Thursday, December 3, 2009

Wisconsin's Poet Laureate

Marilyn L. Taylor is the Poet Laureate of Wisconsin, and here is a link to her Web page:

http://www.mlt-poet.com/

Her term runs through 2010.

Carol Muske-Dukes

Mary Beth Barber of the California Arts Council wrote to inform me that Carol Muske-Dukes is the new Poet Laureate of California. Thanks to Mary Beth, congratulations to Carol, and a pleasant evening to Ina Coolbrith.

Al Young, California's Poet Laureate

As you might have guessed from the title of this post, Al Young is California's Poet Laureate. (Excellent choice, California!). Here is a link to more information about that:

http://www.netstate.com/states/symb/poetlaureate/ca_poetlaureate.htm

Ina Coolbrith, in addition to possessing a terrific name, was California's first Poet Laureate. With raw immodesty, I must mention that a poem of mine once won an Ina Coolbrith Award. I drove from Davis to Berkeley to pick it up (the award, not the poem) and to eat dinner, which, to college student, was a most welcome aspect of the award.

So here's to Ina and Al.

Wednesday, December 2, 2009

Minnesota's Poet Laureate

I have known relatives in Minnesota, so I'm sure they're aware that the venerable Robert Bly is the Poet Laureate of that state. His holding such an established governmental post might have been unthinkable in the 1960s and 1970s, partly because he wrote, read, published, and spoke so fiercely and constantly against war.

But now the decision to give him the honor seems perfect--but not without a hitch, it seems. Apparently Governor Tim Pawlenty (whose last name seems like a lovely three-syllable way of saying "plenty") vetoed, not the appointment of Bly itself, but the position of Poet Laureate, which the legislature had re-established. Pawlenty was quoted as opining,

"Even though we have a state 'folklorist,' I also have concern this will lead to calls for other similar positions. We could also see requests for a state mime, interpretive dancer or potter."

Apparently the governor intended this argument to be one opposed to the Poet Laureate position, but it is more easily interpreted as an argument in favor. How splendid to have a state mime, a state dancer, and a state potter! These are the sorts of positions that would improve one's view of government. And how amusing to see journalists attempting to interview the state mime!

Anyway, the governor relented, or had his veto over-ridden or rode hard and put away wet, or something.

The first Poet Laureate of Minnesota was Margarette Ball Dickson, I have learned.

More information:

Link

How many votes does it take to get elected governor of Minnesota? Puh-lenty!

Poet Laureate of Kentucky

I haven't spent a lot of time in Kentucky. I think I paused in Louisville's airport once, and I seem to remember (or remember the illusion) that when I attended a convention in Cincinnati, I crossed a bridge in a suburb and took up momentary residence in Kentucky. But I carried no letters of transit, alas.

In addition, my parents' eclectic bookshelf contained a novel called The Kentucky Rifle, which was well suited to my reading interests at one point.

All of which is an irrelevant introduction to the fact that Gurney Norman is the Poet Laureate of the Commonwealth of Kentucky, and apparently among the 50 stately (or statish) entities in the U.S., 4 are commonwealths, not states. What's the difference? I'll need to get back to you on that one.

Here is a link to an article about Gurney Norman's appointment some 5-6 months ago:

Gurney Norman

Brown-Eyed Handsome Man

It seems Chuck Berry's recording of "Brown-Eyed Handsome Man" appeared in 1956, but I recall hearing it on a 75 rpm in the early 1960s. My father's second job then was tending bar at night, and sometimes he came home with 75's that had been removed from the juke box. That's how I first heard "Folsom Prison Blues," an excellent formative song for a young lad.

There's immense wit and joy in some early rock-n-roll songs, and Berry's song's an excellent example of this. There's also a lot more than meets the ear in the lyrics.

Anyway, here's a link to a video that captures a performance of the song by Robert Cray, with Mr. Berry and Keith Richards assisting. All of the verses still make me laugh. A bonus is the sub-titles.

LINK

And here is a link to an audio recording of the original:

AUDIO

Not long ago, Sun Records released a compilation of old cast-off recordings featuring Jerry Lee Lewis, Carl Perkins, and Elvis Presley goofing around in the Sun Records studio [which one may still see as it was in Memphis], and over the course of several cuts, they mess around with "Brown Eyed Handsome Man," and it's clear the song is one they wished they'd written. As Mr. Berry did in the original recording, they pronounce "Milo" [Venus de Milo, or 'Milo Venus,' in the song] "Marlo." Charming. "Milo Venus was a beautiful lass./ She had the world in the palms of her hands./She lost both her arms in a 'rasslin' match/To get a brown-eyed handsome man--she fought and won herself a brown-eyed handsome man."

South Dakota's Poet Laureate

If anyone asks you today who South Dakota's Poet Laureate is, you'll be ready with the right answer: David Allan Evans.

This sort of thing happens to me all the time. I'll be standing in line at a cafe, and a complete stranger will come up and ask me who the Poet Laureate of Iceland is. I usually stall for time and say, "You know, I think there may be an interim Laureate in Iceland."

South Dakota's first Poet Laureate was appointed in 1937. His name? Charles "Badger" Clark. What a great nickname, assuming that wasn't his given middle name. T.S. Eliot had at least two nicknames--"Possum" or "Old Possum" and "tse tse," as in fly--given to him by Pound, I think. I'm giving the nod to "Badger" in this contest.

For more information about South Dakota's Laureate-situation, please follow the . . .

LINK

Tuesday, December 1, 2009

Flirting With Permanence

The blogger http://daisylacy.blogspot.com/ invited a poem concerning the topic of her blog: flirting. So I flirted with the idea and came up with a poem, and you should, too, of course.

Flirting With Permanence

You may consider flirting to be like the whisper
of butterfly wings in a flower’s ear or the light
touch of infinite possibility when skin brushes
skin. I’ve been sent to remind you, when the

time comes, to flirt with your long-space
companion, your spouse, the main squizzle,
that one to whom you plighted all the troth
you could muster, lo these many groovitudinous

moons ago. After many a season,
the faithful swan still flirts. Sure, anybody
can play at romance with strangers and
newly-mets in an amateur’s hour

of quips and blinking, glances
and sinking sight-lines. More’s required
of those who would flirt with them whom
they know, with those what’s seen practically

every flirtational tactic--all the plays and their
variations under the bodacious sun. Yes:
how to make eyes and otherwise surprise
a long-loved lover? That’s the question,

and if you’re a crafty pro-amateur, you
know the answer and flirt all right already
with the belle or beau you first flirted with
longtemps ageau. To tease pleasingly

a person you permanently love summons
a certain sagacious whimsy from you—
when the time comes, as I say,
and after it's stayed.


Copyright Hans Ostrom 2009

Monday, November 30, 2009

Five Fine Functions


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Five Fine Functions

Photosynthesis.
Genetic coding.
Fidelity.
Generosity.
Mutual attraction.

Sunday, November 29, 2009

Reflections From Mississippi

Patricia Neely-Dorsey writes from Mississippi to inform us that her book of poems, Reflections of Mississippi Magnolia-A Life in Poems, has been published. It is available from . . .


www.reeds.ms/books.asp


And the native of Tupelo also maintains the blog . . .



http://www.patricianeelydorsey.blogspot.com/

Saturday, November 28, 2009

Poetry, Technology, and Florida's Poet Laureate

The position of Poet Laureate in Florida comes with bad news and good news. The bad news is that it is an unpaid position. The good news is that there is no limit to the term.

Dr. Edmund Skellings is the Poet Laureate of Florida, and his biography is rare. Teaching at different Florida universities, he has offered such traditional courses as those in Shakespeare and Understanding Poetry, but at the same time, he was genuinely a pioneer in technology and the arts & humanities. For some details,including titles of Skellings' works, please see the . . .

Skellings Link

Wednesday, November 25, 2009

Tuesday, November 24, 2009

Essay on Pakastani Literature

Here is a link to an interesting essay Jahane Rumi on contemporary Pakastani literature:

http://www.razarumi.com/2009/03/26/contemporary-pakistani-literature-in-the-%E2%80%98age-of-terror%E2%80%99/

Jamaican Writer Geoffrey Philp Wins Award

Fellow blogger Poéfrika has posted news about a prize going to Jamaican writer Geoffrey Philp:

http://poefrika.blogspot.com/2009/11/geoffrey-philp-wins-daily-news-prize.html

Poet Laureate of North Dakota

Larry Woiwode is the poet laureate of North Dakota. He is also a novelist. Here is a link to more information:

http://www.loc.gov/rr/main/poets/northdakota.html

Accra, Ghana; and Belo Horizonte, Brazil

According to data accompanying the "Vistors' Map" of the blog, computers in Accra, Ghana, and Belo Horizonte, Brazil, have passed by Poet's Musings.

Accra is on the coast of Ghana. Here is one photo from there--of Kwame Nkrumah Park:












And here is a photo of a place in Belo Horizonte, Brazil, which is situated in eastern Brazil and the metropolitan area of which includes approximately 6 million people:

Winter's Mixed Results

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Winter's Mixed Results


Snow to rain and back to snow
again. Then comes just cold,
which freezes slush and snow
and mud. At last we're slowed
down and up, our feet and wheels
and winged chariots set back
to sluggish paces, in some cases
even stopped by frozen slop
of slush and snow and mud.

This weather lurks beneath
the mean temperature. We're
put in a mercury-mood--heavy,
gray, not quite solid, depressed
by cold. After thaw, abrasive
rains scour streets. Hard wind
mutters under eaves, in
gaps between urban structures.
We escape again into feverish
bustling and maniacal toil, into
a flow of routine we hold, dear.


Copyright 2009 Hans Ostrom

Monday, November 23, 2009

On "Howl"

I still teach Allen Ginsberg's "Howl" (as opposed to someone else's "Howl?) in most poetry-writing and modern/contemporary American poetry courses I offer. It's a great example of a protest poem, and of "prophetic" poetic rhetoric going at least as far back as the Hebrew Bible. At the same time, it is squarely (not in the Beat sense of the term) in the tradition of Whitman and Jeffers, in the context of American poetry.

Not without its problems? Of course. As bad as Ginsberg and compatriots may have had it in the 1950s, others had it worse, so occasionally students, with good reason, ask, "Was it really all that bad?" Also, it is a dense poem. It asks patience. But that can be a good time.

I also like to teach the poem as one that gives the effect of a spontaneous "rant" but that is actually carefully crafted. And of course it is a crucial poem in the context of gay and lesbian literature.

I would cease teaching it if students seemed disengaged from it, but they still seem to find a purchase or two in the poem. They like to discuss it, critique it, and learn from it, at least on my campus.

In any event, here is a link to an interesting spectrum of views, from poets and others, on "Howl"

http://www.english.illinois.edu/maps/poets/g_l/ginsberg/howl.htm

Sunday, November 22, 2009

Thursday, November 19, 2009

November Poems by Hood and Plath

Here is a poem by 19th century British poet Thomas Hood about November and called "November." I found it in November--on a site called, not November, but scrapbook.com, of all places. In this poem, Hood seems to play Dr. No.


November

by Thomas Hood

No sun--no moon!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--

No road--no street--
No "t'other side the way"--
No end to any Row--
No indications where the Crescents go--

No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!

No mail--no post--
No news from any foreign coast--
No park--no ring--no afternoon gentility--
No company--no nobility--

No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,
November!

I feel as though I should go watch an episode of "Yes, Minister," now.

Then I found an odd video "of" Sylvia Plath reading "November Graveyard"; the video actually does that strange and clumsy thing of taking a still photo and making the mouth seem to move. A bit gauche and unsettling. The poem interests me in a way that most of Plath's poems interest me: for its use of sound. With reason, many readers focus on the less than cheerful subjects and outlooks in her poems, but I've always thought her to be masterful with sound, too. The link to the . . .

Video