Saturday, April 13, 2024

Centerfold - bad boy (1984)

They Become the Exhibit

 In a queue, people shuffle
toward a museum's door.
Finally all inside, they take off
coats, hats, gloves, scarves.
Winter chill did not come in.

The walls of the single vast
room remain blank. No art
depends from them. The people
sit or stand or lie and examine
each other, and each one

becomes a work of art, and each
one's a startling rendering. Shadow
and light, noses in profile or not,
heads, shirted shoulders,
bellies, lines and angles.

Sculptures alive, paintings
that breathe, dancers in repose.
Some people seize delight
from being seen & stared at.
Others look away or down.
Glances ricochet, stick, or slide.

The people often smile. This
is one of the finest exhibits
they've attended, attending
to themselves, their bodily
being in Time.


Hans Ostrom 2024

A Merest Song of Gratitude

 I own hundreds
of regrets.
I've made dozens
of bad bets.
I lavish love
on household pets.
I am a wealthy man.

It seems I always
had a job.
Cash in pocket,
corn on cob.
Clock on wall,
watch on fob.
I am a wealthy man.

I have love and hope--
interests, too.
These help to ward off
deepest blue.
People to see,
things to do.
I am I am I am
a wealthy man.


Hans Ostrom 2024

Dreaming, Again

 Editors who loathe the Linear
cut and splice hybrid scenes
as I lie on padded islands
in sleep's softly surging sea.

Under slumber, I lumber
into the theater of these films
like a weightless rhino.

Swing low, sweet
licorice lariat, wrapping up
my stubby hooved legs.

Sing low, buzzing
baritone, I'm lullabied
like incubating eggs.


Hans Ostrom 2024

Friday, March 29, 2024

Almost All Right

Hiram takes the pills
for lifelong "clinical depression,"
which means "often more
than simply sad." When
the pills don't work, he

knows only one way
to try to climb out of the well:
to turn outward & do something
for someone else. Help them.

Connecting again like that:
it's like a rope. Hiram grabs it,
climbs slowly, his feet finding
niches in the deep well's
slick stone walls. Until he's

out, sitting on the ground,
breathing, looking around.
Ah, yes, the world again--
and it's almost bright,
and I'm almost all right.


Hans Ostrom 2024

Tuesday, March 19, 2024

The Mountains Taught

They protected you with danger,
those High Sierra Mountains.

Cliffs and snakes, rockslides,
flooded rivers, icy narrow
twisting highways, dirt
roads cut casually into hills,
hours between you and a
doctor or hospital. Chainsaws,
knives, guns, lightning,
freezing temperatures. 

Wherever you went, 
whatever you did, you kept
caution in your pocket
like a talisman. You quickly
came to equate useless
risk with lack of thought,
not with bravery. 

Hans Ostrom 2024

Bookshelves

In a musty library room
in a friend's old abode,
dark wooden shelves,
floor to ceiling, look like
rows of secrets, willing
to be opened like gates
and doors and windows
and minds. To reach

for one book, clothbound
with no dust jacket, and 
take it from its snug space,
fulfills a desire. For what?
You don't entirely know,
do you? But there it is,

the book, quiet and pliant
in your hands, centuries
of the printing art floating
invisibly behind it. The rest
of the books on all the shelves
and walls look on,
like spectators at a stadium--
but they're the quietest
audience ever. A clock's
bell dings, softly, softly. 

Hans Ostrom 2024

Longtime Married

Two candle stubs
in old candlesticks
drown their flames 
in wax. A few strings
of gray smoke disperse
in the dim, darkening 
room at dusk.

We're both quiet
as we look, together
and separately, 
into advancing darkness.

Finally, one of us
says, "Well, . . . ."
and the other says,
'Yes, . . .". We rise
from the table,
pick up the dinner plates,
silverware, glasses,
and take them to 
the kitchen where one
of us flicks on the light. 


Hans Ostrom 2024