Tuesday, April 23, 2024

Ancestry

You collect photos, public records,
articles,, obits. Follow DNA maps.
Recover family lore. As you work,

you float out on a cloud,
looking down on all those people
you will never know

and who will never know you.
The mothers and miners, soliders
and bankers, caped eccentrics,

farm wives who plowed, gay
married uncles, preachers.
You cannot know them, only

scraps left behind, ghostly
outlines in chalk. They are
your family. They are not

your family. You want to build
a castle out of names, places, facts.
And live there, calling it Family.

It is a grand, fascinating
illusion, this ancestry, these crumbs
leading into a forest of the dead.

hans ostrom 2024

Monday, April 15, 2024

Dread

It's August in California's
Sierra Nevada mountains.
Green and gold and wildlife
reign. Bluest skies. You're
11 years old. You think of
September and school
and cold ball bearings
gather in your guts: dread.

It's July, same place.
You're sixteen, working
at your uncle's gravel
plant. He's often enraged
at life. He scares you.
Every workday morning,
carrying a gray lunch pail,
you walk slowly, as if
condemned, from your home,
up a dirt road
to the rock crusher.

It's more than five
decades later & you're
lying on a bed
in an operating room
lit up like a stage.
You stare at an
unspeaking semi-circle
of technicians
and nurses, waiting.

No one's given you
the drugs yet. The
surgeon won't enter
until you're under the sea.
Suddenly the sun-bright
lamps trigger a panic
attack, and you feel like
leaping up to flee. You
tell yourself, "Suck it
up," as a man you met
once is about to drill
a hole in your skull,
and go with tools
into your brain, your you.

hans ostrom 2024

Saturday, April 13, 2024

Centerfold - bad boy (1984)

They Become the Exhibit

 In a queue, people shuffle
toward a museum's door.
Finally all inside, they take off
coats, hats, gloves, scarves.
Winter chill did not come in.

The walls of the single vast
room remain blank. No art
depends from them. The people
sit or stand or lie and examine
each other, and each one

becomes a work of art, and each
one's a startling rendering. Shadow
and light, noses in profile or not,
heads, shirted shoulders,
bellies, lines and angles.

Sculptures alive, paintings
that breathe, dancers in repose.
Some people seize delight
from being seen & stared at.
Others look away or down.
Glances ricochet, stick, or slide.

The people often smile. This
is one of the finest exhibits
they've attended, attending
to themselves, their bodily
being in Time.


Hans Ostrom 2024

A Merest Song of Gratitude

 I own hundreds
of regrets.
I've made dozens
of bad bets.
I lavish love
on household pets.
I am a wealthy man.

It seems I always
had a job.
Cash in pocket,
corn on cob.
Clock on wall,
watch on fob.
I am a wealthy man.

I have love and hope--
interests, too.
These help to ward off
deepest blue.
People to see,
things to do.
I am I am I am
a wealthy man.


Hans Ostrom 2024

Dreaming, Again

 Editors who loathe the Linear
cut and splice hybrid scenes
as I lie on padded islands
in sleep's softly surging sea.

Under slumber, I lumber
into the theater of these films
like a weightless rhino.

Swing low, sweet
licorice lariat, wrapping up
my stubby hooved legs.

Sing low, buzzing
baritone, I'm lullabied
like incubating eggs.


Hans Ostrom 2024

Friday, March 29, 2024

Almost All Right

Hiram takes the pills
for lifelong "clinical depression,"
which means "often more
than simply sad." When
the pills don't work, he

knows only one way
to try to climb out of the well:
to turn outward & do something
for someone else. Help them.

Connecting again like that:
it's like a rope. Hiram grabs it,
climbs slowly, his feet finding
niches in the deep well's
slick stone walls. Until he's

out, sitting on the ground,
breathing, looking around.
Ah, yes, the world again--
and it's almost bright,
and I'm almost all right.


Hans Ostrom 2024