Down Escalator?

So we went to Le Mall to try to outfit a guest-room. The goal was to get things to put on a new bed, not just sheets but the whole arsenal of textiles.

If I go someplace to buy something, I like go in fast and buy it, almost like a raid. The only exception is in a used bookstore, wherein a might dawdle for a few minutes. I don't mind strolling down the main avenue of a mall. I rather like that experience. There is much to observe and question. But I hate "shopping" of any kind. The person I was with likes to sort through options in a rational, linear, patient way. She and I both joke about the possibility of our different approaches' being gendered, but actually, neither of us believes they really are. Put most men in an auto-parts store or a hardware-store, and they will dawdle and graze. Send most women to an auto-parts store, and they will not "shop." They will quickly identify and buy.

To get to a textile-venue, we had to go up an escalator, which was marked "UP." I found this to be redundant. Where else would an escalator go? Of course, the problem is that when they invented and named escalators, they had to have a analogous machine that took people down, and the inventors and namers boxed themselves in by using "escalator." Thus we now have the contradictory name "Down Escalator." This is like a forward retreat. What should the "down escalator" be called? I suppose it should be called what it is called. Everybody seems used to the name. I'd prefer the descender, however. The same problem obtains in the case of elevators, of course. To go from floor 3 to floor 1, one must be elevated downward. Escher.

We did find what we sought, but I found myself immersed in another set of language I did not understand--that of beds. There are duvettes. Is that the right spelling? I don't know what they are. On my own, I would never buy such a thing. There are comforters and quilts and bed-skirts. There are mattress-pads, and in the arena of sheets, there are thread-counts. I do hope someone has written a history of beds and bedding, just as one person has written a history of salt.

At my parents' house, I slept for years on what was called "a Navy bed." It was a simple wooden frame, with wire mesh (no springs), and a mattress of sorts thrown on top. One never knew how my parents ended up with such things, but apparently this thing had once belonged to the United States Navy. My father had served in the Army Air Corps, so obviously he didn't steal it from his "employer" during WWII. However, on that bed was a genuine Army blanket, green. I think in fact that he did haul that home from Europe, but who knows? It was a pretty short blanket, but it was all wool, and it was a horrific shade of green, of which I grew quite fond.

My parents themselves slept on a double-bed, not even a queen-sized mattress, and they had attached a reading lamp to the head-board. My father never required much sleep, so they might go to bed at 10 or 11, let's say, and then he might wake up at 1:00 a.m., smoke a cigar and read a Louis L'Amour paperback "western" in bed. My mother slept through all of this activity and pollution. When I learned of this, from my brothers or my mother, I naturally thought all parents engaged in such behavior. Of course The Father would wake up, smoke a cigar, and read a book, while The Mother slept. Thus had it been so since Adam and Eve. It all made sense, just like the Down Escalator does today.

Rumpole and Keating: Brits Fit For Reading

I'm having a great time reading short stories by John Mortimer, whose protagonist is an English barrister named Rumpole. Mortimer's Rumpole novels and stories (famously adapted to the small screen by the BBC) fit into the legal-detective genre, but they're exceedingly character-driven, witty, and literate, and without being heavy-handed, Mortimer also likes to examine social issues, such as colonialism and feminism. One could say Rumpole is Britain's answer to Perry Mason, as Rumpole is a defense "attorney" and tends to win, but he's more cerebral than Mason, and Mortimer likes to raise good if basic questions about law and morality. The short stories themselves are superbly constructed, and anyone interested in short fiction generally would benefit from reading them. Rumpole also loves to quote poetry, so really, what's not to like?

I also just found H.R.F. Keating's Crime & Mystery: The 100 Best Books. Splendid. Keating (photo attached), who reviewed crime novels for the London Times (maybe he still does) and also wrote mystery fiction, lists the books chronologically, starting with Poe and ending with P.D. James's A Taste for Death in 1986, when this book of "the 100" was published.

In the preface, Keating immediately admits that his task is impossible, qualifies his selections, and acknowledges that some authors he left off the list (like Dick Francis) have earned the right to be on there. After each title, Keating writes 3-4 pages that explain what the author and the book bring to the genre that's fresh and/or especially strong, and he explains why he likes the particular book. He doesn't gloss over problems a book or author may have, and he rarely if ever spoils the plot.

I was astounded that the two Simenon books featuring Maigret that he chose were ones I hadn't read--unless, of course, I've read them under a different title--quite possible with so many editions of the translations of Maigret novels out there. So I'll need to track them down. I've probably read something by 70% of the authors and maybe 50% of the books. So in general, there's some work left to be done.

Keating has convinced me that I need to read some things by Cornell Woolrich, Celia Fremlin, and William McIvanney. He has not convinced me to try Josephine Tey, Margaret Allingham, Michael Innes, Cyril Hare, or Emma Lathen again. Books by these authors just didn't click with me.

In this gem of a reference-book, Keating has written some of the best, most insightful short essays on detective fiction available. He's a discerning but generous critic--generous, probably, not just because that may have been who he is but also because he is a novelist as well as a critic: he knew how difficult the genre was. He also has a knack for saying fresh things about old war-horses like Conan Doyle, Christie, Hammett, and Chandler.

There's no sense in quibbling with such a list of 100, but I do wonder if Keating has ever read Rudolph Fisher's The Conjure Man Dies. (Keating does include a Chester Himes novel set in Harlem.) I'd love to learn what Keating thinks of that book.

Miscellany: Hovering Sparrows, Stuff I Don't Understand, Etc.

As an amateur, I've been observing different kinds of sparrows for a long time, but I hadn't seen a sparrow hover until today. He (in this case) was perched in a very small tree, really a sapling. The wind was blowing pretty stiffly from the west. He got off the tree, seemed to fly into the wind, but beat his wings just enough to hover; meanwhile, he was looking down at the ground, on which he subsequently landed, only to take off and to hover again. It had just rained, so he might have been looking for surfaced worms in the grass, or maybe there was a hatch of bugs. But the hovering clearly had a surveillance-purpose. There are so many different kinds of sparrows that I dare not hazard a guess, or maybe I do dare: house sparrow?

Which leads me to bird-poems, which I believe I've blogged about before. So, to recap, my favorite bird-poems are Hopkins's "The Windhover," Dickinson's poem about a bird coming up her walk, and William Everson's "Canticle of the Birds." Hopkins dedicates his poem "To Christ, Our Lord," and I always suspected that he felt obligated to do that because the poem comes close to idolizing the hawk, and if you're a Jesuit priest, you're not (or so I've read) supposed to have false idols. Students tend, I think, to want to make the poem too religious. I'm not opposed to any religiosity they can demonstrate to exist in the text, not by any means. It's just that I think the poem's real strengths are its linguistic jazz and its superb observation of a hovering, flying hawk. Hopkins just nailed that poem, on every level.

I can come up only with a lame transition to the next topic, which concerns stuff I don't understand, so I'll lamely say I don't understand how Hopkins could come up with sprung rhythm, any more than I can understand how Duke Ellington came up with all those great melodies and superb chords, which mange to be lush, complex, and whimsical all at once.

By "stuff I don't understand," I mean that I don't understand how the thing came to be, or I don't understand why "we" put up with the thing, or both.

1. The two-party system. I think we need at least 5 political parties.

2. When I "end" a program on this computer, after the program is "not responding" (this is a euphemism; the program failed; it didn't work, okay?), the software asks me whether I want to "Send" or ["Do Not Send"] an "Error Report" to Microsoft. I don't believe for a minute that the report goes to Microsoft, and even if it did, what does the report contain, and who reads it, and what do they do with it? This is nonsense.

3. I don't understand why Puerto Rico isn't a state. Or a nation. I think it's time to decide, and I think the way to decide is either by a vote or a coin-flip, whichever one would lead to less violence. But hell, they get to vote in a primary but not the general election? That's right out of Kafka. Or Borges, to keep it in the hemisphere. And I don't want to hear that the issue is "complicated." I know it's complicated. It's just that it's been complicated forever, so let's flip the coin and get on with it.

4. I don't understand why journalists interview other journalists. TV journalists are always having print-journalists on their shows--meaning the print journalists become TV journalists. I'd rather they pick some citizen randomly from outside the studio and interview him or her, OR interview someone who has information (as opposed to opinions) or both. What if police-persons would arrest some criminal only if that criminal were a police person? What if a pastor or a rabbi would preach only to other faith-professionals? What if teachers would teach only other teachers? WTF?--to coin an acronym. Journalists shouldn't interview journalists, except in the rare instance in which a journalist makes news--as in biting his or her dog.

5. I have no idea how micro-wave cookers actually work.

6. Why can't we take the massive profits of oil companies, divide by two (let's say), leave the companies one half, and use the other half to buy a lot of oil all of a sudden, to drive down the price? I don't understand. Why is this so hard? Congress should just look at the numbers, say what we all know ("You guys are making way too much money"), and take some of the money back. People who have to drive to work every day, or who drive for a living, need the gas and the money more than the massive oil companies do. It's just an issue of equity. I don't understand.

7. I don't understand why English barristers still wear those wigs. It's just not a good idea anymore, and I don't want to hear about what the wigs symbolize or about tradition or wool or anything like that. You and I know it's a stupid idea that's gone on way too long. If they want to retain a nod toward tradition, they can just hang one wig from a string, or have a painting of a wig, or have a ewe in court, or whatever. Just get rid of the wigs. The Canadians still do it, too. Somehow, that's even sadder. They should wear some fur from a moose, or a hockey puck, or a piece of perma-frost tundra--something Canadian, not British.

Photosynthetic Poem

A.R. Ammons (in the selected poems from W.W. Norton) has a nice little poem entitled "Photosynthesis," which I enjoyed reading very much. No good poetic deed must go unpunished, however, so I decided to write a photosynthetic poem of my own, not to compete with A.R., mind you (to him I concede the victory), but just to see what I might do with the subject.

Photosynthesis

Wherever you enter the story,
the story's amazing: Single cell
meets ball of fire, and epics
of vegetation ensue--algae,
sequoia, peat, fig, cacti.

Human history's an offshoot
of photosynthesis, a cud
chewed by divine bovinity
in green time. Whenever we

enter the story, we cast our
shadow, insert our names for
plants and stuff, study and
disrupt processes, maybe just
grab a salad for lunch, so busy.

Let's just let the scythe, mower,
chainsaw, tiller, test-tube, and gene-
splicer sit for an hour. Let's lie
in wonder under photosynthetic
boughs, yawn our wows amidst
leaf-dappled mottling of light,
graze in amazement.

Copyright 2008 Hans Ostrom

Recount

When is a good film unwatchable? When the subject-matter is too disgusting. I made it through about 40 minutes of HBO's well crafted Recount, all about the 2000 election and the disintegration of faux democracy in Florida, not to mention the Supreme Court. But eventually I became too queasy. It all seems quite farcical until you connect the misdeeds by vacuous Katherine Harrison and amphibious James Baker to all the civilians and others dead in Iraq, the tortured in Guantanamo, the abandoned in New Orleans, Dick Cheney as Veep, Valerie Plame outed, warrantless wiretaps, a diseased Justice Department, a collapsed dollar, diplomacy adrift, incompetence as a mode of governing, and so on. Forget politics; just with regard to basic competence, Bush is so bad that James Baker probably regrets helping him get appointed to the presidency. That's pretty bad.

If your political and cinematic stomachs are stronger than mine, I hope you watch Recount. It was executively produced by the late Sydney Pollack and nicely written. Kevin Spacey, Tom Wilkinson, and Dennis Leary are wonderful, but Laura Dern steals the thing as the benumbed Harrison.

New Environs

The new neighborhood, into which we moved a couple weeks ago, has brought surprises. It's on the western slope of Tacoma, although T-Town is broken up geologically with deep gullies, so any slope, western or not, won't be a smooth one. In any event. the place is perched on a wee knoll close to the Narrows. We get to see all the weather come in from the Pacific, and a landscape-person we know claims that this part of T-Town has a micro-climate--wetter and warmer than the rest of Tacoma. The gardeners in the neighborhood--and in Tacoma, just about everyone is some kind of gardener--therefore experiment with plants of a semi-tropical nature, as well as growing the usual rhodies, azaleas, and evergreen shrubs/trees. A fellow blogger residing in Hawaii who knows something about Tacoma will find the reference to "semi-tropical" ridiculous, no doubt.

As with many American neighborhoods, this one is really neither working-class nor middle-class. Average income might put it into the latter class, but the range of occupations varies considerably. The neighborhood looks conventionally suburban--built in the 1960s, so "rambler" style houses more or less predominate, but it appears not to be a cookie-cutter tract. What you don't see are the Victorians and Craftsman houses that dominate the North End of T-Town--houses that are cheek-by-jowl and feature lots of stairs and small rooms.

The biggest surprise out here on the slope, at least for me, is the ethnic diversity. Yes, you have your basic Euro-Americans. My early working-hypothesis is that if there's an RV in the yard, the family is probably Anglo-American. I'd be happy to have the hypothesis disproved. I wonder if there are good RV ethnographies out there.

African Americans, Asian Americans (with considerable variety within this category), Hispanic Americans, and folks from the former Soviet Union dwell hereabouts as well. I know some of the latter come from Moldavia because I heard them say so. Others may come from Russia-proper or the Ukraine. I don't know. The older generation likes to walk around the neighborhood as if it were a village, and I guess in a way it is. The women wear scarves and woolen skirts. The men wear sport-coats and hats. That is, they remind me of some of the older folks from my hometown, which featured one Russian named Wanda, who'd get all dressed up and walk her two bull-dogs to "town" every day--"town" being a micro-village of 200 in the Sierra Nevada. It's not for me to say, really, but I think Wanda belonged in St. Petersburg, strolling the Nevsky Prospekt. But she married an American house-painter, and somehow they ended up in Sierra City. I still remember her long cashmere red coat.

There are two large hills between where we live and where we buy things, including groceries, so the aerobic opportunities are good, and when I'm out walking, the Moldavians are usually out, too. I wish I spoke their language. I sincerely enjoy how unamused, wary, but not unfriendly their visages appear. The older faces especially seem to report having experienced but survived much in life.

So far the western slope has been full of great surprises. I have informed our cat, a Russian blue, that Moldavians are hereabouts. So far, she has not registered a comment in response.

Nub of the Matter

Nub of the Matter

I hate to break this news to me,
but logic dictates I don't matter.
Out of not much matter, I am made,
and such matter as I do comprise
does not export significance.

Particles of matter disperse and reconvene anew,
I know. Any one state of particulate
coherence may be lovely (rhododendron
flower, son's smile) or may be me, whom
I like well enough, but in any case, what
so ensues? In relation to everything,
I'm merest particle of perpetual change.

Only matter can make me. I've already
been made up. Dissolution's penciled in
on a calendar Heraclitus keeps next
to his river of fire. Only God can make
me matter. This is the nub of the matter,
the God's honest truth.

Copyright 2008 Hans Ostrom

Nostalgia for Nothing

Nostalgia for Nothing

The things I don't remember
about childhood are the ones
I miss the most: nights I
slipped quickly into untroubled
sleep, pine-boughed days through
which I tumbled and pretended--
I'm just guessing here. How exotic

the town of Childhood seems.
To think: I once lived there, or so
I tell me. Childhood is a village
with its own sun and moon,
a silver silo full of long days,
a golden clock-tower. It is
a place filled with people
who passed on from here.

Copyright 2008 Hans Ostrom

How to be a Cat

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*How To Be A Cat

Be the noble curator of your excellence, for
fate made you perfect. In all things, be precise:
standing, sitting, staring, walking, sniffing, eating,
sleeping, killing. Never look in mirrors,
which are windows for the insecure. Sleep
in a variety of comfortable places, which
were created for you alone. Make acquaintances,
never friends. The latter tend to cling.

All phenomena are potential enemies. Therefore,
stare, listen, listen, stare, sniff, stare, listen, sniff,
hide, stare, and listen. Never perform tricks. Leave
those to dogs, who need to be wanted and want
to be liked. Talk as necessary, but never just
to chit-chat. Crack the whip of feline fury as
you wish. Keep the blades of your four feet sharp
and retracted like long-held resentments. Let
your soul's motor idle and strum the taut cord
of your body. No one owns you.

God made you and likes you best. In a world
that's dubious, you are certain. You never
make mistakes. You are entitled to what
you want; otherwise, why would you want it?
No matter what else you may be undertaking,
never be reticent to stop and groom yourself,
for you are superb, and self-maintenance
doubles as self-admiration. You are a cat,
a form of beauty that enters stealthily,
naps, and agrees to be admired. You
are a cat. Everything is as it should be.


Hans Ostrom
Copyright 2008 Hans Ostrom

Folk Music

Folk Music

Some strumming sums up sundown,
down on the brown bank by a riverside--
be it banjo, guitar, mandolin--or
some kind of eerie zephyr overloaded
with the recently departed. "How did it
get started--this music?" Good question.
Save it for later. Now we must listen
to thump, pluck, and twang, above which
is sung a rough, melodious tale. The song
roots us to a plowed heritage, a furrowed
alluvial communal pain, a bedecked extravagance
of crops, and fatal work. Yes, we must drop
what we're thinking and listen for and under
a spell, hear harmonies swell against apron,
shack-wall, levee, and archive. The instruments
are made of wood. So are the trees. The songs
are made of air. So is the wind. The people
are made of memories. So are the songs,
the folks' songs.

Copyright 2008 Hans Ostrom

Wary Souls

Wary Souls

The soul enters
a public realm,
so soon becomes
the fool

by feeling it
must say or do
too much--dance
with Rule,

court Expectation.
Pride-inflation
balloons the soul,
who abhores

but can't elude
the puffery patrol.
Relentless baiters
of the soul,

ubiquitous louts:
shame on them.
Godspeed to those
souls who can

remain intact
and self-contained--
looking out of eyes,
sensing what is wise.

Wary souls--
seen them?
I have. They
wait and watch.

I watch and
wait for them
to exemplify for
me a better path.


Copyright Hans Ostrom 2008

This and That

Is there a large American media-outlet that can still practice worthy journalism? I doubt it. The NYT--either by choice or through incompetence--promulgated Bush's nonsense about about why we should invade and occupy Iraq. Tonight, CNN characterized Scott McClellan's "revelations" (Bush was more interested in propaganda than truth!) as a "bombshell." I can't wait for tomorrow's report concerning the fact that rain comes from clouds. . . .

. . . .Has anyone explored the possibilities of lunar power? Before I concede that I'm a lunatic, here's what I mean: the gravitational competition between Earth and Moon yanks the oceans around, creating huge forces of water that are not unlike the forces of water in dams. Why couldn't some smart engineers come up with a design for under-water turbines, strategically placed at, say, the Tacoma Narrows?

. . . .I'll need to be convinced that Obama can beat McCain. I know he beat Clinton, but McCain's campaign may be even more competent than hers--imagine that. And so far, I can't name one state that "voted" for Bush that won't vote for McCain.

. . . .I do wish someone would ask McCain and Obama who their favorite poets and novelists are. I realize there are four or five million more pressing issues out there, but I think the answers would serve as an ink-blot test.

. . . . .Tomorrow I'm going to hear a lecture by an expert in Science, Technology, and Society; by a biologist; and by an archaeologist who specializes in Holy Land digs. The topic is "Creation and Science." The Jesuits perceive no tension between humankind's science and God's creation, nor do I. For the sake of argument, let us assume that something, some force, created what is. Scientists study what is, or at least what they think is. What's the problem? I do not subscribe to the "intelligent design" "theory" because it is anthropomorphic. What we deem "intelligent" must seem moronic to any entity more intelligent than we are, including God. There's a good chance we are, at best, the rubes of the galaxy, if not of this sector of the universe. After all, we have fouled our nest. Not even birds do that.

What I'm Reading Now

Not that you asked, but here's what I'm reading (and I usually have 5-6 books going at once, a practice that drives some people with different reading habits figuratively crazy):

The Long Loneliness, Dorothy Day's autobiography--of interest to those wanting to know more not just about her but about radical politics in the early 20th century (socialism, anarchist-movements, organized labor, "distributism," anti-war movements, etc.), the Catholic Worker movement, whether politics and religion can intermingle effectively, women and religion, working-class life in Chicago and New York City, and the progressive/populist strain in Catholicism. Oddly enough, Day experienced the great S.F. earthquake, although she and her family were living in Berkeley, so their home wasn't destroyed. Apparently, the quake-proper lasted over 2 minutes. Of course, animals felt it coming as early as the evening before, she and others report.

Early Christian Rhetoric, Amos Wilder--older brother of Thornton.

The Beggar, by Naguib Mahfouz--Egyptian novelist, winner of the Nobel Prize.

The Walls of Jericho, a novel by Harlem Renaissance writer Rudolph Fisher. This partly for work, as I agreed to write an article on Fisher.

Selected Poems, A.R. Ammons. He was born in North Carolina but is associated, too, with New England. Free verse, but highly attentive to sound; rooted in everyday life, as W.C. Williams's poetry is, but Ammons strays from imagism and often writes tight little conceptual or meditative poems. I rather like this philosophical aspect of his poetry. He's also a master of very short poems. He can be whimsical, like cummings.

My books were finally paroled from storage, but they are in a half-way house situation--still sitting in boxes, awaiting the construction of shelves. More slowly than the tortoise, I'm cataloguing them on LibraryThing.

That's my bookish update. I'll leave you (or someone) with an epigram from Oscar Wilde: "A cynic knows the price of everything but the value of nothing."