Monday, January 4, 2021

"Smiling Poem"

 Reading/video of some short light verse for a heavy wet day in the Pacific Northwest:

https://www.youtube.com/watch?v=KTlXH-v5wsA

Cup

 I am contained

in the cup of me

originally,

it's claimed, we came


from the sea.

actually,

what emerged were versions

of things that could


turn into us. nonetheless,

here I am, a full

cup of me,

a compound composed


of me, salt

water modified

elaborated, prorated, 

not quite yet


evaporated;

self-contemplated.

Hiram Reports from His Adventure

 In dark vegetation I couldn’t see

my body or hear thoughts.  Fevers

rotted memory.  Maggots flourished

and founded a parliament.


I hung in delirium, a sack

of neural bits and pieces.  Birds in

endless green hooted, screamed.

I was transported to a desert that


cooked off confusion, revealing 

basic elements of who allegedly

I’d been.  My body became obvious

once more, eating dry food and


drinking wet water. I worked

in a factory of noon—my job to attach

objects to their shadows.  Memories

arrived, stumbling like scattered


soldiers returning across sand,

descending from red rim-rock,

shedding uniforms, looking for

lovers and work. 


Lost

don’t go by what I say

go by how the map reads

I must have lost our way

the map is where it leads


also, I’m not your guide

in fact I don’t know why

we’re walking side by side

or who let out that cry

Paying Respects

We found he iron garden-gate
linked to white pickets
hard and wondrous
to open. Ornamentation dated it.

Up the walkway then,
into her stifling house,
where she sat in her purple
dress and parchment skin,

saying what she thought
her whole life had taught
her. Almost too old to pity,
she was too austere to embrace.

The voice seemed to come
from years ago.
Our minds assured us
we would never grow

that weird if ever we
grew that old. Our minds
were confident we could
open the gate again, get

away. It stood out there
in advanced darkness. Inside,
the seconds of her clanking clock
ate the minutes of our patience.

Saturday, January 2, 2021

The Ride, the Badge

Tonight my memory is

a palomino exuberantly hooved

in an alpine meadow.


I ride the horse bareback

and fall off, replacing air

in lungs with fear,


pushing fear out then inhaling

again. I hold out

a sugar-cube on a flat palm


for my memory,

which nuzzles with a soft

gray mouth, nips


the cube, leaves lovely

equine slobber. The tail flicks out

at a fat fly, makes broom sounds.


Sunlight, the old sheriff, jumps

up on my memory,

and everything goes golden,


gathers

into a bright badge of

summer.

Evening Studies

 What I learned about evening

included flapping bats silhouetted

against last light, mosquitoes

stuck to skin, a human need for

liquor to lead one into night.


Evening reduced disappointment

into sour essences affecting flavor

of suppers, brightness of eyes,

ligaments of love.  I learned

the ambience of graveyards becomes


buoyant  at dusk:  Ghosts get

in a good mood, old oaks cool down,

words on headstones recede.  In

twilight I studied attitudes of awe

toward beautiful young women.


Gratefully, I took in breezes

of their perfumes, watched

the care with which they walked

in a shadowless hour.

Squirrels

I’ve watched squirrels my whole life.  They

inhabit a zone just outside domesticity. Are

diplomatically wild.  They worry and stare,

behaviors of which I approve.  They horde

forgetfully, gorge daintily.  Sometimes


they just stop.  And fall asleep, mid-day,

on a limb or a fence post.  Squirrel

entropy. Sometimes frenzy

seizes them—something to do

with sex.  Or fleas? —Mad bursts of wants

a frozen pose arrests.  Squirrels


are not everything I had hoped wilderness

to be.  They are though everything

I would want squirrels to be, and

slightly more, for there’s always 

one more surprise set to leap

out of squirrel-evolution and seize


the nut, bury it, and pat fresh

soil over the nut-grave.  And run away!

Fingernail Clippers

 [new version]


A sea creature of lore owned
a gigantic, snub-nosed head
from which a body tapered
shyly. Digital blacksmiths hammer
out our steel replicas.

Lever and fulcrum and
paired toothless blades:
the spare architecture
of a specialized tool.

Owing to his mania,
the reclusive billionaire
eschewed clippers and let
his fingernails accrue
like stalactites. They clicked
like scurrying roaches
when he played cards.

Crows and monkeys groom
each other, picking bugs
from feathers and fur. A calm
comes over them as they pick
and peck. Thinking of them,

I clip a thumbnail--hiding,
like them, from hunger and
fear for a moment, attending
quietly to a bodily chore,
pressing a lever like Archimedes,
watching slivers of keratin
fall away like dreams.

Friday, January 1, 2021

Sandwich

Sometimes you need a sandwich,
especially when it's not all you need.
Every culture calls it something

else. It's bread and something else.
Sometimes you need dry and warm.
Or you need to rationalize failure

or to read about Sufism. Sometimes
you need to be touched, seen, heard. 
But's that's all beside the point,

isn't it? when you're stomach 
and your gums ache from 
hunger. I'm making sandwiches

today. To be given to the homeless.
I see them beside the street 
where I drop off the sandwiches. 

They live in tents. Sleep on 
grass. In the wealthiest empire
ever to exist. Whatever. They

can't eat outrage. It's the sandwich
that matters, sitting there on a 
plate, a plank, or your lap. 

The distributors want bread,
bologna, cheese, and mustard.
Never mayonnaise. Someone

I'll never know lifts the sandwich,
opens their mouth, chomps,
tastes, chews, swallows. Feels

just a little bit better. I hope. 
What do I know? Nothing. I know
sometimes I've needed a sandwich.

To get from one moment
to the next. And some water. 
And a place to sleep. And sleep.

But it starts with a sandwich.
Something very particular
in the exact place you are

is what you need. What I need.
Some bread and something else.
To eat. To eat. To eat. 

From a Diary of the Plague Year (20)

Masked, we stand like sentries.
In line six feet apart at
our local post office. 

At the counter, postal
clerks query clients, shuffle
forms, tease computer

screens, and explain.
And explain. Their knowledge
and patience are gnostic.

They meet miffed 
remarks with measured
words, weighing them

like a package bound
for anywhere on the planet.
Older ones of us

in line may see 
the Post Office as sacred.
May have lived on rural

routes or in micro-towns.
The world got in touch
with us through the Post

Office. Some may have
dabbled secretly in 
philately. Or corresponded

with St. Nick. Or ordered
a baseball glove or a doll
from a catalogue as thick

as an oak stump. We 
do not know why a crowd
in power wants to wreck

this secular temple. Weary,
always mocked, the post office
is, like a library or a free

clinic, the kind of institution
that saves civilization, 
as drops of rain eventually

save crops. Which is why,
in line and masked, holding
boxes and plump 

envelopes, we accept
the wait
with everyday grace. 

Thursday, December 31, 2020

Under the Horizon

 [version two]


The Old Man got body-tired of 

and mind-bored with

labor about the same time.

Built his last rock wall at 70.

 

I thought of him today 

when I was chopping at a vegetable

garden's frozen mud in January.  


My mind let my body make my mind

think, "This shit is getting old."

How he would have phrased it. 


I felt like I thought  the sun

looks when it seems to drop

below the top of shadowed hills:

ready for bed. Of course there's more

work waiting under the horizon.

from "New Year Letter," by W.H. Auden

 Reading/video of excerpt from W.H. Auden's "New Year Letter":

https://www.youtube.com/watch?v=NTQVfZr9VZE