"Fragment," by Jessie Redmon Fauset

"They Are Up"

Strong and bold,
confident and true,
sprouts of tulip
and daffodil
poke through the well-
drained soil. One

thinks of espionage,
a listening post
gathering intelligence
from weather and sending
it to handlers underground.

Some of the sprouts
look like a green cat's
ears. They hear the jazz
of warmth. Others seem
the shape of the tip
of the trowel used
by some hulking mammal
in clothes, planting
sadly in October,
preparing the floral
resurrection grave.

hans ostrom

"Hiram Speaks of the Alleged Ghost"

Yes, I can confirm there was a ghost in that house.
We knew so the first week. Pop called
Uncle Zipp and Aunt Peach over, they
located it, grabbed it, threw it
in a steel box, and released it into the woods
a hundred miles away. Mother said,

"I'm not cleaning up after a spirit."
Pop: ". . . the rude sonofabitch."
Sally, my sister, the budding scientist,
said, "There's no such thing as a ghost,"
but didn't object to the transport
of nothing to elsewhere.

If anyone had asked me, and they didn't,
I would have said, "What's wrong with a
ghost? Let's see how it goes."
I still like to hike in those woods.


hans ostrom 2015

"I Was Sent a Link"

She texted me. I was texted.
Text Ed. Textual Education.
The text said she
was going to send me
a link.

Three days later, a single
sausage showed up in the mail.
I didn't eat it, although
it smelled okay for having
been on the road for three days.

I realized for the first time
that a sausage
could be mistaken
for a cat turd.
Some epiphanies are unpleasant.


It was a little meat-log,
an analog link, I think.

I sent her a thank-you-note.
Actually it was a "thank-you-
I-think-for-the-link" note.


hans ostrom 2015

"The News from Inside"

Inside me, still,
lurks the baby who could walk
but chose not to
(wanting instead to stand up,
hands grasping the rail
of what they called a play-pen)
and to watch. It seems

I was born wary
and passively resistant.
And that's who I stayed.
In the 17th month, I walked
because, having watched them,
I noted that they
seemed to want me to walk.

Inside me, I don't
contain multitudes,
and Walt Whitman can
go fuck himself. Inside me
there's the DNA of a woman
living in Africa
160,000 years ago:
it's inside you, too.

And then inside there there's
a few people who worked like dogs
but not as hard as slaves. Maybe
a failed preacher, certainly
a Skid Row drunk, and possibly
the funniest patient in what
they called a mental ward.

Inside me, I think it's
population: 12. Or so.
But no apostles. In there,

an old non-descript tree
finally gives up, accepts
a lightning-smash, explodes,
and falls. Deer, squirrels,
owls, a cougar, a bear,
and maybe some hiker with
a bandana tied around
dirty hair mark
the arboreal collapse,
but, god damn it,
there's never a Zen monk
around when you need one.
And Walt Whitman
can go fuck himself.

Inside me, there's
a startling, a chronic
mild terror--maybe because
at month 15 or so,
I learned from informed
intuition that very little
in this life-thing makes sense.


hans ostrom 2015

"Literary Criticism"

Today we shall define literary criticism
as the art of constructing a weak
but elaborate foundation
to support a simple but heavy opinion.

Sooner or later, that
which seemed new, brave, and rigorous
will collapse under the weight
of the opinion and

because of the weakness.
The opinion shall remain,
functioning mostly
as a grave-marker,

for--just over there!--
shall have arisen
an impressive new structure
to which the flocks are flocking.


hans ostrom 2015

"The Pascaline"

Have you seen the Pascaline?
Nor have I. It must have been fine.
It was a calculator from
the 17th century, built
by the legendary Blaise Pascal,
who even with a friend (Fermat)
also certainly found a math
to figure the odds of a roll
of the die. Later,

he invented Pascal's Wager,
a thought-gamble in which
you must choose to bet (get
this) on whether God exists.
Is the smart money
on yea or nay?

Pascal's Pensées persist.

Black dots on white cubes
tumble in my untidy mind.
I really hate Las Vegas,
the true ghastly capital
of the USA, and I really
would like to say I've
seen a Pascaline. But I can't
say that I have.


hans ostrom 2015

"The Superb Owl"

(super bowl)


What is this superb owl
that everyone's talking about?
It sounds fantastic. I would
like to watch it, to see it glide
in moonlight across
a clearing, alighting in a grove.

Well, yes, of course, we may hold
a superb owl press-conference
and attend superb owl parties!
I don't yet know what in particular
the superb owl even better
than other owls I've seen.
I will not quit until I find out.

In the meantime, let be known
that near barns and in woods,
in city parks and gullies,
on plains and in mountains,
I am a fan of the superb owl,
its perfect wingspan cutting
silently, like longing,
through the air.


hans ostrom
copyright 2015

"Exculpatory"

Not that you asked, but I like
the word exculpatory.
Its syllabation, to be more
or less precise.

The syllables make me think
of frogs croaking avidly,
singing exculpatory!
but never in unison,
for croaking is a kind of chaos,
free-form pond-jazz,
musical theater of
puffed-up slick lawyers
raising evidentiary objections to a judge:
the moon, which reflects a hidden law.

Syllables, a pond, the murky,
mucked up border between water
and land, frogs, moonlight--yes,
an excellent grouping
to host in my mammalian cranium
tonight as I scribble and scrawl
a way through
the dim light of my obscurity
to which I have been no not
syllabled but sentenced.


hans ostrom 2015

"Simon on the Bus"

Well, if the voices start,
Simon thinks, and they surge
and urge like sounds of a quarreling choir,
I'm gonna entertain 'em,
treat 'em as my cousins
at my hallucinated picnic,
which is as real as the rain
on the street out there.

Trying to lock them out
has worn me out, he thinks.
So does trying to select
a leading voice. That kind
of thing and thinking gets me kicked off
buses. Sometimes I feel

my mind my brain want,
oh want to produce an opera
all by themselves
without the help of
pill-wielding psychiatrists
who around me
seem to lose their sense of humor.
Oh I entertain them, it does
seem, though. They should be paying me,
at least my fare there; and back.



hans ostrom 2015

"Pandora Protests Just Enough"

Right--as if evil weren't in the world
already. You fucking gods are such liars:
okay, that isn't news. But
your lack of imagination?

"Yeah, we kept evil in a box,
but then we gave the box to this lady,
who went and opened it." That
is some weak shit.

So, look, either Prometheus
was evil for stealing your little
torch, or you are evil for torturing
him, or both. Ergo, evil pre-dates me.

It's your world. We just live in it.
The truth is the box was empty
until I started picking up beautiful
things and putting them inside.


hans ostrom 2015

"How You Represent Yourselves"

...And here they had thought all along
that what they must not try to represent
was God. No images of God!
they told each other in many
languages, from many faiths
and points of earthly view.

It turns out that God
(named differently by different
faiths) later told them
in a Godly language, Go ahead
and try to image me. I can
be God right in front of you
all day long, and night, and you'll
never no not ever image me
accurately.

And God added, for God can
and will add, I have seen
what you produce, all that crap,
and what bothers me is how
you represent yourselves.
Yourselves you do not represent
imaginatively. And you never
no not ever seem to weary
of killing each other,
mechanically, habitually,
routinely. Killing is
a representation, apparently,
of what and whom you aspire to me.

God suggested, You must ask
yourselves what is wrong
with you; ask continually.
Do not ask me. Represent yourselves
more imaginatively.


hans ostrom 2015
#BlackLivesMatter

"Judged"

To be seen
was to be judged.
To be heard
was to be judged.
To be silent
was to be judged--

judged for seeming
to withdraw from judging.
Thus silence seemed preferable.

To try to perform any task
was to be judged.
To prefer not to try
was to be judged and
to be forced
to try, then judged.

To conform was to be judged.
Not to conform, the same.

Every so often in this climate
thick with judgment, one
of the judges might throw
some praise your way, grudgingly,
as if it were a bone to a dog.

To read was to be judged but not
effectively, for they knew not what
exactly to judge you for, quite.

Thus reading became a pleasurable,
soft fortress. To write

was to have the written judged.
Worth the risk.

Just to be and to try to fill out
your personhood was to be judged.

They taught you how to judge
yourself: oppression, swallowed
and digested.

The energy they spent on judging
and you spent reacting to and evading
judgment: incalcuable; to be judged
a misappropriation.


hans ostrom 2015