Top Chef

Before I post a poem, here's some this-and-that:

The Lewin Group, which the GOPers and unctuous Charles Gibson (ABC) cite when discussing health-care "reform," is owned by United Health Care, a large insurance corporation, which also controls a database other health-insurance companies use to judge how much you get reimbursed and how much doctors get paid. . . . God willing and if the creek don't rise, as the saying goes, I might be in the High Sierra this time tomorrow, in a pesky canyon that used to resist radio- and TV-transmission and that still resists cell-phone transmission. . . . 'Tis the season when most Northwesterners give up on the pretense of maintaining a lawn and let the grass go blond and brown. Actually, the grass doesn't die; it just looks that way. I saw some poor sod (so to speak) spraying his brown lawn with water tonight, but his heart wasn't in it. Holding the hose was more of a gesture. . . . Meanwhile, I'm hatching Xeriscape plans that feature lots of gravel, boulders, hardy herbs, and drought-resistant plants. --But mostly boulders. One may water boulders, but one doesn't need to do so.


Top Chef

The celebrity tasters sample dishes cooked
competitively by erstwhile celebrity chefs
on a TV food-show. The tasters are
disappointed and get ready to reprimand
the chefs. They're about to opine when the
corpse of a starved person falls from
the ceiling of the TV studio onto their TV
table. Flies swarm out of the corpse's mouth
and seize the tasters' faces. The Food Judges'
hands turn to stone. The competing chefs use
this moment to flee from the show's decadent
premise. In this episode, there is no winner.


http://www.worldhunger.org/

Buddy's Cords of Wood

Buddy's Cords of Wood

Buddy was engaged to marry a woman who
lived in a white house on the hill. He
cut and stacked cords of wood for her.
Before Winter came, she broke off
the engagement and married another man,
who moved in with her. They burned
the wood Buddy had cut. Buddy lived
with his sister from then on. This

was in a town of 225 where few
can afford the luxury of embarrassment.
When Buddy cheated too obviously
at pinochle, the men banned him
from the games for a while. For
decades, an adage flourished in town:
"Don't cut wood for your beloved
until after you marry because some
bastard might end up burning it."


Copyright 2009 Hans Ostrom

Sometimes A Cat

This summer, our household features not one but two cats, a cerebral Russian blue, female, who is 10 years old, and a tabby who may have some Norwegian Forest Cat in his background; he is one year old. Her name is Lisa Marie, after Elvis Presley's daughter, and his name is Jerry Garcia. Jerry is a native of California, very laid back but also impulsive. We sense that Lisa Marie desires him to be more thoughtful. Unless they are supervised, the cats must be kept separate. When I watch television, the tabby gets up in a nearby chair and watches it with me. --Just a couple guys watching the tube.


Sometimes A Cat

Sometimes a cat relaxes so much,
it forgets where it is. That is,
sometimes a cat, relaxed, remembers
nothing is any place and anywhere
is nowhere in particular. A cat's
among the most in-particular creatures,
a purely present artist of equilibrium,
a monarch of the moment, eyes like
twin comprehending moons.


Copyright 2009 Hans Ostrom

Scott Bateman on Lou Dobbs

I'm so old I remember when CNN had some credibility as a journalistic enterprise. No, really, I'm not kidding! Then it decided to "jump the shark" for ratings, so it tolerates the increasingly bizarre, micro-minded, sour-spirited rants of Lou Dobbs, for example. In all fairness, I have to say (well, I don't have to) that observing Lou's hair over the years has been a source of fascination. I am not on firm ground here, as my own "hair style" is an oxymoron. But at one point, Lou's hair looked almost tangerine in color. I'm lucky my job doesn't involve sitting under blazing lights, wearing makeup, and reading from a tele-prompter. To this extent, I sympathize with Lou and other on-camera crooners.

In any event, one of the most talented animators in the land, Scott Bateman, has produced a nice piece on Lou. One great thing about Bateman's work is that it simply but creatively uses the exact words of its subjects. Lou speaks, Bateman animates, and Bateman inserts comments:

http://trueslant.com/scottbateman/2009/07/24/lou-dobbs-nutjob/

On the Road to the Contagious Health-Care Bill

I have to agree with Fran-from-Canada's comment on the previous post: namely, that America's competitive streak prevents the U.S. from simply looking at nations who have successfully implemented health-care (and if it's not "universal," it's not health-care, as "health" refers to "whole") and imitating them, even if we acknowledge that some aspects of our situation may be different.


We mustn't overlook the cynicism of politicians and corporations either. The GOPers have made it plain that their only strategy is to stall and that the strategy is in service of the 2010 election. I think it's refreshing that they admit as much. They rank doing well in a mid-term election higher than providing reliable health-care coverage to (at least) 45 million persons who now go without it and who, if they're "lucky," get some help at an emergency-room. Meanwhile, the DEMsters will wrestle themselves into submission, easy pickings for lobbyists.

But let us turn to a physician who wrote poetry, W.C. Williams, and his "Spring and All," with its genius first line:

Spring and All

by William Carlos Williams

By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast-a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen

patches of standing water
the scattering of tall trees

All along the road the reddish
purplish, forked, upstanding, twiggy
stuff of bushes and small trees
with dead, brown leaves under them
leafless vines-

Lifeless in appearance, sluggish
dazed spring approaches-

They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
the cold, familiar wind-

Now the grass, tomorrow
the stiff curl of wildcarrot leaf
One by one objects are defined-
It quickens: clarity, outline of leaf


But now the stark dignity of
entrance-Still, the profound change
has come upon them: rooted, they
grip down and begin to awaken


Let us hope that those in charge of delivering the health-care goods will "grip down and begin to awaken."

For more information about this poem and W.C.W., please visit . . .

http://www.poets.org/viewmedia.php/prmMID/5953

Corruption Even a Poet Can Understand

To the extent other industrialized nations pay attention to the U.S., they must wonder why establishing something as basic as adequate health-care for everyone is so hard for Americans to achieve. Availability to solid health-care for all citizens in a nation is about as basic as a good fire department is for a city. In this instance, "American exceptionalism" is not a compliment. Most reliable ratings of health-care systems worldwide put that of the U.S. around 35th (or so).

As you no doubt already know, one reason for our inability to get to this basic goal is that Congresspersons in effect answer to large health-"management" companies and insurance companies, who contribute a lot of money to campaigns and who employ people who previously worked in Congress as staffers. Thanks to a fellow blogger in Tacoma, I was able to look at a simple map of such corruption involving an important participant in the health-care legislation, Max Baucus, a U.S. Senator from Montana (and once you get to the chart, you may click on it to enlarge it):

http://www.sunlightfoundation.com/projects/2009/healthcare_lobbyist_complex/#baucus

Even a poet can grasp the corruption reflected in this chart!

Ancillary problems are that the alleged two-party system is, in effect, a one-party system wherein the two large parties suck up money from the same troughs, and that corporations may legally function as persons, so that trying to limit a corporation's monetary control of elections is depicted legally as an encroachment on "free speech," as if a corporation had vocal cords.

One piece of the current legislation delays the public option (which, among other things, would put pressure on insurance companies and also spread out the risk--you remember that simple insurance-concept) until 2013--after a) another presidential election, and b) a lot of people will have died, some of whom will die because of inadequate health-care. Demographically, it's in the insurance-companies' interest to have a lot of Baby-Boomers die; what a lovely bunch of coconuts. Meanwhile, when a citizen (or a visiting American, for that matter) in Canada or Sweden becomes ill, he or she (now, follow this complexity) goes to a doctor or a hospital to get treated without fear of being turned away for insurance-reasons or of going broke after being treated. Wow. It's almost like when a brush-fire occurs in a city and a crew from the fire department puts it out with water, quickly and professionally. If Baucus were in charge, the truck would show up late, charge the land-owner, and throw gasoline on the fire. Thanks for looking out for us, Max.

And yes, I know nothing is perfect in Canada or Sweden or elsewhere, but the American system suffers from more than imperfection. It just isn't functioning.

Moon Visits Altered History

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A headline in the Tacoma News Tribune two days ago read, "Moon Visits Altered History," and for an instant I misread "Visits" as being a verb and "Altered" as an adjective, so that the headline seemed to be about a journey the moon had taken.


Moon Visits Altered History


Orbit became a wearisome groove, a tedious
channel. Sun played the same old carom-shots
with rays, and just below, sad plants and creatures
marked the days. A bored moon unclipped itself
from gravity to visit an altered history.

It visited moon-museums in the gallaxy,
drank with disappointed asterioids who'd
aspired to be moons, interviewed multi-mooned
planets to ask how they kept their lunar
calendars straight. The moon was gone for a

month, exactly. No one but a few astronomers
and surfers noticed. The moon came back
to trudge its orbit like a mule, plowing
time, spinning space into legend.


Copyright 2009 Hans Ostrom

Summer-Squash Soup

Hey, who recorded "(There Ain't No Cure For) The Summertime Blues," the Who? I imagine dozens of artists have recorded it in an attempt to cure the bank-account blues.

Anyway, it turns out there's a simple cure for the summertime blues, and as you might expect, it's soup. When in doubt, make soup!

Thanks to blogger, chef, and poet Minerva, we have ourselves a link to a recipe for Summer-Squash Soup (below). (Minverva reports that she added some previously cooked chicken to give the soup a little autumnal muscle, so if you're not rolling down the Vegan Highway at present, you may give that a try.)

http://find.myrecipes.com/recipes/recipefinder.dyn?action=displayRecipe&recipe_id=1809036

And Minerva is over at . . .

http://minervadamama.blogspot.com/

Summer Squash

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'Tis the season, in the Northern Hemisphere at least, for squash. I grew up calling yellow or crook-necked squash "summer squash," and I prefer it to zucchini, the hide of which is a tad bitter, and the meat of which can be watery. I used to like to pick yellow squash because in the garden, it often had some fuzz on it. One reason to plant a garden, I submit, is that it produces imperfection, such as the fuzz, which is rubbed off by the time squash makes it to a super-market super-slickly. For instance, the cucumbers I just harvested look pretty gnarly. They're fat and fine inside, but the hide looks like it's been in a scuffle, and one of the cucumbers has an odd twist to it. You just can't find that kind of imperfection in a produce-department, no matter how hard you look.

In case anyone asks, and I'm sure someone will do so, "squash" as a verb can mean not just to press down or in upon but also to join in a crowd of people--to squash about in the city, as it were--this according to the OED online. "Squash" as a noun may refer not just to zucchini, etc., but also to the unripe pod of a pea, and in this iteration, the word was often used insultingly. One would call someone a "squash," a mere unripe pod. "Hey, pal, as far as I'm concerned, you're an unripe pod." And here's news: "squash" as a noun used to refer as well to a muskrat--or "musksquash." Wow.

My desultory research did not go so far as to tell me how the racket-game, squash, got its name. Squash seems like the upper-class version of racquet-ball, but I could be incorrect in that impression.

When something feels as if it has been squashed, we sometimes say it appears squishy, don't we? What was squashed was squished, or squishified. ;-) I seem to remember that "squish" was also deployed as a verb, back in grammar (or lower) school: "Squish that spider, Irving, will you? Thanks."

I wish you a good summer of unsquished squash, eaten raw, steamed, or roasted, and may the squash you harvest be perfectly imperfect.

Moon Poems

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(image: Swiss cheese, the chief component of the moon, in spite of astronomers' and astronauts' protestations to the contrary)
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Not that you asked, but my favorite moon-poem is W.H. Auden's "This Lunar Beauty," chiefly because of the rhythm, which subtly echoes that of Jon Skelton's poetry.

Other good moon-poems include "Under the Harvest Moon," by Carl Sandburg, famous Swedish American; "Autumn Moonlight," by Matsuo Basho [how many haikus have a moon-image in the them, I wonder?] ; "Length of Moon," by Arna Bontemps; "The Moon Versus Us Ever Sleeping Together Again," by Richard Brautigan [I think we have a winner in the title-competition]; "The Moon Was But a Chin of Gold," by Emily Dickinson [I think we have a winner in the comparison-competition, and what a shock that's it's D: never mess with Ms. D.]; "Blood and the Moon," by W.B. Yeats; and "And the Moon and the Stars and the World," by Charles Bukowski.

Moon-Shot: The Missing Article

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(image: Jules Verne)
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Moon-Shot 1969: The Missing Article


Somewhere between the moon and the Sierra Nevada,
our TV-reception got fizzed. We leaned in toward
the Zenith set that labored to freight us images
of Armstrong. Outside, illusory sky still pretended
to be blue. " . . .one small step for man, one
giant leap for mankind," said the Zenith, and
I knew the first man on the moon had flubbed
prefabricated lines. The article "a" was missing,
and without it, "man" and "mankind" meant pretty
much the same thing in 1969. The article "a"

is still missing. It tumbles in the Milky Way,
silent in an unspoken vacuum. Yes, yes, I was
properly amazed like everyone else. And a little
sad. After a cumbersome astronaut stepped off a
ladder and set feet, the moon misplaced its
mythology and became dirt and a destination.

Man In A Hole

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Man In A Hole

In summer's citified humidity, one man
pierced a street's asphalt hide with a
jack-hammer. Then someone else in a yellow
back-hoe dug something like a grave. Soon
another man was standing in the hole. Orange
plastic cones stood sentry around him. He
wore a white hard-hat and an orange vest.
Cars passed thickly by on both sides, hauling
their noise, puffing exhaust-fumes, hardly
slowing down. The man's height had been cut
in half. His co-workers looked down at him
expectantly, as if he could fix anything--
sewer, water, electricity, earthquakes.
"People give me shit," he yelled, "and
I am tired of it."


Copyright 2009 Hans Ostrom

W. H. Auden Site

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I recently ran across a site dedicated to W.H. Auden, master of lyric poems and long poems, genius at incorporating vocabulary and diction from a wide spectrum of sources into his poetry. His most anthologized poems include "Lullaby," "If I Could Tell You," "In Memoriam: W.B. Yeats," and "Musee des Beaux Arts." Collected Shorter Poems and Collected Longer Poems are both available from Random House/Vintage.

Here is a link to the site:

http://audensociety.org/

Do You Like The Blues?

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(photo: Albert King, with smoke, perhaps from his guitar)
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Embarking on the great cleaning of the office, I exhumed The Best of Blues: The Essential CD Guide. Yes, I know, CDs belong on the scrap-heap of old technology, along with those massive 8-track contraptions. At least one may transfer the contents of a CD to one's Itunes (or whatever) "library," although a library is, by etymological definition, supposed to be composed of books.

At any rate, Roger St. Pierre put together this guide, which was published by Collins Publishers, San Francisco, in 1993. The nifty little book is postcard-size.

Not that you asked, but among my favorite blues artists, in no particular order, are Big Mama Thornton, Robert Johnson, Albert King, B.B. King, Stevie Ray Vaughn, Bessie Smith, Taj Mahal, Bonnie Raitt, Ray Charles, Mac Rebennack (Dr. John), and Son House (I just love his "John the Revelator"). I know: it's a terribly traditional list. Studies have shown that Robert Cray (from Tacoma) and Eric Clapton apparently know something about playing blues-guitar, too.

A Great Baseball-Blog

...And speaking, that is to say writing, of baseball, I'll now pass on a link to a terrific baseball blog--with poetry; but baseball fans are not to worry: the blog is all baseball all the time (and from Chicago, where the Cubs will one day win it all again--in the same century when the S.F. Giants do, perhaps, and alas):


http://the-daily-something.blogspot.com/

Baseball Poetry

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Here comes (American) baseball's All-Star game, and here's a collection of baseball poetry:

Line Drives: 100 Contemporary Baseball Poems, edited by Brooke Howath, Tim Wales, and Elinor Nauen.

It would be interesting (to me) to see poems about soccer (a.k.a. football), cricket, hockey, fencing, etc., from other cultures.

I thought I'd posted "Sestina: The Game of Baseball" before, but I guess not. I embarked on writing the poem because I thought the repetition and figurative circularity of the sestina-form might go well with baseball, a highly ritualized sport. Anyway, here it is:

Sestina: The Game of Baseball

The circle is the center of the game:
The trip from home to home; mound; ball.
And Baseball’s creed is O-penness: fields;
Gloves like birds’ mouths; past fences lies forever.
The game plays out in formulae of three.
Combinations interlock like rings.

Grave umpires speak in prophecy that rings
Out in the voice of Moses. Out, Strike, Ball
Mean really Shame, Yes, No! The game
Is subtle, though, like its faintly sloping fields.
And indefinite: A game can last forever
In theory, infinitely tied at 3 to 3.

Though rules say nine may play, it’s often three
Who improvise a play within the game.
(Tinkers, Evers, Chance) . Pitcher lends ball
To air. Potentiality of bat rings
With power in that instance. All fields
Beckon to innocence and hope forever.

One chance at a time drops from forever.
Player with a caged face grabs for ball.
But batter knocks ball back into the ring
Of readiness, at which point one of three
Things happen that can happen in the game:
Safe or Out or Ball-Beyond-All-Fields:

Home run. Inspire the ball past finite fields,
And you voyage honored on the sea that rings
The inner island. Sail home, touch three
White islands, Hero. Gamers since forever
Have tried to sail past limits of the game,
Shed physics’ laws, hold Knowledge like a ball.

To know this game you have to know the ball,
An atom when contrasted with green fields—
Less than orange, white with pinched rings
Of stitches ridged for grip. With ball come three
Essential tasks: throw, catch, bat. These are forever
Of the Circle in the Center of the Game.

Dropped in the fluid game, the solid ball
Starts widening rings of chance, concentric threes
That open out into the Field. Baseball. Forever.


Copyright 2009 Hans Ostrom

Memo From November 6th Street

"November 6th Street" in Memphis connects to Monroe Avenue (among other streets and avenues)about a block from Main Street. The name of the street commemorates a day (in 1934?) when an arrangement was reached between the city of Memphis and the federal government whereby the Tennessee Valley Authority got funded.
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Memo From November 6th Street

They make it work somehow in Memphis,
bluff buttressed against an oceanic
river. Vines overwhelm scruffy trees,
weariness overtakes work, and Downtown
pines for its heyday. You know the story:
Handy, Rufus, B.B., Elvis, Booker T.
& them fused grooves like welders
building barges bound for big water.
They made it work somehow.

Sir, ma'am, if you want to, you can
sit in a black iron chair next to where
Johnny & June Cash and Ella wrote their
names in cee-ment. Pigeons and a goat
will stare down at you as you stare up
at a plastic palm tree & you'll drop money
into a yellow bucket, sit back down,
and listen to covers of Albert King,
Robert Johnson, Stevie Ray Vaughn,
Son House, and Otis Redding. Looks like
nothing's gonna change in Memphis.
Then it does. Then it doesn't. They
have to dredge the channel regularly.

Meanwhile I have to check out the Just
Like New consignment-store on November 6th
Street--Memphis, yes, sir: Memphis--caught
in a corner between Arkansas and Mississippi,
between St. Louis and New Orleans, mid-South.
They make it work somehow. Somehow they make it.


Copyright 2009 Hans Ostrom

How To Be A Cat: Illustrated

A while back, I posted a poem called "How To Be A Cat," and now a fine photographer whom I don't know has paired one of her photos with the poem. Personally, I don't have anything against the poem; in fact, it still has my full support (as presidents say of cabinet-officers they've already asked to resign), but I really like the photo, and here's a link:

http://www.flickr.com/photos/ilarialuciani/2572078179/

I might add that the photo includes notes--in Italian. How fabulous is that? To read the notes, you just lightly drag the cursor across the photo, and the notes appear. It's the sort of thing that would fascinate a cat.

Thanks to the photographer.

Mosey v. Saunter

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(photo: trolley on Main Street, Memphis)
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There's an "orange" alert for smog and ozone in Memphis today, so it's a good day for moseying and sauntering, at best. Officials reduced the price of a trolley-ride on Main Street from one dollar to 25 cents; they're worried about older folks, as well as children with asthma, especially.

I sauntered up to a venerable lunch-room that was bustling with downtown business-folk, and I ate some turnip greens, tomatoes, and "corn sticks" (corn bread). Great basic food, eccentric servers: superb.

Two businessmen at the table next to mine had a long serious conversation about staffing. Then one of them said, "You ready to saunter back?" "Yes," the other one said, "let's mosey."

So of course I had to check the OED online with regard to these words. "Saunter" once meant "incantation" as a noun and, as a verb, "to muse," but that was long ago. By the 1780s, it referred to a "careless" walk or walking carelessly, so it appears as if sauntering may be a slower activity than moseying; that is, to saunter is to walk aimlessly, almost.

As a verb, "mosey" was (and remains?) an Americanism going back at least as far as 1829 in print. As a noun--for example, one may "take a saunter"--it goes back only to 1960, at least in the OED. I think I'm more accustomed to seeing nouns turned into verbs--as was famously done with "impact" in the 1980s, when it began to be used in place of "affect." "The report impacted city government," e.g. Before that, the only things I remember being "impacted" were wisdom-teeth.

On campus, I almost always leave for class very early and saunter there. At least one colleague I know is a bustler, and one day, as she bustled past, she asked, "Why do you walk so slowly?" I deflected the question by saying, "It's called sauntering."

I'm not sure what the real answer to her question is. I don't like to bustle because it usually symptomizes being late (speaking of turning a noun into a verb), and I like to look at creatures like bugs and birds when I walk. I also like to have time to nod to people I know and say hello. I always arrive in plenty of time.

I wish you good moseying and sauntering today.

Metaphorical Headline; Sonnet-Challenge

Before I forget, let me point out that "Minerva" has a sonnet-challenge going this week, in case you're in a 14-line mood:


http://minervadamama.blogspot.com/2009/07/poetry-challenge-5-sonnet.html

Now, on to a headline from The Commercial Appeal, a daily newspaper in Memphis:

"Mayoral Morass Sinks Deeper Into Confusion" (Wed. July 8, 2009, page one).

As with the governor of Alaska, the Mayor of Memphis, Willie Herenton, is a bit unsure not about resigning but about when he's resigning, and the confusion is causing all sorts of political and bureaucratic problems. --Also opportunities: The legendary wrestler (or "wrassler") Jerry Lawler (Andy Kaufman wrestled him--remember?) is going to run in the special election, when and if it takes place.

At any rate, the headline troubled me slightly, with regard to the metaphor. I suppose a morass--or "swampy tract," as the OED online defines it--can sink, insofar as all pieces of land, including soaked ones, have the potential to sink. But maybe the headline-writer (as opposed to the story's writers, Amos Maki and Alex Donlach) was thinking that the situation Herenton has created is sinking into a morass of confusion; or maybe that the mayor's office and the city council are sinking into a morass. But I don't think the morass is meant to be sinking.

Anyway, I enjoyed the story and the swamp of my thinking about this metaphor....I reckon "headline" itself is a metaphor--the top of a newspaper-story or -column (for example) being compared to the head, and thus the need for "capitalization." A capital idea!

Good luck with your sonnet.

Elvis Read Books, Had Excellent Taste in Movies

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(photo: Slim Pickens and Harvey Korman, in Blazing Saddles, with books in background)
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Well, if you're in Memphis, you pretty much have to visit Graceland. I'm in Memphis, so I visited Graceland.

A "modest mansion" is an oxymoron, but I think the phrase fits Elvis's home, which he decorated immodestly. Actually, the place is probably decorated just the way most young working-class men in the 1950s-through-early-1970s would have decorated a place if a) they suddenly obtained a great deal of cash, b) were under no one's guidance, and c) were egged on by a bunch of "pals"--or hangers-on.

My second impression concerns just how much cash the site generates. The scale of the operation is difficult to fathom. It is a massive cash-machine. I do wish a significant percentage of that money were dedicated to not-for-profit aims, particularly in Memphis, to address poverty, educational needs, and even basic infrastructure-problems. That would be a good thing, such channeling.

On the tour of the larger airplane, I learned that Elvis liked to read and traveled with boxes of books. What exactly he read is unclear, but one site on the web points to some of his spiritual reading: http://www.bodhitree.com/booklists/elvis.presley.html

However, in the mansion, at least on the ground floor, there appears to have been no space for books. The scholar and bibliographer in me would love to acquire lists of books Elvis read. What was in those boxes he toted to Las Vegas? As a reader, he probably had the same habits, if not the same classical education (Humes High School v. Pembroke College, Oxford, so it goes) as Samuel Johnson, including impatience. Johnson famously tossed books across the room when he became bored with them, and one imagines the nervous, pharmaceutically sped-up Elvis reading voraciously but getting bored fast. Cat on a hot tin roof, so to speak. Go, cat, go.

I also learned that among Elvis's favorite movies to watch on the plane were Blazing Saddles and the Monty Python films. This confirms that Elvis had great taste in cinema, at least in the comedy column. Of course, as with the home-decoration, the taste in comedies also betrays a bit of male adolescent bias. As clever as Brooks and the Monty Python team are, they're also mischievous in an adolescent way.

Most of Elvis's own movies are (as you know) bad, sometimes so bad they're campy and good, but that was Hollywood's and the Colonel's fault. Elvis was actually a good instinctive actor, as Walter Matthau once observed. He worked with Elvis in King Creole, and he said that after a scene, the director told him (Matthau) to stop trying so hard, and Matthau was aware of the extent to which Elvis wasn't trying hard but had a good sense of timing. One imagines all the good, surprising, interesting movies Elvis might have made. Too bad he didn't collaborate with the Monty Python troupe early on. Too bad Samuel Johnson never got to visit Graceland.

Skin's Stars

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Skin's Stars

Freckles and moles and other colorations
constellate skin’s sky. Imagine connective
lines, then conjure epidermal legends:
huntress of the thigh, magic beetles near
the feet, miraculous bird on the back of
a hand. Or not. Go with the logistical reading,
points on a dermatological map suggesting
deeper strata of DNA, a digital code of
ancient migratory patterns--ah, but also
of collusions with sunlight. Glory be to God

wrote Hopkins (G.), for dappled things,
and skin certainly qualifies: dot-commissioned
by blots and bits of pigment, uncoalesced
pointillist portrait painted on your body’s
parchment, a realistic abstract rendering.
Scars appear like halted asteroids on this
sky, or they try to get a message through
using ghostly notation—something about
the time you fell down on creek-slate or
tried to break up a dogfight with one hand.


Copyright 2009 Hans Ostrom

Memphis Monologue

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photo: Peabody Hotel, Memphis
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Memphis Monologue

No, sir, I'm not from
Memphis. I'm from New
Orleans, but I came
to Memphis after the
Hurricane. There was
nothing left for me
down there. Been here
ever since, but it's
tough. I haven't been
able to find much work--
the economy; and all.
If you like barbecue,
you might try the
Rendezvous. You have
a good evening, sir.


Copyright 2009 Hans Ostrom

July 4th in Memphis

Well, all right, I made it to Memphis on July 4th, and what a party they're having--down by the Mississippi (fireworks), on Beale Street (one big outdoor party), and on the roof of the Peabody Hotel (a radio-station-concert/party of some kind, audible from everywhere--perhaps you can hear it through this post, even).

Until I visit the South yet again, I always forget how much I like the pace of things down here. As long as you're not in a rush, everything's cool. Once you get past, oh, Kansas, and into Oklahoma, things start to slow down. I think the plane even slowed down mid-way through the flight. ;-)

In honor of Memphis and Elvis and Emily (not to mention Aretha), I'll post a link to Joe La Sac's short film, in case you haven't seen it yet:

http://www.youtube.com/watch?v=naa3oK4zWxQ


http://www.youtube.com/watch?v=naa3oK4zWxQ
tav67qhgpw

True Patriot

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the photo is of Susan B. Anthony
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Here's a wee book appropriate, arguably, for July 4th festivities, conviviality, and reflection:

The True Patriot: A Pamphlet, edited by Eric Liu and Nick Hanauer.

It starts with a couple chestnuts--the D of I and Mr. Lincoln's Gettysburg Address. Then it moves on to George Washinton's Farewell Address, Jefferson's first inaugural address, Webster's (Daniel) dedication of a monument at Bunker Hill, and (one of) FDR's state-of-the-union address. In addition to some other more or less familiar texts, the book includes an address by Judge Learned Hand, one by Susan B. Anthony, one by Jane Addams, and a poem, "Let American Be America Again," by Langston Hughes. Dr. Martin Luther King, Jr.'s, speech at the March on Washington is also included, as is one by Robert Kennedy.

The slim, nifty little book was first published by Sasquatch Books [nice name, eh?] in Seattle (2007) and printed in Canada.

What Was That Thing?

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Song: What Was That Thing?

What was that thing
I tried to forget?
If I could recall,
I'd be glad to regret.

What was that thing
I always desired?
Seems I forgot
What I required.

What was that grudge
I used to hold?
Seems that slow smolder
went quickly cold.

Things move on down to
where flood meets sea,
a delta-land
of used-to-be.

A delta-land
of used-to-be
frees you from you
and me from me.

What was that hate
that drove me blind?
How did that love
turn me so kind?

What were those plans
I once held dear?
Hey, life came by,
changed There to Here.

Who was that I
Who once was me?
He tried too hard,
now lets it be.

Time flows through space
like silt to sea--
a delta-land,
believe you me:

a delta-land
of used-to-be
frees you from you
and me from me.


Copyright 2009 Hans Ostrom

Potatoes, Thyme, and the Struggle

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Potatoes, Thyme, and the Struggle

What did I hope to gain by applying
my mental powers, such as they are, to
serious problems of the day--war, famine,
economic entropy, a planet turned to kindling?
Well, I'd hoped to make a show of doing
my part. In what? If not in the Struggle,
then at least in the struggle to pay attention.

Then I lost my keys and phone and had to
track them down. I watered the garden--thyme
and potatoes doing fine. I got a haircut,
purchased bread and other basics, fetched
the mail, sent a note of sympathy and three
birthday cards, excerised as a favor to
my heart, sent electronic messages, cooked
dinner. By then the day was done.

The smug oligarchs and financial thugs,
arms dealers, hacks, handlers, and somnambulent
press will prevail, or so run today's thoughts,
because an ordinary me or a you as you are has stuff
to do even on a day off from work. They and we keep
us busy, these magna cum sociopathic human
bacteria that eat systems, wreck lives, start
wars. Life keeps us busy, and so again I listen
to Tennessee Ernie Ford: "Saint Peter, don't you
call me, 'cause I can't go. I owe my soul
to the Company Store." Sixteen tons of busy.

Copyright 2009 Hans Ostrom

In Defense of Mark Sanford and McDonald's

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To write almost the least, I don't make a habit of defending Republican governors (or any governors, for that matter) or large corporations, so this is new territory for me.

True, Governor Mark Sanford (South Carolina) has done just about everything wrong lately. At first I thought his interminable press-conferences were simply narcissistic and self-induldgent (and they may indeed be so); then I thought, well, maybe this much talking springs from evangelical Christian rhetoric, which has been known to be voluble; now I think the guy just needs therapy--from a therapist, not from talking into cameras.

A writer for the Kansas City Star has similar thoughts: ]

http://voices.kansascity.com/node/4990

Also, Keith Olbermann [MSNBC], among others relentlessly attacks Sanford, when not too long ago, Olbermann was most incensed that people (and Congress) were making so much of President Clinton's stupid behavior in the White House. Jonathan Alter gently pointed this out on Olbermann's show the other evening, but Olbermann didn't seem to absorb the information. He's becoming as insufferable and predictable as the man he pretends to loathe, Bill O'Reilly.

Moreover, given all the real and really important crises and issues there are out there, why spend time reporting on the personal misfortunes of Mark Sanford and his family? I know the answer: ratings. Nonetheless, knock it off. Of course Sanford seems completely hypocritical, having once attacked Clinton, but so what? What exactly is the percentage of humans who aren't hypocritical at some point?

As for McDonalds (photo of the original above), I simply want to say a word in favor of its "dollar" menu. If I were out of work (there but for the grace, etc.), I think I'd make use of that menu. Yes, I know such a menu functions as a "loss-leader," which gets people in the "store." No, I don't think the dollar-menu compensates for the problems McDonalds creates, as cited in Fast Food Nation and elsewhere. Nonetheless, a cheap hot meal in a pinch is a good thing for a lot of people.

There. My counterintuitive post concludes.

Adjustment Denied

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Adjustment Denied

The man from the Building
came to adjust the Psychiatrist's
thermostat. He called the Doctor
from the Waiting Room. The electrons
of his voice spoke to those of
Voice Mail. He left a Message.
"I am from the Building. I have
come to adjust your thermostat. I
am in the Waiting Room." Beyond
the barrier of messaging, there
was no Answer. Air, however,
spoke in a constant whisper
through the ducting of the
Building, as the Doctor, so
the man from the Building guessed,
talked and listened to a Patient
in an Office which was too Cool,
too Warm, who knows?


Copyright 2009 Hans Ostrom

A Christian Environment?

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the photo is of modern-day Damascus, to which Paul was headed
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I'm beholden to another blogger for triggering the idea for this poem, for she, too, was musing about "a Christian environment" and what different people may mean by that phrase.
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A Christian Environment


What's a Christian environment? Who loaded
that question? In the Back-When, a Christian
environment seems to have involved occupied
Pharisees (et al.) and occupying Romans.
Technically, Jesus wasn't Christian, just
as an apple tree's not an apple. (I hear
a thousand theologians running down the hill.)

Then, as now, much misery, success, poverty,
disease, wealth, pride, self-assurance, power,
doubt, heat, failure, force, cold, cruelty, and
mystery seem to have been around. The Christian
environment was hard-tilling. Ask Jesus, so
to speak. He had a go at plowing that rough

field, which harvested him. Self-confident
Christians, devout atheists, and many
others will tell you what a Christian
environment is. You don't even have to
ask them! They'll generously share. In a

dark room, one despairs of defining anything
but despair. Then air through an open window
billows shades. Sunlight, the fastest thing,
bursts through. One blinks, surprised.


Copyright 2009 Hans Ostrom

Broken Government, A New Blog Concerning

I think I've written, contributed to, and edited too many encyclopedias--at least that's my excuse for writing the title of this post in alphabetical topical fashion, although more strictly, it should begin with government.

. . .This is how old I am: I can remember a time when working-class people could afford the services of doctors and medicine. I can also remember when immigration was one of the society's virtues, even as the society didn't routinely treat immigrants virtuously.

Now immigration seems chiefly to be a way for some companies to get cheap labor (I suppose it always was) and a way for some politicians (and pundits--Lou Dobbs is obsessed with the issue--which means it must be working for his ratings) to wear out the xenophobia drum. Meanwhile, no one with power seems to want to address the issue soberly.

Add two wars, cash-bloated politics (what does it cost just to run, say, for the school board?), a one-party system in two-party drag, etc., and you seem to have quite a mess. I am, by the way, officially pessimistic about any significant changes to health-care occurring. In this area, we're the embarrassment of the industrial world. Canada, France, Sweden, and England have systems that wipe the floor with ours. Ed Schultz, radio guy, nicely parried the stuff about "waiting lines" in Canada; he just took random calls from Canadians, who said, "Nah, the system is good, and you have to wait only for things like cosmetic surgery." Cosmetic surgery: what Congress and the President will perform on our health-care system.

Like a lot of people, I'm lucky to have medical insurance and to have access to good care, but like most people, I'm aware that a slight change in circumstances could make it all vanish.

I ran across a blog that touches on one aspect of the mess--how those in military power cycle into political power, and how those in political power cycle into influence-power by working for lobbyists and "think tanks":

http://123realchange.blogspot.com/

Sunday's Villanelle

A Little Something That Refrains


Let's write a little something that refrains
From trying to be more than poetry.
The language moving in a poem obtains.

For language is an actor, plays and feigns,
And hopes we'll see what it wants us to see.
Let's write a little something that refrains

Itself in lyric and won't grab for gains,
But is content simply to seem and be
The language, moving. In a poem, "obtains"

Can take an object or refuse. The lanes
Of speech form labyrinths. Let's drink some tea.
Let's write a little. Something that refrains

Might well refresh. The mind's eye strains
Relentlessly, desires profundity.
The language moving in a poem obtains:

It's there like creeks and rivulets from rains.
Word-lovers lap up language happily.
Let's write a little something that refrains.
The language moving in a poem obtains.


Copyright 2009 Hans Ostrom

University of Puget Crows

Once again this summer on the campus of the University of Puget Sound, the sign is out. It's a small temporary sign beside a walkway that runs underneath tall fir trees. It says something like, "Caution--Crow Nesting Area."

The crows' nests have eggs and/or young crows in them; therefore, the parents are in dive-bomb mode.

I actually don't mind being dived at by crows. I have a love/hate relationship with them. I love them, and they hate me. It's nothing personal on their part. It's just business. They find it advantageous to live around humans and other animals that leave food around, but they don't like humans. You can tell by the way they look at us.

Of course, the crows live on campus all year. Occasionally I'll try to chat one up as I walk to or from a class. Usually I say, "What are you doing?" I'm actually glad the crow can't talk back (in English) because, given the crow-personality, the bird would probably say, "What does it look like I'm doing?"

To like about crows:

1. They act like they own the place, any place. And I suppose they do.
2. They're sleek and black--"like gangster cars," as I once wrote in a poem.
3. Their eyes aren't exactly on the side of their heads, as most birds' are; they're almost moved up to the predator-position.
4. They seem to view flying as a chore. They much prefer hopping or strutting. When they do take off, they seem to be enjoying flight about as much as a man with bad knees enjoys climbing stairs. They seem almost too big to fly, but they climb into the air eventually. Once up there, they do fine, but they still don't like to work at it. They prefer to glide--a short distance, and then stop, perch, and start an argument.
5. Allegedly, they can count. (I'm not kidding, but I don't know exactly how ornithologists established this.)
6. They share information. In fact, crows in this area have an enormous convention on Whidbey Island, or so I have read. No word as to whether they where small crow name-tags. Also, in one experiment, they were shown to remember a human who wore a mask. To put the matter colloquially, in the crow community, word gets around.

I don't know what word has gotten around about me, but crows like to yell and dive at me. I haven't ever been hit by one, but I keep my head (and eyes) down, just in case. Otherwise, I'm vaguely amused by the attack. One of my former professors, the late Karl Shapiro, wasn't so lucky. A crow at a university in Chicago actually attacked him--not just one dive-bomb, but an attack. A scuffle. Karl managed to ward off the bird with his black umbrella, and then of course wrote a well crafted, humorous poem about the incident.

So there's Karl's poem, and Poe's famous raven poem, but the best poetic treatment of crows may be Ted Hughes's wonderful book-length work, titled simply Crow. It captures the spirit of crows, or what humans take to be that spirit.

In summer, the University of Puget Sound is a place where some summer school classes are offered, where high-school students and their parents take tours as they go through the painstaking process of choosing a college, where professors work on their research and writing, where organizations have their conferences (Methodists, cheerleaders), where the groundskeepers must work hard to keep the flourishing vegetation in order, and where frisbee-throwers, skate-boarders, and dog-walkers take advantage of the space.

Most of all, it becomes the University of Puget Crows, where large black birds take parenting and feathered family values seriously.

Comparative Poetry Enterprises, LLC

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(photo: legendary American car-dealer Cal Worthington)
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For as long as I can remember, I've loved the language of advertising because it doesn't make any sense; or rather it makes indirect emotional sense, if you let it do so.

Let's see, what are some of my favorite words and phrases from advertising? In no particular order. . . .

1. "Hurry!" Uh, no. I don't want to hurry. Hurry, call the number. Hurry on down--our store is closing forever. Order now and we'll include the Ginsu Slicer for free. I'd be more likely to pay attention if they said, "Hey, take your time, pal."

2. "For a limited time only." Well, of course. What would we expect--that the sale would go on into infinity? Maybe for a sale of Escher prints.

3. "While supplies last." This probably means they're worried supplies WILL last.

4. "Not sold in stores." Then there arose a store, for a while at least, in malls that featured things sold "only" on TV. That was almost paradoxical.

5. "Valid at participating stores." I think they should force non-participating stores to accept the validity, too. Just kidding.

6. "[Actor's name here] like you've never seen her before!" Okay. Since I've never seen her, only her image (at best), I think I'll be able to handle it.

7. The "because" statement. This statement often comes at the end of an advert, and is preceded by . . . nothing--except perhaps the name of the company or product. But there's no assertion, no effect that is followed by a cause. "Picklewad Insurance . . . because tradition matters." Notice they don't even say "Picklewad Insurance is an old company; therefore it is arguably a traditional company; tradition matters [in a good way]; so consider buying insurance from Picklewad." No, the "because" clause must stand alone. Fabulous.

8. "The name you trust." Who said? And maybe I trust the company's name but not the company.

9. "A 50 dollar value for only 19.99." What is meant by "value"? Who set the value? Not a neutral third-party, I bet.

10. "Money-back guarantee." As opposed to the guarantee where you don't get your money back--the non-guarantee guarantee (which happens to be the real "guarantee")?

Anyway, a poem in this spirit:

Because Comparisons Matter

Leaving aside a summer's day, what
would you like to be compared to?
A winter's night? A rhino's hoof? A
traffic jam in Athens, Toronto, or
Beijing? You tell us. At

Comparative Poetry Enterprises (CPE),
LLC, we try to satisfy the subject
of our poetry. Our philosophy is
that good market-research leads to
good poetic analogies. No disrespect
to Shakespeare, but times have changed.

The poetry-market is tough, especially
in the Analogy and Love sectors, which
have been saturated. We're CPE: dedicated
to making the right comparison for you.
Contact us for a free, no-obligation
trial-poem. You'll be glad you did!
CPE . . . where comparisons are incomparable.

Copyright 2009 Hans Ostrom

Culture of Celebrity

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Here's a book I'd like to read, especially given the spectacle of the last 24 hours or so:


Framing Celebrity: New Directions in Celebrity Culture, by Su Holmes, published by Routledge in 2006.

Who Else?

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Who Else?

The famous have families, too. Leave
them to their grief, even as operatives,
lawyers, and T-shirt makers go to their
hives to get busy. Who else besides
the famous died today? Our electric
screens can't say. So we imagine
abandoned old and demented ones
dissolving into last breaths and final
hallucinations. Or we think

of soldiers, refugees, and homeless
ones who strayed so far from hope.
Others get shot, blown up, bludgeoned.
Disease and mad accidents steal others'
lives. Though the scandal of death
is always and everywhere, media explode
phosphorescently when celebrities die.
The glare blinds us momentarily. The

exhausted ritual gossip stops our ears
like beeswax. We recover, recognize
the grotesque face beneath the face
of fame, turn away, get on
with tasks. The commonplace seems
dear. The famous have families and
friends. Leave them to their
privacy if they'll have it.

Our talking screens entreat us
to come back and gaze some more. No.
Who else besides the famous died today?
In the wind, green cedars sway.

Copyright 2009 Hans Ostrom

Professors Detained in Iran

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(the photo is of a mosque in Tehran)
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CBS News (online) and other outlets are reporting that about 70 Iranian professors who met with Mr. Mousavi were detained--not arrested, apparently, but detained.

How professors go from being relatively obscure and ignored to being a threat is a phenomenon that's always intrigued me. Somehow, those seen mostly as impractical eggheads suddenly become hyper-effectual--capable (suggest those in power) of getting big and dangerous things done.

True, in some activist movements in some nations, professors have participated vigorously, and professors do have an obvious connection to younger, thoughtful persons who may express skepticism toward established institutions. Still, it's hard to view professors as being as dangerous as counter-activist forces often depict them.

David Horowitz, among others, likes constantly to depict American professors as Leftists who are "politically correct." It's probably true that a majority of professors don't identify themselves as Republican, but at the same time, I don't think a majority is Leftist, either (depending upon one's definition). Many professors I've taught with have expressed firm ideas against such developments as feminism, feminist scholarship, multi-cultural interests, affirmative action, and so on. Most professors I know own homes, raise families, do volunteer-work, and so on: not exactly radical stuff. (An earlier post concerns allegedly "Liberal Professors".) Also, no one really knows what "politically correct" means anymore, if it every meant anything; it's an empty signifier, the card that's not on the three-card-monte table.

It could be that Horowitz and others have simply discovered that professors are easy to caricature, so they keep the caricature alive. If it works, keep doing it: I guess that's the cynical attitude. Also, I think people outside of academia get suspicious of professors--of new ideas, research, intellectualism, and so on. And Lord knows professors sometimes behave arrogantly and otherwise seem out of touch.

Mostly, I think, professors symbolize potential change or potential anti-establishment attitudes. They may help to create the illusion of an avant garde. But I think significant social shifts usually get going on their own and then attract the participation of some professors, who then get detained. Or arrested. Or used in propaganda skirmishes.

By the way, Mr. Mousavi now has a page on facebook:

http://www.facebook.com/mousavi1388

Sherlock Holmes In Summer

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Sherlock Holmes? In Summer?
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Usually I think of Conan Doyle's Sherlock Holmes stories and novels as Winter reading, but I might read some this summer. For back-up, I have not only the Baring-Gould two-volume annotated edition but also Leslie S. Klinger's three-volume annotated set from W.W. Norton. Klinger is typical of Holmes enthusiasts, insofar as he is an amateur scholar in the best sense of the word; he researches Holmes for the love of it. He is a lawyer by profession.

Another key element to Holmesian enthusiasm is that one must assume that Conan Doyle, Watson, Holmes, and pretty much anyone else who wanders by exist in the same world. The boundary between reality and fiction disappeared long ago; at least that's the way the game is played.

Holmes wasn't much for poetry or literature in general, although early on he takes a shot (figuratively) at Poe's Dupin, helping to erase that boundary I just mentioned: Fictional Holmes speaks of fictional Dupin as if the latter weren't fictional, and the game is afoot.

Nonetheless, Conan Doyle's Holmes stories appeal to readers and writers of poetry--at least to some of us--perhaps because they are so ritualized, and because Holmes is as much a driven, obsessive artist--monomaniacal--as he is the human apogee of rationalism and Enlightenment.

Although I relish dipping into the annotated editions, I still prefer the old Doubleday hardback or, in a pinch, a Penguin selected edition of some kind. Christopher Morley's introduction to the Doubleday collection remains charming.

True, with such things as Iranian society, American health-care, wars, famine (and so forth) at stake, reading Holmes becomes obviously escapist, but at the same time, maybe a person can be aware of and engaged in events and crises and, at the same time, take a breather to dip into familiar reading.

Here is a link, at any rate, to a site that is a gateway to numerous other Holmes-related sites (in case you happen to be an enthusiast, too):

http://www.sherlock-holmes.org/english.htm

Poem by Paul Valéry

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I've been enjoying re-reading the anthology, French Symbolist Poetry, translated by C.F. MacIntyre and published by U.C. (Berkeley) Press. It features poems by Nerval, Baudelaire, Verlaine, Corbiere, Mallarme, Rimbaud, LaForgue, and Valéry. These poets were original in their own right but also influenced poetry in English, including that of Yeats, Eliot, and Pound.

One by Paul Valéry caught my eye--titled simply "Caesar." It starts this way:

Caesar, serene Caesar, your foot on all,
hard fists in your beard, and your gloomy eyes
pregnant with eagles and battles of foreseen fall,
your heart swells, feeling itself the omnipotent cause.

It ends this way:

The spacious world, beyond the immense horizon,
the Empire awaits the torch, the order, the lightning
that will turn the evening to a furious dawn.

Happily out on the water, and cradled in hazard,
a lazy fisherman is drifting and singing,
not knowing what thunder collects in the center of Caesar.


What makes this a "symbolist" poem as opposed to just a regular old poem? The striking juxtaposition of images, I think--so striking that they begin to generate surrealism without generating confusion: "hard fists in your beard," for example--this isn't a logical, "realistic" image, but it makes emotional sense. The same goes for "thunder collects at the center of Caesar." Here Caesar becomes an institution or a phenomenon, or both--but not just a leader, dictator, or man.

Neda Agha Soltan

The reasons the flow of words and images threatens repressive institutions and assist forms of liberation are obvious, I guess, but today I've been thinking also about how images become "iconic" almost too quickly, especially with the advent of global electronic communication.

For my generation of Americans, iconic images proliferated: fire-hoses and dogs released on African Americans protesting in the South; still-photos created from the Zapruder film (and "the Zapruder film" becoming an iconic phrase); Oswald photographed crying out in pain and surprise at the moment Jack Ruby guns him down; the naked child napalmed in Viet Nam; the North Viet Namese prisoner executed by a South Viet Namese officer; Bobby Kennedy dying, lying on the floor of a kitchen; Martin Luther King lying on the balcony of a motel; the student at Kent State kneeling beside her dead friend, her arms raised in a plea; and on and on.

Now the image of a woman named Neda Agha Soltan, shot and killed in Iran, has become iconic--too quickly, perhaps. One has the urge to pause and to think of her as who she was: one person, one woman, with friends and family, one consciousness, an endlessly rich web of memories, ideas, images, emotions. A life, one life--not an "icon." Neda Agha Soltan.

Catholic Worker Movement Is 75

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The Catholic Worker Movement, which Dorothy Day (photo above) helped to found, is 75 years old this year. Day's fine autobiography, The Long Loneliness, sheds light on the movement's origins. There is also a nice biographical film about Day and the movement, featuring Martin Sheen.

A link to the CWM's web site:

http://www.catholicworker.org/#

Still Life With Fish and Other Stuff

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Chardin's Still Life With Fish


In Jean-Siméon Chardin's "Still
Life with Fish, Vegetables, Gougères,
Pots, and Cruets," the paint becomes
Plexiglass because it seals off odors
I seek. Or should I say "aromas"--odors
that are formally attired? Chardin's

manipulation of pigment teases me
with an imaginary robust stench of
a French kitchen, dead cool slimy fish
hanging over vegetables and such.
Chardin invites me to the unstill
kitchen, then closes the glass door

firmly, and I'm left with an inedible,
unsniffable scene. Well done, monsieur,
to taunt the nose of an olfactory voyeur
in the deep-freeze of an art gallery.


Copyright 2009 Hans Ostrom

Skype

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Skype

Skype flies out of language
like the blade of a Viking ax but describes the hyper-
civilized act of talking to an image of someone talking
to your image as you talk and see your image. Like
any new gadget, it makes life easier and more complex
and soon seems necessary. It lends a drop of adrenaline
to the bloodstream, then joins technology's long
gray line of applications that coils back to stone
and bronze and iron. Maybe I'll skype

someone in Sweden, descendant of a Viking rower
to whom the carved boat's bow seemed magical
as it sliced open a path on a gray sea that's
now virtually visible from globally positioned
satellites, wee aluminum moons dropped off by
rockets into the orbiting traffic of junk that
pongs and pings our digital signals, scalps
our privacy, and surveils our sociality.


Copyright 2009 Hans Ostrom

A Book of Iranian Poetry

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If recent or not-so-recent events in Iran have whetted your appetite for more knowledge about that republic and that part of the world, you might be interested in A History of Modern Iran, by Ervand Abrahamian (Cambridge University Press, 2008). And of particular interest to poets and readers of poetry is Belonging: New Poetry By Iranians Around the World, edited with an introduction by Niloufar Talebi. (There is a site for the latter book on facebook, incidentally.) It was published in 2008, too--by North Atlantic Books.

Time Imbibed

(Image: courtesy Discovery Channel/Discovery.com)
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The Time-Drunk


"I got out of bed last night to go to the bathroom, and I started walking backwards. Strange things happen when you get old." --Passenger on the Amtrak Cascade train

"Beyond a black hole's gravitational border -- or event horizon -- neither matter nor light can escape." --Discovery.com



He got drunk on time, toxed with sips
of minutes, gulps of years, binges of
decades. Now he staggers down alleys
of memory behind Chronology's moist
row of pubs, saloons, clubs, and dives.

A lifelong drinker of time, he knows
how drunk he is but not where. Surfaces
bump him, rough him up. Gravity trips
him using cobblestones and curbs. He
finds a door he thinks he recognizes,

enters a noise, finds the bar, orders
a wee timetail. The one behind the bar
refuses, judges, speaks the savage,
polite words, "You've already had enough.
I can pour you a coup of coffee, though,

or call you The Cab." He assumes
the false dignity of a confronted
tippler. He mumbles, "The Cab." Waiting,
he negotiates. To the one behind
the bar, he says, "Come on. One more?"


Copyright 2009 Hans Ostrom

Celebrity Author

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Celebrity Author

I think I know what the celebrity-author was
thinking: Get me out of here. He wore
fame like a hair-shirt. The thing is, the money
is great, adulation's like liquor, and it's nice
to be thought a genius. So there he was, and
there we were. Nonetheless,

he squirms and fidgets. He goes on too long
and comments on his commenting like a daft
monarch. He doesn't like other people's wit
because it shows everybody's witty and fame
is, alas, more arbitrary than not. Of course,

we'd all trade places with him in the Land
of Hypothetica, especially because we'll never
have to. He won the lottery, he's a good writer,
and there's a wider justice in his fame. Still,

he itches and scratches, poses and opines,
tries to say shocking things, grins guiltily,
reminds us of his fame and wit and money
at certain intervals, and suspects what he
knows to be true: that we, too, can't wait
for the evening to be over.

Copyright 2009 Hans Ostrom

Subjunctive Mood

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Subjunctive Mood

Subjunctive means below the junction
of fact and fact, not quite up here
where things occur. It's a mood, and
I have always loved it, as it were.
It's contrary to fact, like fiction--
speculative, like poetry. "If I were
you," we say, "I'd visit Nebraska or
Tangiers," and for a brief counter-
factual moment, we're the other person
in Nebraska or Tangiers, and then we're
back here, offering advice in the
subjunctive mood, being grammatically
correct and ignored. If I were someone
else, I could still say, "If I were
someone else," ad infinitum, so to
speak, into subjunctive infinity,
the ultra-vast space of grammar.


Copyright 2009 Hans Ostrom

Images From Iran

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The site www.boston.com is carrying some amazing photographs of events in Iran. I was especially transfixed by photos #12 and #17 and have posted a thumbnail version of #17 above, but it's far more impressive on the site. The photo is from the Associated Press. There's so much to "read" in these images.

According to the original caption, the photo above is of governmental "security" men attacking a protester with clubs while other protesters rush in to try to protect the man on the ground.

Poetry From Iran

Early in my college years, I corresponded briefly with an American woman my age who was living in Iran because her father worked there. If I recall correctly, the letters had to go through a general "APO" address first, and then on to Tehran. Not many years thereafter came the overthrow of the Shah and then what was known as "the hostage crisis." I was teaching in Germany when the hostages were released and flown to an air force base near Wiesbaden, across the Rhine from Mainz, where I was living.

Now it seems another revolution in Iran may be under way, although speculation seems to be outstripping knowledge, to say the least. And you know you are in a post-modern era when Twitter.com becomes a main conduit of information. Away from the television and radio, I found my thoughts turning to the poets in Iran. There must be thousand and thousands of them, and the Persian tradition of poetry is rich vast. The famous poet Rumi, who was apparently known as Jelaluddin Balkhi, was Persian, although he was born in Afghanistan, not in the region now known as the Islamic Republic of Iran. From The Essential Rumi, edited by Coleman Barks, I learned that Rumi's birthday is September 30, 1207. Eight-hundred years (plus) later, Rumi's poetry is as popular as ever, as well it should be.

At this moment, some of the poets must be out in the streets, some must be in rooms writing in response to events, and many must be engaged in both activities.

Here is a link to a nice site for Iranian poetry:

http://www.iranian.com

/Arts/poetry.html

On it I found a fine poem called "Four Things To Know" (great title) by a poet named Sasan Seifikar. I'll provide the opening in lines. For all four things to know, please visit the site. (Poets in Iran, be well.)



from Four things to know

Inspired by a poem from Attar

by Sasan Seifikar

If I had to reduce everything I know to four things
I would choose the following empowering insights
The first is this: do not worry about your stomach or money
But be concerned for your mind and heart, before it is too late

Heavy Metal Monk

I ran across a video from Reuters that features Cesare Bonizzi, an Italian friar and former missionary to Africa who performs Heavy Metal. No fooling! He records under the name Fratello Metallo. Here is a link to the video:

http://www.reuters.com/news/video?videoId=87126

The video put in mind William Everson, the poet and member, peripherally at least, of the Beat Generation. Everson was also known as Brother Antoninus, for he was a lay monk in the Catholic church for quite some time (I forget which order he belonged to). Everson defrocked himself--literally and figuratively--during a poetry reading at U.C. Davis in the late 1960s. He took his monk's robe off during the reading and announced he was not going to be a monk anymore. Also, Everson very much liked the music of Janis Joplin--more blues and rock than heavy metal, certainly, but in the same primal vein that appeals, apparently, to Fratello Metallo. Everson's books include Man-Fate and The Residual Years. Everson was also a master printer of books and a well known conscientious objector during the Second World War, as was William Stafford.

Slam Poetry: Capsule History

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I ran across a pithy history of Slam Poetry, the more or less competitive version of what's known as Spoken Word nowadays. Here is a link to the timeline:

http://www.slampapi.com/new_site/background/slam_timeline.htm

This history credits Marc Kelly Smith, a construction-worker in Chicago, with starting the Slam movement.

Smith now hosts poetry-shows on both Sirius and Xm radio (as the image above advertises).

If Slam Poetry is like other developments, movements, or "schools" in literary and poetic history, then its origins are no doubt in dispute. Nonetheless, let the words be spoken.

Bread, Oranges, Cadillac's Fin

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At Least I Left Bread and Oranges

At first I didn't think I'd be in
this poem, which set out to accumulate
words representing images neutrally--
blue conifer-hills, black flies pulsing
on a deer's bone, rocking red box
of a medics' truck, mineral-grin of
a Cadillac's fin. . . . The truth is

I didn't have another poem to go to,
so I visited this one. You came in
and discovered me sitting on the old
green couch. --And now there you go,
out the door, slam, and I can't
blame you, but I promise to be gone
by the time that you return, and
I did buy bread and oranges. They
are sitting on the counter.


Copyright 2009 Hans Ostrom