Ronald Reagan and Poetry

*
*
(the image is of a statue of St. Patrick, who was a native of France)




I ran across an interesting site about President Ronald Reagan and poetry, and the site even includes some poetry Reagan wrote early in live, as well as an excerpt from a eulogy for him by Ron Reagan, one that is written in free verse. Here is a link to the site:

http://www.thehypertexts.com/Ronald_Reagan_Poet_and_Poetry_a_Tribute_Retrospective_and_Memorial.htm




The site also includes this information:

In his travels through Ireland, Ronald Reagan once took note of a graveside epitaph at Castlereagh, the place where St. Patrick erected the first cross in Ireland:

Remember me as you pass by,
For as you are so once was I,
and as I am you soon will be,
So be content to follow me.

The site was established by Michael R. Burch.

Captions Without Drawings

*
*
*
*
*
Here are some captions that are missing their drawings (cartoons), perhaps for good reason:

1. "No, sir, I'm afraid you may not enter our convent."

2. "God spoke to me and said, 'Glenn, you are God.'"

3. "And this just in to our news desk . . . I'm embarrassed to work for this network."

4. "So how does it look? I had the tailor add some Far-Left fringe."

5. "Dude, I thought you said we were going to a dude ranch?"

6. "Senator, it's the crazy constituent calling again with those facts we don't like."

7. "I believe the American people believe no one should use the phrase, 'The American people.'"

8. "Now I know why they call it the Big Apple."

9. "Welcome to the Big Apple, sir. I'm the Big Worm."

10. "After you turn 40, never weigh yourself unless you're in outer space."

11. "My boyfriend said he wanted to start seeing other people, and I said, 'That's cool with me,' and I removed his blindfold--but not the handcuffs."

12. "I couldn't believe it. I was walking down the street minding my own business when suddenly the onus fell on me."

Found Poem: Cabernet Franc

*
*
*
*
*
*
For a brief found-poem about the wine, cabernet franc, please see . . .

http://redtalesbook.blogspot.com/2009/09/80-cabernet-franc.html

Woman In A Waiting-Room

*
*
*
*
*
Woman In A Waiting-Room

I guess her age to be 80. She's kept
herself looking the best she can: lean
like a late aunt of mine. The gray
hair's tinted blond but cut
with no-nonsensical reserve--the style's
what they used to call "page-boy."

Trousers, a sweater, sensible beige shoes.
Her back hardly lets her bow to examine
magazine-covers on a table. She squints
and scowls so hawkishly, I think for a
moment she's spotted a spider. She
selects none of the magazines: wise.

She sits now and looks out western windows,
lifts her face to muted afternoon light,
takes out a compact, and applies lipstick.
Blue eyes above lightly rouged cheeks look
coolly into the mirror's report. She's not
looking for approval, only information. She

forms her lips as she has done for more
than six decades. Compact and lipstick
disappear. She settles into the chair,
into defiant patience, and waits, newly
painted lips pursed, for her doctor's
nurse to open a door and call her name.


Copyright 2009 Hans Ostrom

A Painter Reads a Poem About Painters

One of my favorite poems to teach (not necessarily the students' favorite) is "Musee des Beaux Arts," by W.H. Auden, and yes, there needs to be an accent over one of those e's in Musee, but I've yet to discover how to include accents using the blog-machinery. The name of the poem is the name of a museum in Brussels, and the museum includes the main painting about which Auden writes, Breughel's "Icarus," which paints (literally) Icarus in a very unheroic, unmythical light. "About suffering," says Auden's poem, "they were never wrong,/The Old Masters." I like the poem because there are so many different things to do with it in class, including teaching it as an example of an ekphrastic poem--a poem about art, a kind of art different from poetry.

Here is a link to a nice video of painter Susan Hambleton discussing and reading the poem. The video was produced and directed by Louis Massiah and is part of the Favorite Poem Project.

http://www.youtube.com/watch?v=SlbFQ5ZtjVY&feature=user

The Secretary of State Reads a Poem

Here is a link to a video of Hillary Rodham Clinton reading a poem by Howard Nemerov, "The Makers":

http://www.favoritepoem.org/FlashVideo/hclinton.html

A Graphic-Novel About Senator Kennedy

A couple recent posts noted a favorite poem and a favorite song of Edward M. Kennedy's. Concerning literature about the late senator, writer Patrick Gavin at politico.com reports that a graphic-novel about Kennedy has been in the works but will now, of course, need to be revised.

The working-title of the novel, to be published by Bluewater Productions, is "Political Power: Ted Kennedy." Bluewater Productions has already published graphic-novels about Ronald Reagan and President Obama. Here is a link to Gavin's article:

http://www.politico.com/news/stories/0809/26511.html

One of Senator Kennedy's Favorite Songs

As noted in an earlier post, a favorite poem of Senator Edward Kennedy's was Tennyson's "Ulysses." Today I discovered in an online article from Time that one of the senator's favorite songs was, yes, an Irish one, but no, not "Danny Boy":

'Speaking on Wednesday, former Irish Prime Minister Bertie Ahern, an old friend of Kennedy's, revealed that one of the late Senator's favorite songs was "The Town I Loved so Well". The lyrics lament the decline of the city of Derry during Northern Ireland's 25-year sectarian conflict from a place of "happy days in so many, many ways" to a town "brought to its knees by the armored cars and bombed out bars." It was an apt choice of song for Kennedy, whose dealings with Northern Ireland were often linked to the city.'

(One may easily find the rest of the article online through the usual googlistic means, and I do hope you like that new adjective.)

When I taught in Sweden many moons ago, I met an Irish scholar who liked to sing a comic song called, "Burlington Bertie"; the reference to Prime Minister Ahern helped exhume that memory. The only line I remember is "I'm Burlington Bertie--I rise at four-thirty," meaning the man-of-leisure Bertie sleeps until late afternoon, I reckon.

From my youth, I seem to remember that one of John F. Kennedy's favorite songs was "Greensleeves." I wonder whether George Bush, President Obama, Dick Cheney, and Sarah Palin have favorite songs, and if so, what they are, and yes, I know I've just set up the stand-up comedians out there with some easy potential jokes.

I assume that politicians would have to think politically when selecting a favorite song to declare--rather like President's Obama's having to select a beer for the beer-summit with Professor Gates and the policeman. He made the safe choice, politically: Budweiser. One assumes he didn't become president by being a fool.

If asked about my favorite song, I'd first get boringly professorial and demand to know the categories, etc., and so forth, and yadda yadda. But if I answered straight from the shoulder, I'd say "Folsom Prison Blues" (or "I Don't Like It But I Guess Things Happen That Way") by Johnny Cash, and especially the former would not be a wise political choice. Nor, I presume, would "Bring on the Funk" by George Clinton and Parliament, but "Parliament" has to be one of the great band-names.

Worrisome Quatrain

*
*
*
*
*
Worrisome Quatrain

I like to worry about
things I can't control.
It works as well as eating
from an empty bowl.



Copyright 2009 Hans Ostrom

Senator Kennedy's Favorite Poem

According to a wide variety of online postings I've read today, "Ulysses," by Alfred Lord Tennyson, was apparently Senator Ted Kennedy's favorite poem. (On one site, a visitor reminded others that James Joyce had written Ulysses, but of course there is the poem by Tennyson and the novel by Joyce.) So I thought I'd post the poem, as borrowed with gratitude from the Victorian Web, which also supplied the notes following the poem:

http/:www.victorianweb.org


Ulysses

by Alfred Lord Tennyson

It little profits that an idle king,
By this still hearth, among these barren crags,
Match'd with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink
Life to the lees: all times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vexed the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honoured of them all;
And drunk delight of battle with my peers;
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untravelled world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breathe were life. Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this grey spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle —
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toil'd, and wrought, and thought with me —
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads — you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew

Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

[Tennyson's "Ulysses" first appeared in Morte D'Arthur, and Other Idyls. By Alfred Tennyson. London: Edward Moxon, Dover Street, MDCCCXLII. pp. 67. This, however, was a trial book, printed but not published. The first publication of the poem occurred in Poems by Alfred Tennyson. In Two Volumes. London: Edward Moxon, Dover Street. MDCCCXLII. pp. vii, 233; vii, 231. See "Chronology" in Henry Van Dyke's Studies in Tennyson (Port Washington, NY: Kennikat, 1920; rpt., 1966).

The text of the poem has been checked against the version in Victorian Prose and Poetry, ed. Lionel Trilling and Harold Bloom (New York, Oxford, and Toronto: Oxford U. P., 1973) pp. 416-418.

. . . And Speaking of Odes

. . . And speaking of odes, as the previous post did, the Poetry Foundation's site has a nice definition of and overview of the venerable form:

http://www.poets.org/viewmedia.php/prmMID/5784

Keats's Autumnal Gem

*
*
*
*
*
*
*
American baseball player Reggie Jackson was dubbed "Mr. October" because he performed so well in several different World Series. Fair enough. But before that, poet John Keats might have earned the same moniker, or at least "Mr. Autumn," for having written his great ode, "To Autumn." I thought of the poem today as, like a lot of people, I caught that hint of fall--you know, something about the air-temperature, the look of some foliage, the knowledge that a tide of students is going back to school.

Here are the opening lines, which should be indented in a certain pattern (but the blog-machinery doesn't like to cooperate with that sort of thing):

I

Season of mists and mellow fruitfulness,
Close bosom friend of the maturing sun,
Conspiring with him how to load and bless
With fruit the vines round the thatch-even run:
To bend with apples the mossed cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimmed their clammy cells.


In this stanza as in the rest of the poem, Keats blends a deliberate, stately rhythm with a palpable sense of exuberance. The language of the poem itself seems almost to burst, full of ripeness. It's hard to achieve this kind of stateliness, common to odes, in contemporary poetry because there is a kind of demand for irony and cynicism. I happened to re-read the poem in Keats: The Complete Poems, edited by Miriam Allot, and published by Longman in 1970. The annotation of the poem reminded me taht the poem was written in September 1819 and was "the last of K.'s major 1819 odes" ( page 650).

A Few Words From Life

*
*
*
*
*
A Few Words From Life

"I didn't make you any promises,"
said Life to the man. "You made them
and bounced them off a mirror you
named Life. You made those promises
yourself like a magician who forgets
his tricks are tricks." "Oh, I don't know,"
the man replied, "some of those illusions
I couldn't possibly have invented."


Copyright 2009 Hans Ostrom