"Every Flutist"

Every flutist
owns a cloud
and keeps it tethered
to a chair
with an invisible
strand of hair.

Every flutist
hides a whisper
in the basement
of a melody
and a sigh
in the cambrium
of a tree.

Every flutist
scribbles
a prescription
on the air
with a certain
enigmatic flair.


Hans Ostrom 2015

"Bookstore on Maui"

If you'd prefer to paw
through and gaze at used books
when you're on Maui, drive
or cycle past the smoke-stacks
of the sugar-plant between
cane-fields. On a wire

above a frail, dignified
wooden church, a night heron
in daylight may be studying
the water in the irrigation ditch.

Further on down the road,
in an old house belonging to
the Maui Friends of the Library,
you'll meet a modest, musty
buffet of books, 25 cents
a piece. Yes, there was a
church, without a steeple,
and here are the books.
Where are the people?

They're working, of course.
That sugar-factory, e.g.
Others are on beaches
and in bars, in shops and
cars. They're in the swelling,
lengthening anacondominiums,
eaters of capital, another
invasive species. And

people are also home in studio
apartments and tired bungalows,
recovering from double-shifts
in which, in some capacity,
they served touristic whims.

The books are on vacation,
away from the people. The shelves
are a residential hotel for words.
You stop by to say hello.


Hans Ostrom 2015

"Recent Storms"

The man in Maui said the recent storms
had ripped away sand and shortened beaches.
We were looking at one of the beaches.
It was narrow all right.

In what's called the distance, a humpback
whale lifted itself up, curved, went
back under, flipping its tail
in so doing: a thick, black Y.

Not incidentally at all,
a minah bird hopped onto grass
carrying a dead dragon fly.
The bird swallowed it,

taking the bulbous head first.
It stretched tall to get it all
down the pipe and expressed
liquid defecation in a quick

Latinate stream onto green.
We live inside a multitude
of dynamic systems, the man
said. He was homeless, and two

security-guards eyed him, us. That
we do, sir, I said. And
I gave him a fiver for his
journey, and everything changes form.


Hans Ostrom 2015

"Eagle Musings"

That eagle likes to sit on wood,
seize it with his bladed fists.
Rotting meat's preferable to him;
it takes less tearing, saves wear

on his old yellow beak. His
eyesight's fine. He likes to read
the waters and the fields,
great stories in which food moves.

When snow comes there's not much to do
but remember and, occasionally, shriek.


hans ostrom 2015

"His Locomotive"

His locomotive was powered by
SHAME-AND-LUST, LUST-AND-SHAME.
Yeah, his locomotive was powered by
SHAME-AND-LUST, LUST-AND-SHAME.
He hauled that erratic freight across
a mighty muddy plain.


hans ostrom 2015

Poet's Musings: Happy New Year From Emily and Elvis

Poet's Musings: Happy New Year From Emily and Elvis: Karl Shapiro published an essay called "The Career of the Poem." I haven't read it in ages, but I recall that, in part, it c...

from Auden's "New Year Letter"

A brief selection read aloud from W.H. Auden's long poem, "New Year Letter" (1940):

"White Fragility," by Robin DiAngelo

A link to an article about White insulation in the USA:

http://libjournal.uncg.edu/index.php/ijcp/article/view/249/116

"After Listening to Music From Duke Ellington's Orchestra"

A few frozen pleasantries to begin--
then some roots cultivated in reverse,
starting with tendrils down deep,
ending where taproot meets trunk-tree.
Posterity. What do you mean? I told you
I might call. I told you in the Fall!

All I had was a pair of deuces. (This is
one of those stories.) Next thing
nobody knows, I'm on top of a brass casino,
which I own, watching hawks glisten as
they glide. Now everyone's showing up,
all black limos and white surfboards;
and robodots and king snakes, the red
and the black. If music isn't from God,
it soon will be. And the filigree.

You just knew we had to get muddy
and moody, and Jesus Muhammad Moses
Mary and the Buddha-man: here come

visions of a visage, Ellington's,
carved in black and tan marble.
Time never stops playing,
so why should he?


hans ostrom 204

"Inside Your Poem"

Climb inside your poem. Cool as a cave
it is. Cool and luminous. Invisible
aromatic tapestries hang
from curved beams carved out of marble.
On the ceiling, images roll, shift, crash,
and recombine like the surface of surf.

Yes, and the lustrous bodies of dancers
in there--the music, the spring-water,
the food! In muted sectors elsewhere
in your poem, stone shelves carry books,
many of them full of poetry that, outside
your poem, has never been seen. Your
poem contains rare verse! Write

your way deep into cavernous
passages. Draw on the walls.
Listen and sing. Dream and tell.



hans ostrom 2014

"Of the Socks"

Someone's wearing the socks I almost bought.
I wonder how they're doing.

Does he, or someone, launder them well?
Have they been separated in the sock-drawer--
or bound to unfamiliar others?

Yes, of course, I totally agree
that it is lunacy

to dwell on items not purchased,
to conjure a rival. Honest, I promise
to ponder critical issues later.

Sometimes, you know, socks
are listed under "accessories."
Preposterous. I think

I will call the fellow now.
I'm calling him. He's answering

wearing only those socks.
It's disgusting. I characterize
him as a fool. Oh, yes,

I characterize freely. He demands
to know who I am. I hang up.

I'm wearing a business suit.
I feel authoritative in it.
Except I'm barefoot.



hans ostrom 2014

"Have You?"

"Have you," she asked, "done enough
to counteract severe effects of USA's
vicious racism?" Springing from reflex,

responses came to mind, including
more than enough, more than others,
stock words and phrases like they,
them, how long . . .; and a litany
of all the troubles he, personally,
had seen. And other ba-bah-blahs.

A striking thought then came to his mind.
Why not look at the evidence?
He did so.

Finally, he answered:
"Apparently not," he said.
"Welcome back to the struggle,"
she said. "Consistency is key. Go
light on excuses and rationalizations.
Listen as a good ally will. Inform
yourself. Get in shape."



hans ostrom 2014

"Fantasy in Purple," by Hans Ostrom