Off Your Coast

It looks like I'm just off your coast,
cold in a boat. A night sea's no fun.
A buoy bobs like a clown's head.
Let me into your harbor, please,

not because I imagine I love you
but because I'm cold and you
are warm. Simple as that.
Your lighthouse seems delighted

to see me. I'm turning my back
on it now and rowing. I don't
know if you'll be on the beach.
I know how I'll fee if you are.



hans ostrom 2018

Remember: It's About Adaptability

A gull with a fish in its mouth
flies low. A steller's jay cackles
maniacally as it dives toward a
task. Comes a couple of woos
like wind through a hole in a wall:
a dove. Crows shift their feet
on a street corner as if considering
a labor strike, a starling
gossips at the top of a pole,
and a hummingbird, tough
as a boot, not cute, pierces
awareness. All of this within
an hour's time. Birds seem
to own this place, mortgage
free, indefinitely. They're better
at Earth-living than we.


hans ostrom 2018

Train Station, Milano

Because you're exhausted,
not to mention privileged,
you rest in Milano's main station
and let it be a buffering space
between you and America's
grotesqueries. You wonder if
anyone uses the word grotesqueries
anymore. Prob'ly not. You can't deny
the passport in your pocket.

You prefer the station cafe,
which pigeons frequent. They
thrust their monocled eyes
into the mix, use crumbs
as dice, and gamble away
their past with glee. Their
conversations distill many
throated percolations. Same
goes for the people.

Words from many human
languages try the air. Your
wish not to hear American
English is granted. People
in the station are happy
to see each other, their
laughter isn't cruel, and
no one's belligerent. It
seems miraculous.



hans ostrom 2018

Saxophone Sunset

(Ben Webster, "That's All")


Plump notes, tenor sax. Ripe
peaches, warm fuzz exteriorily
wry. Now

things must move uptown.
Phrases must front style.

Though even among neon
and hard traffic & hard lives
they do not lose
their memory of sunset.

Sweet, tart, sad, not bitter,
that's all.



hans ostrom 2018

Take Him In

Madame, take him in.
He's like an old dog.
Give him some water,
scratch behind his ears
(so to speak), and he'll be
loyally enamored,
or is already. You could
probably use the company.

He doesn't talk much,
and he'll listen all night.
After you fall asleep,
he'll read, or daydream
at the wrong hour.

Later, give him some food
or ask him to bring you some.
Give him something
to bark at on your behalf.
Call him whatever
you like when you
invite him to leave.
Names are as common
as fleas, and he didn't
name himself & so has
no investment in the thing.

You don't have to keep him--
around or otherwise. Merely
take him in, madame.



hans ostrom 2018

Leopard Slug

Why hadn't you seen that kind of slug
before?  Limus Maximus. Irresponsible
of you, really. Nutmeg
speckles on a pond-gray body that looks like
a liquid bean pod. Of course
there were the pale, knobbed antennae
for listening to quick
tunes on Slug Radio.

Across an expanse of concrete
moved the mollusk, not a crawl
but a patient glide. You didn't have
all day to watch it and anyway
too much slug observation
creates a strange pathetic mood.


hans ostrom 2018

Opera Operative

An operative at an opera
ogles the audience,
lets singing sluice her
professional suspicion.

The operative serves
no cause, only fulfills
assignments, and laughs
at the news.

The opera is a tragedy
apparently--like civilization,
thinks the operative, who
has seen what's needed

to be seen, so that the mission
may now blossom like an aria.



hans ostrom 2018