The Planet's Disease

Industrial humanity's become
a bad disease the planet suffers from.



Hans Ostrom, 2013

"Message from a Bookmark," by Hans Ostrom

"Worrisome Quatrain," by Hans Ostrom

Desire of the Keys

And the keys said,
"Let us off this metal ring.
We want to lead our
separate lives, travel
our chosen corridors,
try many locks,
and be seized
by an adventure of hands."


Hans Ostrom 2013

"Nights of Music," by Thomas Moore

"Poets and Critics," by Alfred, Lord Tennyson

"Dear March - Come In," by Emily Dickinson

No Answer to the Ocean

It's like this, maybe: A tide comes in.


It brings things you come to believe.


There they are, objects on glassy sand.


They're what's come of all your coping.


A stone, a crab-shell, a worn piece of


wood, a string of kelp. They're no answer


to the ocean. They don't add up to a code.



You keep walking on the beach,


trying to figure things out. There's


nothing wrong with that--walking,


wondering. What are you hoping for?





Hans Ostrom

"The Silent Voices," by Alfred, Lord Tennyson

Elvis in the Holy Land

(based on found language)


Deadline approaching
to book
Elvis tour to
Holy
Land.



hans ostrom

"The Tide Rises, The Tide Falls," by Henry Wadsworth Longfellow

Sacramento Capitol Mall

Politicos stride like totalitarian colonels.

Professionals lean into conversations

about cash-flow, internal control, and impact (a verb).

Winos stand against a wall and shiver

their way out of hallucination,

their shirt-fronts soaked with the Lamb's

most inexpensive blood; bums pick through rubbish

and sleep under news; the mad testify

to streetlights and themselves.

No one runs for office anymore

except the staffs of those who ran before.

They govern each other and whisper about us.

Sunlight remains democratic.

We walk in it together

between the muddy river and the capitol.

We are lobbyist and lunatic, accountant and pickpocket,

admin-assistant, tech-person, plumber,

and Ph.D. student writing about

power-relationships.

I find myself wondering not at all

about the powerful. I focus on a trembling hand

that picks through garbage. I fork over

a few bucks to the hand's person.

who gargles the words, "God bless you."

 Somewhere there’s a photo

of that man when he was six years old

and squinting at the camera, happy in a summer

in another state.

Maybe you finally come to hate poverty

enough to pursue it as an art;

maybe a thousand left hooks in the downtown gym

finally leave your brain fizzed like pink champagne,

and you're on the street mumbling to a corner man

who isn't there. Or somebody dies, and your way

of understanding that is to let go the things

that hint of looking forward,

including the grammar of love,

and love of self, and taking tomorrow straight.

Yeah, so, I gave him a few bucks, which will

go for booze, not a sandwich, and I don’t care

because it’s not my money anymore,

and as the Capitol might whisper,

it never was. 

Copyright 2013 hans ostrom

"El Greco's 'Christ on the Cross,'" by Hans Ostrom