Tuesday, September 21, 2010

The Great American Poet Lottery

*
*
*

The Great American Poet Lottery

Everybody--okay, about 12 people--
is upset about the state of American poetry.
There was even something about it
on the Puffington Host. What a thing
to get upset about!

None of the upsettees has read a fraction
of what's being written, so they can't really
know the state of American poetry. No one
can read more than a fraction. Spooky, I know.

They're just upset about the poetry they
have read, I guess, and they're entitled.
But they may have missed (wait for it)

the Paradigm Shift. Poetry everywhere lives
in the electronic clouds now, its relationship
to nations and literary management tenuous.

It also refuses to stop propagating, and
that bugs the shit out of some people. Less
is more. Economy of false scarcity.

The upsettees miss the old days. (Randall
Jarrell once wrote that in the Golden Age,
people probably went around complaining

about how yellow everything was.) I don't
agree with the upsettees, but I sympathize.
I'm a sympathizer. They miss those certain days

when anthologies and certain critics and
certain presses told us all who was great.
Anyway, I have a solution. The Great American

Poet Lottery. You enter it by sending in
a poem of yours, see. Drawings held--what?--
weekly? If your poem's picked, you become

a Great American Poet, lounging with Walt,
snoring with Tse Tse, giggling at Emily's
wicked jokes, laughing with Langston.

Okay, sure, a small cash-prize, paid in
Swedish kronor, don't ask me why. If you
become a Great American Poet, you get to

show up drunk and late to every reading
you give and have people still love you.
You're automatically in the running

to become Poet Lariat. (I kind of like
that joke.) You win, and the ones worried
about the state of American poetry win

because they'll have one more reason
to worry about the state of American poetry.
American poetry wins by retaining its

sense of absurdity, its crassness,
and its careening barbaric yawp. And nobody
gets hurt--something that is worth worrying about.


Copyright 2010 Hans Ostrom

The Work of the Writer

*
*
*
*

The Work of the Writer


I'm a writer.
My job's to fill up notebooks.
I usually work the swing-shift.

The words are kept
in wheeled bins, which I roll
over to my station.

I unload the bins,
put the words on the conveyor
belt, which then rides the words

into the notebooks. On my breaks,
I go outside, nibble sandwich
corners, smoke cigarettes,

bullshit with the other writers
at the plant.
The shift-manager comes to fetch us,

the rat-bastard. --Back to work
until the horn goes off.
After that, we hit the taverns,

sit with vacant visages ("visages":
I saw that word on the belt today).
We try not to speak unless we have to:

You know how it is--you want to forget
work. A carpenter doesn't go to a tavern
looking to build anything. Once

I was walking home, and I saw the Muse.
She owns the plant. She's absolutely
gorgeous. I asked her for a kiss.


Copyright 2010 Hans Ostrom

"The Poet Fears Failure," by Erica Jong

Saturday, September 18, 2010

Show That Man Some Respect

*
*
*
*
*

Show That Man Some Respect

for C.M. in N.C


You need to show that man some respect.
Otherwise, you can expect some
resistance. For instance, listen
well before you disagree, for if you
do, you may well see he's right,
as he's been known to be.

He's very smart and very wise:
there is a difference. Look
at his eyes. Read what he's written.
He keeps things in, and he may not
tell you you've been rude.

So I thought I'd let you know--
for your sake, mine, and his, that is.


Copyright 2010 Hans Ostrom

New Dance Craze

*
*
*
*
*

Do the Paradigm Shift!



You put your hands in the air.
You put both feet out. You
fall through space, and
you try to shout--

oh, yeah--can you feel the lift?
Now you're doing the Paradigm Shift!

Oh yeah, do the Paradigm Shift.
Uh-huh, do the Paradigm Shift.
It's the latest craze, and it's
a dubious gift!


Copyright 2010 Hans Ostrom

Menu

*
*
*
*

Menu

The special today is sunshine soup
topped with a dollop of cloud. It
is accompanied in a minor key
by roasted regrets in a reduction
sauce. A choir of angels may visit
your table, coming after you,
coming for to carry you home.
A gratuity is expected after their song.



Copyright 2010 Hans Ostrom

We're The Ghosts

*
*
*
*

We're the Ghosts



We're the ghosts,
who seem to ourselves
and each other to be alive,
substantial, here, important.

Look closely. Wherever you are
now, imagine how quickly every
body there will vanish, be

in effect replaced, how fast
the place itself will alter,
how other people feeling real

will inhabit the space and not
know they don't know a thing
about you and me and us.

And not know how soon they'll go,
ghosts.

Copyright 2010 Hans Ostrom

Freight Train

*
*
*
*
*

Freight Train


They say a freight train lets out that blast
to warn those near the tracks to get away
as it rolls heavy through a city.

I say it's a beckoning to hobos in our souls
who tell us we have done about all we're
going to do--not much and not what

anybody wanted anyhow. So why not go,
why not grab steel, ride the freighting
beast down the coast to the last boast

you'll ever make before you shake
oblivion's hand and go back to being
particles commonly found in the universe?

A train's wail is a tune from that
incalcuable space. A train's machine-cry
makes you want to chase the train,

a chain of iron cars, a creature born
of burned out stars. Your life says,
"That train is just blind freight--

stay here, under covers, go to sleep."


Copyright 2010 Hans Ostrom

A Lovely Woman's Nose

*
*

ling to portrait
*
*
*

A Lovely Woman's Nose


There are many things to say
about a lovely woman's nose,
which always points in the correct
direction and holds its place
amongst the beauty of the face.

We shall not say these many things
today but shall hold them in our
minds just beyond these words--
covert but close by. They will be

like the shapes, angles, and shades
that serve as defining context of
the lovely woman's nose--yes,
the lovely woman's nose: consider it.


Copyright 2010 Hans Ostrom

"Freedom of Love," by Andre Breton

Tom O'Bedlam on Intelligence

Here are some interesting words on the topic of intelligence, and on related topics, from Tom O'Bedlam, who operates the marvelous Spoken Verse channel on Youtube--a link to which you'll see just to the right:


"There's no real advantage in intelligence to a man trying to make a conventional living. Like Isaac Newton, I had to invent a use for it. Literature is one possible use and it satisfied me until I found electronics which proved far more profitable.

When I'm asked what intelligence is I sometimes say "The likelihood of being right" and leave it at that if I want to be annoying. Otherwise I soften it by adding, "if there are no other factors involved, such as learning, experience, altruism and discernment". It's obvious that IQ tests measure the ability to give the correct responses to self-contained questions that have only one answer. The problem for the intelligent man is that he can often find reasons why they're not self-contained and have no single clear answer.

Sometimes I say something like "It's the ability to form internal Mental Models of the real world which can be interrogated for predictions, inferences and conclusions which, in turn, can be observed, measured and verified in the real world". In fact it's the ability to do a few parlour tricks that, when demonstrated, leave people no more impressed or envious than they would be by any other kind of incomprehensible magic.

Richard Feynman said something like "There are some people who are unteachable, who accept nothing on authority, who take in no piece of information unless they have verified it by conscious analysis, who tediously construct their own world from raw data and concepts - and it is on these people science depends" That's a wild paraphrase. I like Bernard Shaw's syllogism from The Revolutionist's Handbook "The reasonable man adapts himself to the world. The unreasonable man attempts to adapt the world to himself. Therefore all progress depends on unreasonable men".

It takes a long while for technical innovation to make its changes to the world. We're still suffering from the effects of the industrial revolution, particularly on the effect of digging up and reintroducing to the environment all the elements, heavy metals and hydrocarbons, that bacteria and other early lifeforms spend a bilion years burying before human life was even possible. The effect of reintroducing these elements into the environment may, within a century or two, make human life impossible.

We're still adapying to the effect of eating starch, which wasn't possible until the technical innovation of cooking, and the major effects such as obesity and diabetes are still a scourge. However the other side effects, such as increased perception and relief from the perpetual need for hunting and gathering, made civilisation possible.

How the hive-mind made possible by free worldwide information sharing will affect humanity as a whole is harder to predict. Religion won't submit without a struggle to the death: it has more emotion to drive it than rational atheism. Even Dawkins and Hitchens are h=just as fervent in their belief in atheism - it seems that the propensity for fervent belief is an inherited trait, like the ability to learn a language. I'd go for selling the opposite of Pascal's Wager - that one should live as though there were no recompense in heaven - to stop peple from sacrificing their one-and-only lives.

Perhaps intelligence is coming into its own at last and, as you say, will supercede professionalism. Society has been dominated by professionals who educate their children to become professionals in their place thus maintaining the status quo and opposing change and progress. Another Bernard Shaw quote - "All professions are a conspiracy against the layman".