Diving down,

the historian cannot afford to haul
a text. Theories don't hold oxygen. He
monitors (and merrimacks) his every
breath like a meditating monk.

What comes clear in obscure depths
is the sluggishness of history,
the persistence with which events
get devoured: how a ship only gradually
slips off the reef to ultimate depths;
how accoutrements of empire
dissolve like common soda.

Floating there, the burden of breath
on his back in steel tanks, the historian
sees small sharks swim through
portholes of a destroyer.  The broadsides
of history went unheard here. Ocean,
imbued with oblivion's appetite,
accepted all defeated ships,
all wars and atrocities, settled or not.


hans ostrom 2017

You Haven't Earned a Prize

When you're White, and you learn
things and as they say get your
consciousness raised enough
by the jack called the-way-things-are-
and-have-always-been, you end up
losing friends and not really wanting
to hang around many White folks
much because disgust and rage
are exhausting.

If your view gets raised a little more,
you won't feel sorry for yourself,
you'll understand, why Black folks
really don't want to hang around you,
whether it's personal or not.

It's not like you're awareness
is anything more than the minimal
thing to achieve, and it's not like
you've somehow earned the prize
of their company.  Solitude

and isolation, boo-hoo, tough shit.
Your modest discomfort doesn't
even register on the scale of pain
to which the colonies and the United States
dedicated and still dedicate themselves.
You've probably heard the saying:
Many White people fear a race war;
most Black people, like their forebears,
continue to try to survive in one.


hans ostrom 2016

Message From Dolores

Someone named Dolores

called for you today. 

She lives in the 1940s,

asks that you visit her there.

Seems she has details

of history to share—wool

skirts, unfiltered cigarettes,

a porter on a Pullman car

who saw too much, a neighbor

who never came back

from Tule Lake.  She wants

to play records for you—

78 RPM, thick as UFOs.

She wants you to understand

what it was like for her, what

she had, chose, and refused

to do. She understands how

busy you are.  Still she’d

like to see you.  Open

one of those boxes in storage,

find a photo of or words from

Dolores.  Walk through the

page.  Dolores will be waiting,

holding a Chesterfield just so,

ready to tell you about women

and men back then.  Don’t

worry.  She can’t come back

but you can.  You have a pass

that lets you go between now

and then.  The price of the pass

is just to think about the past.

That’s all.  That’s really all

there is to it.  Ask Dolores.

--Hans Ostrom, copyright 2012

Have It History's Way

Shaggy evergreens shrug and sway in a rainstorm.
Ezra Pound wasn't much for trees--Wordsworth-weary,
I suppose. Couldn't see history in or through them.
Instead he thought of rocks, layered, and of drills.
He was an American engineer. He wanted

comprehensive control of culture as if it were
acreage for the over-taking. Mineral rights.

But history's circulatory, and it's wet. It's
flexible, weird, and mysterious. Try to package
it, and you'll lose the magic. Impose upon
it, and it will flee like an Idaho mountain lion.

No, don't drill it, as if you were going
to set a charge, blast some ore.  Receive
it easy like a storm, shrug and sway and stay
surprised by it, and you will have its way with you.


Copyright 2012 Hans Ostrom