The Legend of the River Liffey Pike

And here we will pass on
the tale of the River Lifffey
Pike. This pike was so big
(so big!) that in order to
change its direction in the
Liffey, it had to perform
a three-point turn like
a black limousine. And this
is as true as it possibly can be.

Over many years, all the
anglers around Leixlip
and Straffan tried to catch
the pike but the giant just
slammed into their legs,
ate lines and leaders,
snapped fishing poles
like twigs, and threatened
children and nuns.

Finally one day the
notorious poacher Bon
hooked the massive mean
pike with sturdiest leader,
line, and pole. A dry
fly he was using. Bon
fought the fish, fought
it but couldn't reel it
in. So he went to the bank
with his pole and circled
a large tree many times,
docking the River Liffey
Leviathan. Then Bon

clambered up the bank
and lumbered is way
to the Salmon Leap Tavern
in Leixlip. He recruited
a band of Guinness-lit
lads to help him haul the
big pike in. Bon led

the laughing band down
to the bank, only to find
that the leader, the line,
the pole, the tree, and the fish
had all disappeared.

So big, so large, so grand
was the River Liffey Pike
that it had hooked the famous
poacher Bon, played him
for an optimist (all anglers
are optimists, they must be),
reeled him in, and dropped
him in the creel of local legend.

On your travels you may find
yourself in Leixlip on Cooldrinagh
Road, Lucan Demesne, County
Kildare, Ireland. Stop by the Salmon
Leap Tavern, it's there, and after
you've settled in with a pint
and made the acquaintance
of those in attendance, ask them if
they've heard of the River Liffey
Pike that gathered in the leader,
the line, the pole, and the tree
and set itself free from the infamous
poacher, Old Bon, who upon returning
from his loss, stood all the lads
to a pint and started to tell
them a story they already knew
and added some details, a few,
just a few.


hans ostrom 2019

On the Leg to Dublin

Something is rotten in Amsterdam.
Probably my clothes during a day
and its night of air(less) travel.

The Amsterdam airport is almost
as empty as the American
president's head. One more leg

to go, I go through a gate only
to get on a bus, which takes me and
the rest of a considerable herd

past an epic line of florescent
hyphens in the dark. They suggest
an endless industrial pause

for no effect. From the bus I
see that over the airplane
hangs a moon that looks like

an egg with problems. Clouds
soil it. Out of the bus I go up
some iron steps to my seat,

which is 2-B, or not 2-B: much
is contingent upon the mood
of an Irish attendant on unpaid

overtime. She makes the woman
seated in front of me stow
a stuffed toy dolphin overhead.

Her co-attendant Conor re-counts
the passengers as a Dutch man
in a yellow vest tells the aircraft's

captain he's going to write a report.
He says several more times, "I'm
going to write a report." The aircraft

seems to fall asleep. I think Hamlet
should have traveled more, gotten
out of the castle into the world,

away from swords and ghosts
and other castle creeps. "Tighten
your seat belt," the Irish attendant

tells me. Her last name's McCarthy.
If she knows about Hamlet, she
probably thinks he's a bit of a wanker,

an English-speaking Dane too old
to live at home who talks to skulls.
The Dutch man in the yellow vest

leaves. Let the report-writing begin.
Let Conor and McCarthy prepare for
takeoff. Let the leg to Dublin commence.


hans ostrom 2019

My Location Can't Be Found

I asked my phone where I was.
I mean, I knew where I was
according to old customs
but I wanted to know my location
according to rules set out
by our minders, the satellites.

The phone said "your location
can't be found." I didn't care
where I was anymore. I cared
that things seemed to be going
all right, what with my still
breathing and all. My phone

was not connected to the line
on which I thought I was. The
Great Online. What's more
chaotic than connectivity?
Ask your phone. Its answer
will be evasive.


hans ostrom 2019

Regarding Boxes of Boxes

There's something wrong
about a box of boxes.

It's as if Box World
has suddenly acquired
a food chain and boxes
have started eating boxes.

Open a box of boxes,
and you'll almost hear
the inner boxes moaning,
sobbing cardboard sobs.

Each of them wants
to contain something
independently. They're
fine with intervals

of emptiness, which
are better than the horror
of recycling or
the atrocity of magic.

I'm a zealot on the subject:
a box is mean to be
autonomous, enclosing
material matched to form.

I'm not afraid to declare
I belong to Box Liberators.
Stand--or sit, on a box, your
heft matched to form--with us!



hans ostrom 2019

Over: A Song

Over the bones,
monuments stand.
Over the stones,
dirt, grit, and sand.

Over the stream,
one heron flies.
Over our heads:
banal gray skies.

Now lightning,
now thunder,
now rain.

Umbrellas
will bloom
in the lane.

Over the years
the town's grown sad.
Over the good
runs all the bad.

Over my soul,
crows and owls fly.
Over my days
looms the great Why.

Now silence,
Now whispers,
Now crying,

As always
we're selling,
we're buying.



hans ostrom 2019

Self Government

A federation of doubts governs
my days. Fear, the old dictator,
has risen again. It's enough
that you're breathing, proclaims
this moment's fretting mayor.
The mind continues as a manic,
busy legislature.


hans ostrom 2019

Local Residents Are Disturbed

      (found poem based on news headlines)


Disgruntled diner shoots waiter
to death over sandwich delay. Girl
dies after being left in hot car.
"Stand your ground" trial begins
in killing over handicapped
parking spot. Giant hand statue
touches down in New Zealand
and local residents are disturbed.
At least 6 teens are shot at Houston
"instant house party" organized
on Snapchat. A man has been
arrested for allegedly threatening
to shoot up a Jewish center in Ohio.
Lynching reemerges in new rhetoric
of hate. Fracking prompts global
spike in atmospheric methane,
study shows. Climate change
to shrink economies of rich
and poor, hot and cold countries
alike. Hottest month on record
for the planet, scientists say.


hans ostrom 2019

Contrarian Poets

Not that you asked, but from my earliest days of reading poetry up to now, I've been drawn to the poetry of contrarians who chose not to fit into the popular or popular-literary conventions of the day. Emily Dickinson and Gerard Manley Hopkins are good examples, and I started reading their poetry when I was a teen. True, Dickinson worked in what fit loosely into ballad/hymn traditions, but disrupted most of the conventions with regard to subject matter, meter, rhyme, and world-view. Hopkins was a Jesuit priest who usually had his poems get around to praising God, but I had the sense that wasn't his main emphasis, which was on exploding the iambic line. Like Dickinson, he had an unusual worldview insofar as he was drawn to what was imperfect, improvised, messy. "Pied Beauty" expresses this view best, perhaps.

Then there's Karl Shapiro and Langston Hughes. Shapiro was in some ways part of the literary establishment insofar as he edited Poetry magazine, taught at big universities--as many poets did after World War II--co-wrote a book on English/Irish/Scottish/American prosody, and early on worked in rhyme and regular meter. But as with Dickinson and Hopkins, he disrupted the tradition as much as he worked within it. As to subject matter, he wrote about killing flies, auto wrecks, troop ships, and the like, though he could produce a good love poem here and there. He deliberately cultivated an eccentric image of himself, as a Jew who was far from orthodox, a Jew who thought Pound shouldn't get the Bolingen Award because of his fascism, an "atheist who says his prayers," a "bourgeois poet" in an era when the alleged anti-bourgeois Beats were all the rage, and so on. He belonged but thumbed his nose at belonging. He mocked at will.

Smack in the middle of the Modernist era, Hughes wrote accessible verse about a wide swath of Black experience. He did the latter way before it became a crucial part of African American literature. It was as much a political, existential stance as it was a literary one. Like William Carlos Williams, he occupied the accessible turf of Modernism, contrary to Joyce, Eliot, Pound, and all their deliberately "difficult" imitators. Hughes also went all in on socialist politics in the 1930s--until Mussolini invaded Ethiopia and Hitler started his race war and Stalin conducted his own genocide. Again, based on existential reality, Hughes supported the war against the fascists.

Luckily, I was able to take classes from Shapiro, and maybe that reinforced my contrarian nature. I chose not to pursue an MFA and preferred to earn a Ph.D. I was never part of any local, regional, national, or online movement, clique, or club. This wasn't out of a desire to make a point; really, it's just that I didn't enjoy or need that kind of thing, for whatever reasons. It is true that, having grown up in a town of 225 in the High Sierra, I was indeed a hick with a built-in eccentricity feature. I was West Coast, and in spite of all the powerful regional movements in American poetry, the East still rules. I grew up in an era when there were legions of male poets who fashioned themselves hard-drinking tough guys who, when they taught classes, liked to be cruel, or to not show up, and to cultivate some version of a renegade persona. It got so de rigeur that I recoiled from it.

Nowadays, I avoid all the online groups and cliques, although I say, "More power to them." Whatever gets and keeps poets writing is more or less all right with me. I'm still drawn to poetry that goes against the grain in some easily discernible way. I never got the hang of L-A-N-G-U-A-G-E poetry, although I got what they were aiming for. Too often, it just seemed like gibberish or, when not gibberish, excessively taxing on the reader's patience.

I think much African American and otherwise "ethnic" poetry--Latino/a/x, Asian American (many sub-groups), Native American--brings a huge amount of energy and innovation to poetry and is often the best of the Spoken Word stuff.


hans ostrom 2019

Ins and Outs

A cat is walking in and
walking out as a tide is going
out and coming in as metro
trains are going out and
coming in as harmonica
buskers suck notes in
and blow notes out,

as workers enter and exit
buildings of their jobs
as your breath is going
out and coming in as
your sense of consciousness
is pulling back, now
pushing forth--in

this moment, as you
observe to yourself
you are alive.



hans ostrom 2019

Unicorn and Dragon

A unicorn asked a dragon,
"Would you like to exist
in material form?" "Hell

no," the dragon answerd.
"My breath would set
my head on fire."

"Prefer the myth,
my mono-spiked friend."
"Thank you," said the unicorn.



hans ostrom 2019

Seeds in My Bed

Dark brown seeds
in my bed. From bread.
(Bed is a place for sleep,
books, and sex. Beyond
these three, life does have
a few other highlights.)

The seeds look like tiniest
canoes. I'm going to sleep
beside them because I
am not moved to tidy up.

I won't have the recurring
dream of lying flat in a canoe
and floating down a river,
night, many others floating
in their canoes beside me.

The river rivers me
toward a sunny place where
people seem okay and help
me ashore. Because the

brown seeds made me want
to dream that dream,
the law of dreams will not
let me dream it. Goodnight.


hans ostrom 2019

Wood Carving

Is this wood
in the mood
for steel? The
shape you see
in there is real.
It's not a distant
form. Your body
warms as you
dig in, asking
grain if it's seen
the spoon you
want. Of course
it has. A basic

sensuality abides
in this old craft,
which predates sin.
Odd, and good,
how body and
attention mold
themselves around
the task. Shavings
and gougings fly
like fat snowflakes.
Wood remaining
repeats a mantra
to you as you carve:
carver, slow down. 



hans ostrom 2019

An Opening

Gamblers and philosophers--Pascal was both--
need a system. Poets with a system wake up
one morning or night and the system is lying
next to them like a suit of armor made entirely
of mollusks. Unsatisfactory. Poets need openings,
not systems. There is life and there is language
and there are openings between the two and poets
look for them. Here's an opening: go through.


hans ostrom 2019