Let the Maul Fall

In Fall always
use a splitting maul or an ax,
never a hatchet,
to split cut wood into kindling.

As you split and sweat, don't forget
to find the smell of sap in air.
Find a rhythm to body plus wood
plus chop; and air.
Let the maul fall,
no need to swing it. It's splitting
not chopping, after all.

Would anybody find you
if you walked back into
woods to apologize to trees?
Thoughts like this come from air
as your mind moves away
from the fall of the maul's
heavy head and blade.
Hitting a knot calls your mind back.

Find yourself done with splitting
wood, two boxes of kindling,
let's say. Wood stoves are disappearing,
they must. Culture always
chops away old days, splits
custom, finds other ways to warm itself,
finds other work to get that done.



Hans Ostrom 2017

"To a Lady Playing the Harp," by Paul Laurence Dunbar

"Att Älska" by Gunnar Ekelöf

"On Inhabiting and Orange," by Josephine Miles

Jambing Jam Jive

Jam of the berries, plums,
and sums of water, sweetness,
concoction. Jamb of a door,

a line, or a vine propelling
itself gradually toward
a window sill: vegetative

will. Jamb of the saying
when English meets French,
leaving you singing

the time-and-place blues
on a bench. Jam of aggression,
reckless and crude, forcing

parts to fit into
what's falsely trued.


hans ostrom 2017

The Vast Hall

Another group has rented
the vast hall here. We must leave.

We didn't know this day would come.
We knew a day would.

Yes, of course I'm confused
and afraid, as if I'd been hollowed

out and panic had been poured in.
I'm also greedy for more time

in this grand space. That's so small
of me.  A door will open,

and a door will close. The simplicity
of it is appalling.



hans ostrom2017

"Everything Passes and Vanishes," by William Allingham

"Hölderlin's Old Age," by Stephen Spender

"The Mystery Poem," by Sara Teasdale

"The Mystery Poem," by Sara Teasdale

"For a Poet," by Countee Cullen

"Dusk in Autumn," by Sara Teasdale

Becausing

because we say because
   we try to know why,
to isolate a correlate,
   shun ones we see
to be against our picture
   frame of the world,
the notion of the world
   itself a frame,
an abstracted concrete
   rain-blur in the brain,
neurologically produced.

                        loosed,
we speculate, and early we
   decide before
we know because we need
   to say because.


hans ostrom