for Don Parkerson
They're there, our oceanic blunders.
Monitor and Merrimack. Spanish galleons.
And our depravities: slave ships.
Submarines like the Thrusher
could not cope with fathoms.
Weed and coral enhance remaining
shapes. A crucifix grows ocean hair.
A doubloon swells into a rock,
and a captain's iced skull lectures to
a school of fish. Diving down,
the historian cannot afford to haul
a text. Theories don't hold oxygen. He
monitors (and merrimacks) his every
breath like a meditating monk.
What comes clear in obscure depths
is the sluggishness of history,
the persistence with which events
get devoured: how a ship only gradually
slips off the reef to ultimate depths;
how accoutrements of empire
dissolve like common soda.
Floating there, the burden of breath
on his back in steel tanks, the historian
sees small sharks swim through
portholes of a destroyer. The broadsides
of history went unheard here. Ocean,
imbued with oblivion's appetite,
accepted all defeated ships,
all wars and atrocities, settled or not.
hans ostrom 2017
They're there, our oceanic blunders.
Monitor and Merrimack. Spanish galleons.
And our depravities: slave ships.
Submarines like the Thrusher
could not cope with fathoms.
Weed and coral enhance remaining
shapes. A crucifix grows ocean hair.
A doubloon swells into a rock,
and a captain's iced skull lectures to
a school of fish. Diving down,
the historian cannot afford to haul
a text. Theories don't hold oxygen. He
monitors (and merrimacks) his every
breath like a meditating monk.
What comes clear in obscure depths
is the sluggishness of history,
the persistence with which events
get devoured: how a ship only gradually
slips off the reef to ultimate depths;
how accoutrements of empire
dissolve like common soda.
Floating there, the burden of breath
on his back in steel tanks, the historian
sees small sharks swim through
portholes of a destroyer. The broadsides
of history went unheard here. Ocean,
imbued with oblivion's appetite,
accepted all defeated ships,
all wars and atrocities, settled or not.
hans ostrom 2017
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