Thursday, July 19, 2012
Sunday, July 15, 2012
Warm-Up Exercise for Poets: Adjective/Noun/ABC
Just a warm-up exercise. You'll infer the "rules" from this example immediately.
Adept Zebra
Burnt Yams
Chrome Xylophone
Dry Wall
Elegant Veranda
Flexible Udders
Good Times
Hot Salsa
International Rutabaga
Jeweled Quilt
Knowing Purveyor
Lone Osprey
Murderous Narcotic
Narcoleptic Man
Obsolete Language
Prescient Knight
Questionable Jester
Restless Intern
Surly Handler
Tainted Garnish
Unique Fragrance
Venerable Epic
Wistful Dog
Xenophobic Cleric
Young Barista
Zealous Attitude.
Adept Zebra
Burnt Yams
Chrome Xylophone
Dry Wall
Elegant Veranda
Flexible Udders
Good Times
Hot Salsa
International Rutabaga
Jeweled Quilt
Knowing Purveyor
Lone Osprey
Murderous Narcotic
Narcoleptic Man
Obsolete Language
Prescient Knight
Questionable Jester
Restless Intern
Surly Handler
Tainted Garnish
Unique Fragrance
Venerable Epic
Wistful Dog
Xenophobic Cleric
Young Barista
Zealous Attitude.
Found Poem: Four Signs Nailed to an Urban Fir Tree
MOVING &
*
CHEAP SMOKES AND BEER
*
NEED A CONTRACTOR?
*
PEST CONTROL
*
--Hans Ostrom
*
CHEAP SMOKES AND BEER
*
NEED A CONTRACTOR?
*
PEST CONTROL
*
--Hans Ostrom
Friday, July 13, 2012
Wednesday, July 11, 2012
Carter Monroe on Jack Spicer
Here is a link to a post by Carter Monroe on the 9th Street Laboratories blog. Monroe, as you may know, is a poet, novelist, publisher, and music-expert hailing from North Carolina. I sometimes refer to him as the sage of N.C., in fact.
Spicer was one of the troubled geniuses of the Beat Movement in San Francisco, pushing the limits of poetry and counter-cultural thought as much as he could and influencing a range of writers, including Robert Duncan. In my view, Spicer also anticipated much of what LANGUAGE poetry has attempted to do.
In the post, Monroe notes Spicer's influence on his own work and places his reading of Spicer in a biographical and cultural context in the 1970s. The post includes excerpts from Monroe's "Spicer Series" of poems--great work.
Spicer was one of the troubled geniuses of the Beat Movement in San Francisco, pushing the limits of poetry and counter-cultural thought as much as he could and influencing a range of writers, including Robert Duncan. In my view, Spicer also anticipated much of what LANGUAGE poetry has attempted to do.
In the post, Monroe notes Spicer's influence on his own work and places his reading of Spicer in a biographical and cultural context in the 1970s. The post includes excerpts from Monroe's "Spicer Series" of poems--great work.
Monday, July 9, 2012
Sunday, July 8, 2012
Friday, July 6, 2012
Thursday, July 5, 2012
Wednesday, July 4, 2012
Lines for a Brief Meditation
Just breathe.
Thank you.
Fo sho.
Fuck off.
No way.
You bet.
Who knows?
Bite me.
What next?
Why? Sigh.
Sigh why.
Now, then.
Right on.
Let's roll.
Hell, no.
Heck, yeah.
Be cool.
Say what?
Damn straight.
All y'all.
Love, love.
Now, now.
How, now?
When, then?
Not now.
Do this.
Bye bye.
Farewell.
Just breathe.
[Repeat, as needed.]
Copyright 2012 Hans Ostrom
Thank you.
Fo sho.
Fuck off.
No way.
You bet.
Who knows?
Bite me.
What next?
Why? Sigh.
Sigh why.
Now, then.
Right on.
Let's roll.
Hell, no.
Heck, yeah.
Be cool.
Say what?
Damn straight.
All y'all.
Love, love.
Now, now.
How, now?
When, then?
Not now.
Do this.
Bye bye.
Farewell.
Just breathe.
[Repeat, as needed.]
Copyright 2012 Hans Ostrom
In City Lights Books, 21st Century
In City Lights Books, 21st century, one young
cashier, trans-gendered, wears a gold silk turban.
There are tattooed Asian characters on each
finger. It is a regal performance of difference
and what's hip. A sign reads,
"Abandon despair, all ye who enter here."
Cute--and isn't that more or less Disney's
message, too? The old Beat bookstore's
a wee profit-center now--"like a library,
where books are sold," but not lended
or given away. Debit, credit, cash.
Truth is, there was as much counter-cultural
spirit in a Willie Mays basket-catch, a Navajo
steel-worker's shift, a Chinese laundry-worker's
laughter, and a Mexican's quick apple-picking
fingers as in On the Road or Howl.
Ferlinghetti's an entrepreneur,
Jack and Allen earned canonical turf,
berets off to them, well done.
In the U.S., youth and capital absorb all cultural
revolutions that can be commodified. Which
ones can't be commodified? The turbaned
cashier asks her co-worker, "Will you try
to keep this job part-time, or just take the
higher paying one?" The latter says,
"Receipt with you or in the bag?"
The best minds of any generation are
widely dispersed, hard to identify,
impossible for any one to claim, and
often not known until much later.
Some minds in bodies pass by the
bookstore in sunlight. The space once
occupied by Jazz at Pearl's is up for lease,
estate commercial, estate real.
Copyright 2012 Hans Ostrom
cashier, trans-gendered, wears a gold silk turban.
There are tattooed Asian characters on each
finger. It is a regal performance of difference
and what's hip. A sign reads,
"Abandon despair, all ye who enter here."
Cute--and isn't that more or less Disney's
message, too? The old Beat bookstore's
a wee profit-center now--"like a library,
where books are sold," but not lended
or given away. Debit, credit, cash.
Truth is, there was as much counter-cultural
spirit in a Willie Mays basket-catch, a Navajo
steel-worker's shift, a Chinese laundry-worker's
laughter, and a Mexican's quick apple-picking
fingers as in On the Road or Howl.
Ferlinghetti's an entrepreneur,
Jack and Allen earned canonical turf,
berets off to them, well done.
In the U.S., youth and capital absorb all cultural
revolutions that can be commodified. Which
ones can't be commodified? The turbaned
cashier asks her co-worker, "Will you try
to keep this job part-time, or just take the
higher paying one?" The latter says,
"Receipt with you or in the bag?"
The best minds of any generation are
widely dispersed, hard to identify,
impossible for any one to claim, and
often not known until much later.
Some minds in bodies pass by the
bookstore in sunlight. The space once
occupied by Jazz at Pearl's is up for lease,
estate commercial, estate real.
Copyright 2012 Hans Ostrom
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