Saturday, January 2, 2021

Evening Studies

 What I learned about evening

included flapping bats silhouetted

against last light, mosquitoes

stuck to skin, a human need for

liquor to lead one into night.


Evening reduced disappointment

into sour essences affecting flavor

of suppers, brightness of eyes,

ligaments of love.  I learned

the ambience of graveyards becomes


buoyant  at dusk:  Ghosts get

in a good mood, old oaks cool down,

words on headstones recede.  In

twilight I studied attitudes of awe

toward beautiful young women.


Gratefully, I took in breezes

of their perfumes, watched

the care with which they walked

in a shadowless hour.

Squirrels

I’ve watched squirrels my whole life.  They

inhabit a zone just outside domesticity. Are

diplomatically wild.  They worry and stare,

behaviors of which I approve.  They horde

forgetfully, gorge daintily.  Sometimes


they just stop.  And fall asleep, mid-day,

on a limb or a fence post.  Squirrel

entropy. Sometimes frenzy

seizes them—something to do

with sex.  Or fleas? —Mad bursts of wants

a frozen pose arrests.  Squirrels


are not everything I had hoped wilderness

to be.  They are though everything

I would want squirrels to be, and

slightly more, for there’s always 

one more surprise set to leap

out of squirrel-evolution and seize


the nut, bury it, and pat fresh

soil over the nut-grave.  And run away!

Fingernail Clippers

 [new version]


A sea creature of lore owned
a gigantic, snub-nosed head
from which a body tapered
shyly. Digital blacksmiths hammer
out our steel replicas.

Lever and fulcrum and
paired toothless blades:
the spare architecture
of a specialized tool.

Owing to his mania,
the reclusive billionaire
eschewed clippers and let
his fingernails accrue
like stalactites. They clicked
like scurrying roaches
when he played cards.

Crows and monkeys groom
each other, picking bugs
from feathers and fur. A calm
comes over them as they pick
and peck. Thinking of them,

I clip a thumbnail--hiding,
like them, from hunger and
fear for a moment, attending
quietly to a bodily chore,
pressing a lever like Archimedes,
watching slivers of keratin
fall away like dreams.

Friday, January 1, 2021

Sandwich

Sometimes you need a sandwich,
especially when it's not all you need.
Every culture calls it something

else. It's bread and something else.
Sometimes you need dry and warm.
Or you need to rationalize failure

or to read about Sufism. Sometimes
you need to be touched, seen, heard. 
But's that's all beside the point,

isn't it? when you're stomach 
and your gums ache from 
hunger. I'm making sandwiches

today. To be given to the homeless.
I see them beside the street 
where I drop off the sandwiches. 

They live in tents. Sleep on 
grass. In the wealthiest empire
ever to exist. Whatever. They

can't eat outrage. It's the sandwich
that matters, sitting there on a 
plate, a plank, or your lap. 

The distributors want bread,
bologna, cheese, and mustard.
Never mayonnaise. Someone

I'll never know lifts the sandwich,
opens their mouth, chomps,
tastes, chews, swallows. Feels

just a little bit better. I hope. 
What do I know? Nothing. I know
sometimes I've needed a sandwich.

To get from one moment
to the next. And some water. 
And a place to sleep. And sleep.

But it starts with a sandwich.
Something very particular
in the exact place you are

is what you need. What I need.
Some bread and something else.
To eat. To eat. To eat. 

From a Diary of the Plague Year (20)

Masked, we stand like sentries.
In line six feet apart at
our local post office. 

At the counter, postal
clerks query clients, shuffle
forms, tease computer

screens, and explain.
And explain. Their knowledge
and patience are gnostic.

They meet miffed 
remarks with measured
words, weighing them

like a package bound
for anywhere on the planet.
Older ones of us

in line may see 
the Post Office as sacred.
May have lived on rural

routes or in micro-towns.
The world got in touch
with us through the Post

Office. Some may have
dabbled secretly in 
philately. Or corresponded

with St. Nick. Or ordered
a baseball glove or a doll
from a catalogue as thick

as an oak stump. We 
do not know why a crowd
in power wants to wreck

this secular temple. Weary,
always mocked, the post office
is, like a library or a free

clinic, the kind of institution
that saves civilization, 
as drops of rain eventually

save crops. Which is why,
in line and masked, holding
boxes and plump 

envelopes, we accept
the wait
with everyday grace. 

Thursday, December 31, 2020

Under the Horizon

 [version two]


The Old Man got body-tired of 

and mind-bored with

labor about the same time.

Built his last rock wall at 70.

 

I thought of him today 

when I was chopping at a vegetable

garden's frozen mud in January.  


My mind let my body make my mind

think, "This shit is getting old."

How he would have phrased it. 


I felt like I thought  the sun

looks when it seems to drop

below the top of shadowed hills:

ready for bed. Of course there's more

work waiting under the horizon.

from "New Year Letter," by W.H. Auden

 Reading/video of excerpt from W.H. Auden's "New Year Letter":

https://www.youtube.com/watch?v=NTQVfZr9VZE

William Tell Ravine

 [second version]


(a tributary of the North Yuba River, Sierra County, California)


Before he'd heard anything about Switzerland, Schiller,

Rossini & stuff, he'd looked across the river from the house

at the long white beard of William Tell Falls. The sheer-drop

ravine looked perpendicular.  No home for trout.  Im-


pulsively, at 17, he decided to hike up there.

Headed out, crossed the river, climbed straight up,

more laddering than walking. Ravine was path in form 

of bedrock. Manzanita brush walled the sides.


He got as far as the pool the falls slapped in jagged

pulses. Sounds of that constant collision careened

around the stone box. There was no climbing further.

In soaked jeans and wet boots, legs loaded up


with lactic acid, he slithered down like an arthritic

snake, satisfied to have spied on a geologic scene,

to have introduced himself to William Tell Ravine,

and to have witnessed water and rock in their own time.


Sunday, December 20, 2020

Merry Christmas, Mary Magdalene

Merry Christmas, Mary 
Magdalene, you who to me
are the most interesting of all.

First one to the tomb.
Long black hair, deep brown
eyes, say I. Vigilant in chill
darkness, stars heavy overhead.

You were the first to see
refabricated Jesus, your friend--
now a floating Christ,  now close 
to but forever distant from you.

You: who knew his smell, his temper
and teeth. Laughed with him.
What was funny to you both?
Watched him tortured in the sun.

What is wrong with people?
That's a pertinent religious query. 

At the tomb, soon other women
assembled. (The men, long gone.)
They saw what you saw and talked.
You stayed quiet. My God,
your thoughts, Mary Magdalene:
if somehow we could know them . . . .

McCoy Tyner

 (1938-2020)


Once

in Berkeley, smoke like Bay fog lay

over heads of cool-hip-jazz-club-clientele &

waitresses slivered through tables/bodies/chairs,

kept drinks coming, ice and glass and liquid held aloft &


Mr. Tyner


--he hit the mthrfckn keys

so hard one time strings

popped & whipped  like snakes out

‘the belly of the grand dark


piano


& the percussionist had some

mojo stuff hanging from racks—

bones, steel tubes, feathers—


all


humid and scratchy and knock-talk

click-back bicker-bock-a-zone

sounds, & McCoy was rippin and roarin,

working the gift


out


of Keyborderland. And the horns. It was a big

marrow-filling, ear-enlightening night. Outside

after encores:


cool, misty Berkeley. Had a look around

to see which way the karma blew,

got in the ’67 Camaro, drove back up EYE-80

to plain brown-cow Davis, college town,


brain


humming like the lowest pianoforte

E-note pedaled through the measures.