Photographs of Kafka

Photos of Kafka
bend the heart a bit.
They make you want
to buy him coffee,
also pastry, and listen
to him tell a joke.

He's slight, his face
is bony, his coat's
too big. He isn't absurd:
The photos mean too much.

You want to say, Come
back, Mr. Kafka, and have
another try. If God knows,
then God knows you've
earned a second chance
with fresh lungs
and time to write.



hans ostrom 2020

Photo from Dallas 1963

There's that lesser known photo from Dallas,
1963. Johnson, crowned by a cowboy hat,
almost smothers the foreground. He's
come down the steps of Air Force One
and hit the tarmac bellowing, bellicose.
Citizen Canine. The camera seized

his right arm as it rose in salute
to Texans, so it seems like a fascist
salute. Kennedy, bad back and all,
is several steps above him but
upstaged. Johnson has put his boot
on the throat of protocol. The President has
reached across his body to grab

Johnson's shoulder and hold him
back. It's hopeless.  Johnson and time
have become mad bulls. Kennedy's
sad face suggests surrender. Between
the men, Mrs. Kennedy seems to sink
beneath the surface of something.

The immensity of the suited males
becomes grotesque and arid--
menacing, but not like the slobbering
dogs of Birmingham. Mrs. Kennedy
looks politely terrified, glassy-eyed,
impaired by celebrity, sick to death
of the spectacle of power. In its own
way, the photograph is obscene.


hans ostrom 2016

Snapshot

The OED online tells me that "snapshot" (as a noun) goes back to the early 1800s in print and referred then to a more-or-less un-aimed shot using a gun. However, the word took on its photographic meaning not long thereafter, whereas I'd expected this connotation (now a denotation) to come from the early 20th century:

[1860 HERSCHEL in Photogr. News 11 May 13 The possibility of taking a photograph, as it were by a snap-shot{em}of securing a picture in a tenth of a second of time.]

(Quoted from the OED online)


Snapshot

By any means, capture an image,
mark an instant's interplay between
light and facial shape. Shuffle the image
off into memorabilia, through which
someone may sort or rummage some day
not soon. Whoever it is will wonder
whose image was captured back then,
back here, where at the gathering
we think we know who's here, what
they're wearing, what they show. So
yes, of course, take an image from
the flow, stabilize it in one of
the ways we know. Store it, for it
may be of interest one day, could be.


Copyright 2009 Hans Ostrom

Stolen Photos

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His Photos Were Not His

The temporary celebrity wasn't celibate. He
deleted from "his" hard drive photos of himself
and others frolicking in "privacy." Digital
piracy ensued. A Dickensian clerk at the local
rag-and-computer-parts recycling shop recognized
the fellow and reconstituted images from the
celeb's impersonal computer, sold them, and
they enjoyed a viral notoriety on screens
around our sad and rocky globe. The celeb

and his publicist met the media and were
quoted. The clerk got fired and paid a
fine. There is no line. No one owns anything:
prophets have murmured this news to us over
the eras. Now the Internet has made their
knowledge common. Intellectual property
and private photos languish in the
Oxymoronic Lounge, sipping mocktails next to
an irrelevant highway. The celeb should have
hammered the hard drive with a sledge, but
paparazzi would have clicked a thousand images
of that, so there you go, and so it goes.


Copyright 2009 Hans Ostrom