This complex isn't simple. Figures
strolling across a neon-glossy floor
toward theater-caves, bathrooms, or
sugar and salt: they and I
are already dead--like people
photographed by cinema in 1939.
And we've been replaced by others
who move about here just as we do,
we did. Maybe one of them
is morbid, or at least fatalistic,
and feels for a moment as if time
has already departed, leaving
behind only light on a screen
flickering imperceptibly
and kernels of corn exploded
into tiny thunderheads. Before
going into the movie, I think
this scene may be the better movie.
hans ostrom 2016
strolling across a neon-glossy floor
toward theater-caves, bathrooms, or
sugar and salt: they and I
are already dead--like people
photographed by cinema in 1939.
And we've been replaced by others
who move about here just as we do,
we did. Maybe one of them
is morbid, or at least fatalistic,
and feels for a moment as if time
has already departed, leaving
behind only light on a screen
flickering imperceptibly
and kernels of corn exploded
into tiny thunderheads. Before
going into the movie, I think
this scene may be the better movie.
hans ostrom 2016
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