Dante went to the movies. In the film
he saw, Valentina Lodovini played
a main role. Even if she had appeared
in just one scene, Aleghieri
still would have phoned Beatrice
from the lobby afterward to say
he was finally moving on from her.
Dante hadn't met Signora Lodovini
yet, but watching her likeness in motion
for two hours destroyed all his adjectives
concerning beauty and allure.
He wanted to listen to Valentina talk
for a long time, hear her laugh. His
desires didn't stop there, but he reigned
them in out of respect. After all, he
was a Catholic, and as inventor of
Hell Circles, he had a reputation
to uphold. He put it all in God's hands,
as most medieval Italian poets would.
The image of the Lodovinian bright
brown eyes, full of mischief and wisdom,
and of the dark brown hair and rapturous
proportions, all these became Dante's
new mental companions.
It was all too much to bear. Not really.
He recalled the noble shape of her nose
and her poise as an actor. He wondered
what might make her laugh: perhaps
the sight of an ancient poet in a tunic
going to a 21st century movie? Droll.
There was nothing for it. Dante looked
at his phone. Beatrice had texted him.
He ignored her. He decided to go home
and to try to find a Valentina Lodovini
film or series on Netflix. He felt sure
that God would understand. God never
ran out of adjectives for beauty and allure.
hans ostrom 2018