"Our Tune Is Changing"

We're among the first
who may choose to see
ourselves as living
mosaics generated
by variations encoded
on spiral ladders.

The tiles are selected
from the meeting of all
those who met: ancestry,
which ultimately is common.
We're all commoners.

Somehow now what we know
of social construction
and what the sciences
of genetics give to us
are so much grander
than mythology, dogma,
and bigotry: all the old
hoo-ha Each of us

is a compendium of chords,
first notes of which
were played in a place
we call East Africa;
then riffed on in
the slow compositions
of migration. The
genome's home.


hans ostrom 2015

"Go to Keep Going"

Our daily, nightly migrations,
en masse metal on wheels or wings:
routine, ferocious--
such an expenditure.

If we ask ourselves
to rethink the regulated
frenzy of to-and-back
to work, we will tell
ourselves we have no choice
and mean that to be
a good reason, sensible.

Commuting, we change
ourselves together
and permanently.
No one really
recovers from it.
We go to keep going.


hans ostrom 2015

"Strawberry Thoughts"

Apple trees have strawberry thoughts.

Thunder is dissatisfied.

When he opened the closet, the clothes
got quiet all of a sudden. They had
been making jokes about him.

Seeing lightning made her think
of maps and arthritis.

Hope covers dread like a watery,
weak lotion.

Street surfaces are a genre of art.

Fog, in some instances . . .

When the water-line broke,
the fountain in the public square
went dry, and we were sad to see
how plain the fountain looked
when it wasn't wearing water.

"This poet was an undrafted free
agent coming out of college, Al."
"That's right, Bob, and look at her now."


hans ostrom 2015

Fyris River

The Fyris River
is a fine small river--
energetic and direct.

It runs through
Uppsala there
in Sweden, I want
to say, but should
instead say that
energetic
and direct humans
built Uppsala up
around the river,
which they named
Fyris. The stones

and bricks and
water and light and
birds and darkness
all seem familiar
to  each other
there in Sweden,
Uppsala, as if
they have worked
things out pretty
well. I did not

however speak to
any fish. I tried
to do so once
when I paused on
a bridge over
the Fyris on
my way to the bookstore
during Book Month.

The fish were
indisposed--reading,
perhaps, in the Fyris.



2015 hans ostrom

"This Man Has a Good Job"

Bar codes, mumbling toads, and driving and
driving and trying to beat last quarter's
sales-numbers, trying to pound those numbers
into the ground of the territory: this man

sweats, and thinks, and drinks brown
sugar-water infused with caffeine and
feels the adrenaline rush of listening
to Rush's voice and feeling Rush is right
on everything, he agrees with me, I agree
with him, totally! In his car, this man
is truly alone, like Rush in his
broadcast-bunker. He doesn't care,

this man, because his way of thinking
is we're alone even when we're with
clients, family, and other kinds
of seemingly people. "I like
what I do for a living," he tells people.
"What I hate is paying taxes, of any
kind, and I want the Government
to take its finger out of my ass."

On the interstate highway, however,
his mind is taxed, and it tells him,
"Bullshit. Say to yourself the truth,
at least. You find something that
pays, you do it, you keep doing it,
you like being away from her and them,
and one day the pump goes,
and you go, she and they get
the insurance, and someone else
takes the territory." Meantime,

he switches the noise from Rush
to sports talk radio.



hans ostrom 2015

"Inventory"

The man deduced he was dead
and, uninspired, named the entity
he saw "angel." Entity asked him,
"Tell me how you spent all
that energy and time given to you
during your life, please."

The man began to answer,
then stopped and collapsed
into a wee pile of spiritual
wretchedness. Quite
the metaphysical mess.
Entity, or "angel,"
observed this for a while
and then spoke:

"Yes, it can be difficult,
this part. After you die,
you must be broken down further
before you go on to more
pleasant tasks."


hans ostrom 2015

"Palette"

A blue owl, red sunflowers, and yellow horses:
such a scene may lift the spirit,
whatever the spirit is, whatever color.

A green road, a purple copse, and a black
bell tower: in such a context,
the spirit may become somber--

as brown becomes serious in a field of gray.


hans ostrom 2015

note: one of Christina Rossetti's children's verses refers to a blue owl and red sunflowers.

"Dusk," by Angelina Weld Grimke

"Lawn Walker"

Yeah, I'm a lawn walker. That's right.
I walk on lawns across this land. I see
a lawn, I walk on it. Hell, yes,
people yell at me. Hey, what do you think
you're doing? I don't say nothing.
Sometimes they move
toward me. I walk away. Sometimes I
run. 'Specially if they have a gun.
Although I mutter to myself,
you're defending this weedy square
of grass with a gun? You crazy?

Some of the lawns have done gone
brown. Like Colorado, California.
Drought City, here we come.

Some of them smell like poison.
Oklahoma. Texas. Fracked up lawns.
("Nobody said we weren't going to
get our hair mussed a little bit.")
Petro-Patriots ain't afraid to
give their lawns for their country.

What do you call freedom? Mowing
a lawn? Putting down the weed-kill,
moss-kill, bug-kill? Listening
for the hiss of your automatic
sprinkler-system? Well, I call
freedom walking on lawns.

Sometimes there's dog-shit there.
And I get blamed. Goes with
the territory. I lit out
for the lawns, baby, and here
I am. Could be Boston. Could
be Maui. Could be Sweden
or Chile. I'm global,
a card-carrying member
of the International Lawn
Walkers of the World (IL-WOW).

I'm a man who walks on lawns.
Go ahead and judge me. Call the cops.
Call the guy at the gate in
your gated "community." Call
down the helicopters, the
Landscape SWAT Team. Send in
the squad of riding lawn-mowers.
I ain't afraid of no John Deere.
I walk on lawns. I got no fear.


hans ostrom 2015

"Somber Hombre"

A somber hombre, Arturo
liked to listen to jazz
and drink lemonade after
a shift of welding ships,
his head behind the mask
all day, heat coming off
of steel. He liked the way

that jazz opened his mind
to night and let the starlight
fall down or seem to like fiery
bits of metal left over
from when the sky got welded.

Arturo found the music flexible
even when it was heavy,
and jazz wasn't made to be
anything more than what
it was, so it was free to be
a lot. Sometimes Arturo

listened so late to the vinyl,
he fell asleep on the Navy cot
he'd gotten from who knows where.



hans ostrom 2015

"Who Will Teach Us?

"Who taught you to hate yourself"
asked Malcolm X, 5 May 1962, L.A.

I for one little white boy
was taught by U.S. news-culture
(noose-culture) to be afraid of Malcolm X.

Lord, I could not muster up the fear.
Instead the face and words and name
entranced me at age eight. There
was the force, precision, and logic
of prophecy. Often I spoke
the magic words Malcolm X
and Willie Mays to the cool
hall of my mind.

Sure, maybe call it an early encounter
with charisma. But oh it has outlasted
the Kennedy charm, which seemed
like an expensive mechanism.

An imprint that remains from Malcolm X
and those times
is of a fiercely focused, dedicated
life--all the stuff of slough discarded.
He was a virtuoso of humanity.

We haven't learned yet,
especially us whites, how to take in,
accept, and struggle with such love,
such proper, unsentimental love.

For such love cuts through
the vicious, viscous lies
on which the flabby thing, Whiteness,
leans.

Who taught us never, never
to tolerate such truth?
Who taught us to fear such fearlessness,
and to hide ourselves from such seeking?
Who will teach us otherwise?



hans ostrom 2015

"Memory Unit"

In the Memory Unit, we speak
euphemistically. We
watch the very old and almost
mindless sit or lie like reptiles
that are waiting for the warmth
to come back. These wait
for the memory-sun
to unset itself.

Our uncle is among them here.
What are we supposed to say
to the past, which is absent?
What are we supposed to do
with our rage and embarrassment
before this scandal, this
crucifixion of identity?

We keep our visits short,
is what we do. For a while,
in our conveyance later, we
are as quiet as the Memory Unit.
Then someone speaks. We understand.
We speak back. We're understood.

hans ostrom 2015

"Lieutenant"

Lieutenant, lieu
tenant, boss and not-
boss, muddle-management,
point of view, of order;

quasi-commander,
ranked demander,
charged like a battery,
in charge of a corner

in the structure:
what should I do?

asks the lieu;
but only later asks

how did I get me-self
into this broken fix
of too much and not enough
responsibility?

hans ostrom 2015

"Of Bronchitis"

When you cough, the bronchia
fire yellow or green mucous-bullets
into your mouth. It isn't disgusting.

It just is, when you're ill.  
When illness appears, you push the world
away. The world seems only

too glad to go, as it has no
particular attachment to you,
and illness is boring.

Your venue's now a bed with linens,
pillows, and blankets. You feel
lucky, weak, and sad.

On the walls hang strange pictures
no one else would want. This is good!
Coughing hurts. Sleep is irascible.

Affected by bronchitis, this
segment of time is your life now.
It is not without interesting

features,
including what comes up from
lungs to visit your tongue.


hans ostrom 2015

"Place in the Space"

He needed something to take him away
From the place in the space called
His head. Not escape; no, a shift
Into a perspective that stuff didn’t
Stick to too much. Such as scenes
Of injustice (the same kinds
Of the people that were treated
As not-people are treated as not-
People today; if you, he thought,
Read, see, and listen, you will
Know this and so not deny it
I can't deny it, it sticks),
Yes, stick to too much,
Does the stuff, such as
By-now distilled toxic memories
Of personal shame and failure, failure
And shame and stupidities
And permanent confusions
But also excessively incisive
Insights (such as this whole
Fucking operation is a scam
and I must pretend it isn't).
Listlessness full of dread,
Dreadful despair result
From the sticking-to of stuff,
So now yes he need something to
Take him away from the place
In the space called who he is.


hans ostrom 2015

"Worry Wins"

I have worried about the sky,
which doesn't exist.
I've worried about rain,
which is none of my business.

I was trained to worry,
to give a shit,
as the American colloquialism goes.

Not that giving a shit
ever made me effective
at righting wrongs or lefting
righties or injecting decency
into the smug corpse called power.

Now I'm exhausted. Worry
has done won. I care in theory.
In practice I don't give a shit.
Thus I have energy to watch
the twitter-feed, and that's
about it.

It isn't relaxation. Nor
is it fatalism, for I don't
have the juice even to philosophize,
either. That's some sad shit.
Even despair is asking
too much from me. It takes
effort to give up hope.

I'm an old dog lying on a porch
in summer. I can smell
developing events, and my
neck-hairs might rise. But
I can't-won't get up
when that raccoon waddles
past the place, chirping.

Well, maybe tomorrow. Yeah,
maybe tomorrow I'll write a
letter to the editor. And send
it? Wow. Join a march? Lend my
body to a protest, scrape
together some solidarity?
Tell a racist to fuck off!
Today I can't seem to get off
my ass. The situation is
troubling. I'm worried.


hans ostrom 2015

"Beautiful in Spring"

We'll all be beautiful in Spring
in spite of how they've hated
and tried to make us hate.
Sunlight will turn green leaves
gold. It will round out our beauty,
too. The fantastic browns
of earth will enrich our context.

We'll talk superbly with one another,
sometimes without talking.
Yes, it's true: beauty's not
for the few. It's standard issue.
Let the dirty drifts and banks
of comparison melt away
to feed the flowers
we'll see and smell
no matter where we are in Spring,
when we're beautiful.


hans ostrom 2015

"Fragment," by Jessie Redmon Fauset

"They Are Up"

Strong and bold,
confident and true,
sprouts of tulip
and daffodil
poke through the well-
drained soil. One

thinks of espionage,
a listening post
gathering intelligence
from weather and sending
it to handlers underground.

Some of the sprouts
look like a green cat's
ears. They hear the jazz
of warmth. Others seem
the shape of the tip
of the trowel used
by some hulking mammal
in clothes, planting
sadly in October,
preparing the floral
resurrection grave.

hans ostrom

"Hiram Speaks of the Alleged Ghost"

Yes, I can confirm there was a ghost in that house.
We knew so the first week. Pop called
Uncle Zipp and Aunt Peach over, they
located it, grabbed it, threw it
in a steel box, and released it into the woods
a hundred miles away. Mother said,

"I'm not cleaning up after a spirit."
Pop: ". . . the rude sonofabitch."
Sally, my sister, the budding scientist,
said, "There's no such thing as a ghost,"
but didn't object to the transport
of nothing to elsewhere.

If anyone had asked me, and they didn't,
I would have said, "What's wrong with a
ghost? Let's see how it goes."
I still like to hike in those woods.


hans ostrom 2015