This situation was true even in the micro-town in which I grew up. In Winter, if we went into town, we would know all the people we saw. They would at least be acquaintances we'd seen before, and we would at least know their names and a bit about them. (This circumstance is one of many reasons the pace of life is so slow in micro-towns; people have to talk to each other; deliberation is required.) Just as likely, we'd know them well, share a history with them. But in summer, when tourists streamed through town, we might encounter people exactly once, so even in an extremely rural, remote town, the automobile brought this unusual everyday anonymity, this constant flow of unique encounters, into play.
I think philosophers, psychologists, or neurologists are better suited to write about this subject than a poet, or at least better suited than this particular poet. But I gave it a whack anyway, more or less to get it out of my system:
Idiosynchronized
People we see once: flood of faces, coats,
collars--on avenues and plazas, in markets,
theaters, bars, banks, hospitals. A bent
shape hoeing weeds: one of us saw it once
one place one time from a train: This
is an example but only of itself. Its
singularity can’t be transposed. Imagine
you remember the person who interested you
terribly in that café that morning that city.
Sure it happened, but you don’t remember
because once was not in fact enough. People
we see once are our lives: Forgetting
them (we must), we lose whole arenas
of the lived. Even ghosts return, but not
this vast mass of once-only-noticed
which composes medium and matrix
of our one time here. We are adjacent and
circumstantial to strangers, just one jostle
of flux away from knowing next to everything
about their lives. The river of moments takes
a different channel; the one moment is nothing now.
The once-only appear, then appear to go
to an Elsewhere that defines us. They go on
to get to know who they get to know.
Their lives are theoretically real to us, like
subatomic particles. To them their lives
are practically real to them. From their
view, ours are not. We know they were there,
vivid strangers, because they always are,
every day. Like a wreath floating
on the ocean, memory marks a space
abandoned. In large measure life is
recall of spaces occupied. History
consists of someone who insists on being
remembered, someone who insists on
remembering, combinations of both. Familiarity
and routine join to work methodically; they
manufacture things in recall. Vivid strangers are
incidentally crucial, indigenous to a
present moment that is like a mist
over a meadow, rising, evaporating
just when we arrive, past as we are present.
Hans Ostrom
Copyright 2008 Hans Ostrom
1 comment:
This is a great topic, and something I always think about when I go through airport, because it is an extreme example of seeing people I'll never see again. I also always wonder how much my being there effects there life (i.e. I'm in line for something and had I not been they would have gotten something a minute faster and that would have... and so on with the whole butterfly effect).
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