don’t go by what I say
go by how the map reads
I must have lost our way
the map is where it leads
also, I’m not your guide
in fact I don’t know why
we’re walking side by side
or who let out that cry
don’t go by what I say
go by how the map reads
I must have lost our way
the map is where it leads
also, I’m not your guide
in fact I don’t know why
we’re walking side by side
or who let out that cry
Tonight my memory is
a palomino exuberantly hooved
in an alpine meadow.
I ride the horse bareback
and fall off, replacing air
in lungs with fear,
pushing fear out then inhaling
again. I hold out
a sugar-cube on a flat palm
for my memory,
which nuzzles with a soft
gray mouth, nips
the cube, leaves lovely
equine slobber. The tail flicks out
at a fat fly, makes broom sounds.
Sunlight, the old sheriff, jumps
up on my memory,
and everything goes golden,
gathers
into a bright badge of
summer.
What I learned about evening
included flapping bats silhouetted
against last light, mosquitoes
stuck to skin, a human need for
liquor to lead one into night.
Evening reduced disappointment
into sour essences affecting flavor
of suppers, brightness of eyes,
ligaments of love. I learned
the ambience of graveyards becomes
buoyant at dusk: Ghosts get
in a good mood, old oaks cool down,
words on headstones recede. In
twilight I studied attitudes of awe
toward beautiful young women.
Gratefully, I took in breezes
of their perfumes, watched
the care with which they walked
in a shadowless hour.
I’ve watched squirrels my whole life. They
inhabit a zone just outside domesticity. Are
diplomatically wild. They worry and stare,
behaviors of which I approve. They horde
forgetfully, gorge daintily. Sometimes
they just stop. And fall asleep, mid-day,
on a limb or a fence post. Squirrel
entropy. Sometimes frenzy
seizes them—something to do
with sex. Or fleas? —Mad bursts of wants
a frozen pose arrests. Squirrels
are not everything I had hoped wilderness
to be. They are though everything
I would want squirrels to be, and
slightly more, for there’s always
one more surprise set to leap
out of squirrel-evolution and seize
the nut, bury it, and pat fresh
soil over the nut-grave. And run away!
[new version]
[version two]
The Old Man got body-tired of
and mind-bored with
labor about the same time.
Built his last rock wall at 70.
I thought of him today
when I was chopping at a vegetable
garden's frozen mud in January.
My mind let my body make my mind
think, "This shit is getting old."
How he would have phrased it.
I felt like I thought the sun
looks when it seems to drop
below the top of shadowed hills:
ready for bed. Of course there's more
work waiting under the horizon.
[second version]
(a tributary of the North Yuba River, Sierra County, California)
Before he'd heard anything about Switzerland, Schiller,
Rossini & stuff, he'd looked across the river from the house
at the long white beard of William Tell Falls. The sheer-drop
ravine looked perpendicular. No home for trout. Im-
pulsively, at 17, he decided to hike up there.
Headed out, crossed the river, climbed straight up,
more laddering than walking. Ravine was path in form
of bedrock. Manzanita brush walled the sides.
He got as far as the pool the falls slapped in jagged
pulses. Sounds of that constant collision careened
around the stone box. There was no climbing further.
In soaked jeans and wet boots, legs loaded up
with lactic acid, he slithered down like an arthritic
snake, satisfied to have spied on a geologic scene,
to have introduced himself to William Tell Ravine,
and to have witnessed water and rock in their own time.
A short Christmas Eve poem by the great Langston Hughes, reading and video: