Monday, May 20, 2013

"The Sky Is Low, The Clouds Are Mean," by Emily Dickinson

"Blue Monday," by Langston Hughes

We Are In the Waiting Room

The waiting room waits for us
to move through it. Magazines
collect like silt. We try to collect
each other's thoughts; fail;
return to our own. The waiting room

is quieter than most places
of worship. A door opens rudely.
The caller of names holds
a file, speaks two words brusquely.
One of us gets up. No one
says goodbye or good luck.

Those remaining settle too quickly
back into waiting. We've become
like birds on a roost at dusk.

The world cannot end as long as
there are waiting rooms
because that would be too dramatic.



Hans Ostrom 2013

Sunday, May 19, 2013

"Choking It Back"

Today I happened to be
watching a cat choke back
the urge to vomit
a hair-ball just
as I was thinking of
the sheer number of Americans
who, first, consider themselves
White and, second, simply
cannot abide even the thought
of a Black man as President.
I want to say to them,
Vomit up that hatred, first,
and, second, read a
goddamned history book.




hans ostrom 2013

"The Man He Killed," by Thomas Hardy

Wednesday, May 8, 2013

Gary Snyder's Birthday Today

It is Gary Snyder's birthday today. My favorite books of poems by him is The Back Country. He was born in San Francisco in 1930.

Here is a brief selection from his nonfiction book, The Practice of the Wild:

Monday, May 6, 2013

They Don't Want to Hear From You

Lou, they don’t want
to hear from you. They
don’t want to see
anything you do.

You don’t belong, Lou.
So how long you going
to keep asking to be
considered? Lou,

you were born behind
and never caught up.
Stubborn’s not a talent
they’re looking for.

If they had wanted you,
they would have sent
for you by now, Lou. They
would have sent for you.


Hans Ostrom

"Consumocracy Blues" recorded

Friday, May 3, 2013

Consumocracy Blues

They're spending what they don't have
on stuff that they don't need.
Yeah, they're spending what they don't have
on things they do not need.
Maybe they need to slide into
life with a simpler creed.



hans ostrom 2013

Monday, April 29, 2013

The Planet Is Hooked

The fish are getting high
on our pharmaceuticals. Perch
take anti-anxiety meds
prescribed by our sewage
and runoff & they swim
like hell. We like to share.
Gulls smoke our clouds of
junk, bears chew through plastic,
and clams can't find the calcium
anymore because of our acid trips.
The planet's on our street now.
We'll sell it anything.



hans ostrom 2013

Friday, April 26, 2013

Old Man, I'm Talking to You

Old man, I'm talking to you. I am you.
I didn't used to be. I used to fly past
on a train. You'd be sitting on a bench
at the station--gray eyes, gray sweater,
a blur of inert age. And I? Well, I

was all tendon-taught, unfraught, lithe,
and smug with youth. Uncouth. I was
on my way to . . . to here, as
it happened. And it's happened.

I'm situated at the station now, too,
talking to you, old man. Here
comes a train.


hans ostrom, 2013

Official American Poetry

Official American Poetry is a corporation like
any other. It has executive officers, middle-
managers, salespeople, controllers, and share-
holders. It operates major retail outlets

such as anthologies, presses, workshops,
and MFA programs. There are Academies
and Institutes, with canons on the parapets
and reviewers pouring hot grease on the mob.

Official American Poetry (OAP) frequently
says, "We are unamused by most american
poetry." When OAP notes an Interesting
Development, then OAP buys it up to

maintain market control. It bought up
Dickinson and Whitman, Plath and Sexton,
the Beats and LANGUAGE. There is insider-
trading, lobbying, and influence-peddling.

There's the awkward American imitation
of royalty (Pound crowning Eliot). OAP
is a tower of glass and steel. If you want
to try to try to trade independence for

recognition, go for it. Good luck.
Otherwise, just keep walking. And
writing. That's what Walt and Emily would do.
Bukowski and Bob Kaufman, too,

and this is not to mention,
and this is not to mention
all the poets alive, above and
under ground both at once.


hans ostrom 2013