From A Diary of the Plague Year (10)

Me, with machete,
chopping methodically at a jungle
of myths and lore,
breaking news and pointless views.
I'm headed and footed
to a village in search of clarity.
I'm told they reach consensus
about facts there. Does
such a paradise really exist?

Magnetic North still tells
my compass needles where
to settle down. My body
still needs water. Facts
are beautiful. Check
them. Check on them.
Cherish them.



hans ostrom 2020

From a Diary of the Plague Year (9)

A circus of emotions these days.
Under the big top, round and round
the cranium the white horse goes,
his acrobatic rider showing sinews.

The value of worry, like the stock
market, has plummeted. I feel
like a hobo who jumped off a train
of events and watched it

go by and away. Now
what, I thought. Not a question.


hans ostrom 2020

Imagine Religion

Imagine religion without
killing, without spiritual
extortion. Imagine religion
without obsession about
women, without greed.

Imagine religion keeping
children safe. Imagine it
absent exclusion and proud
certainty. Imagine religion
with warmth, humor, supple
thinking, generosity. Imagine

religion getting along with
religion, good friends in spirit.
Imagine religion with democracy,
with science, with Earth in mind.
Imagine religion that defers
to God on final judgments,
not on preachers' rage. Imagine
religion that trusts rational adults
to make rational choices within
the confines of community,
caring for our home, which is here.


hans ostrom 2020
hans ostrom 2020

More Than Enough in Ragusa

(southern Sicily)

In Ragusa most afternoons
I sat outside a cafe locals favored.
Iron tables. I didn't feel at home
there but I surrendered
my touristic pose to become
a mere outsider. My presence
seemed to amuse the waitresses,
whom I tipped respectfully.

I pecked at salads, sipped
water and coffee, scribbled,
looked from shade out at hot light
hitting brightly painted walls
and old stone buildings. I
was a large man in a white
linen shirt, and ursine scarecrow.
So much more than enough
that place provided.


hans ostrom 2020

From a Diary of the Plague Year (8)

Maybe birds like it
that we're nesting in place.
Their song-jabber's intense
this year. Like they're saying
We like the change of pace!

They're out there sampling
the Spring buffet, gathering
building materials, telling
migration jokes, nibbling
on suet pie, passing anti-cat
legislation. Spring

is bird time, citizens. They
are the bosses. If I make it to
next year, I will remember that.


hans ostrom 2020

From a Diary of the Plague Year (7)

I went outside in the dark just
to be out. A warm western wind
tricked me into thinking,
Everything's going to be all right.
It's good to fall for that intuitive
prank sometimes. Softens
the fatalism. I looked out at

cheap solar lights I'd placed
on the perennially flowered
slope, a private bee resort
in summer. Bees, I thought,
if only bees would show up.

I went back inside to shelter
in place, a phrase of our moment.
I held a good thought (useless,
I know) for people forced
to shelter out of place.


hans ostrom 2020

A Common Form of Alienation

I'm a common stock in search
of a future. A laugh looking
for a joke. A surrender seeking
a peace offering. A seduced
yearning for seduction. I'm a
blank in search of a blank.
A past that's lost its present.
I'm a solution without its
problem, and that's a problem.


hans ostrom 2020

From a Diary of the Plague Year (6)

The plague has us hunkered,
crouched socially behind boundaries.
The Scots started using hunker
as a verb sometime after 1700.
They may have grabbed it from
a stash of Norse words hidden
in on a heath somewhere. Hunker,

a swift ax blow of a word,
splits the syllables of
"observe social distancing"
and turns them into kindling.

Useful when, in your exhaustion
from holing up in your worry-den,
you can manage only a few
morphemes of talk or test:
"We're hunkered down. Love, Us."


hans ostrom 2020

Concrete Details

Concrete is abstract:
planes of gray, freeways,
slabs that call forth concepts:
overpasses, underpasses,
onramps, exits, and exchanges.

Wet and soft become
dry and hard. I used to love,
and weary of, mixing it
in a spinning drum. A bucket
of water, twelve shovels-full
of aggregate, three of Portland
cement (and some calcium


chloride in Winter). Then swaggering/
staggering with a barrow full
of wet and heavy--undisciplined
slop headed up a solitary
plank for the forms.


hans ostrom 2020

Bass and Bass

4:32 a.m., can't sleep,
can't stop thinking about
bass and bass. Bass guitar,
bass fishing. I assemble
do-it-yourself-dreams--
a lake where stringed
instruments swim, leap
for bugs while cranking
thudding beats. An

orchestra full
of slime-scaled instruments
playing Debassy's Wildlife
Biology Suite--the
audience gowned out
in mosquito nets and
hip waders. I order

my mind to order
itself: Stop this!
It opens its wide mouth
and laughs, teeth full
of black musical notes.


hans ostrom 2020

From a Diary of the Plague Year (5)

Someone said to someone
as they walked by at the appropriate
pandemical remove, "Why
isn't the inactivity more uncontrived?"

The other person replied, "Is that
really what it said?"

As I was already uncontagiously
past them, I had to make up answers:
"Because we're dealing with actors" and
"No, but that's what she said it said."

Anti-social distancing is turning my life
into a French experimental film
from 1977. I'm grateful.


hans ostrom 2020

Old Sweet Song

(for J.)

I'm grateful for whatever
time we have.
I hope we soon don't have
to say goodbye.

Time is short
but love is long.
Contentment
is not wrong. 

It's been the dearest privilege
knowing you.
You've loved me and I'm still
not certain why.

Time is short
but love is long.
Contentment
is not wrong. 


hans ostrom 2020

Endodontics

Everyone in the office wears
a mask, except for the receptionist,
who asks for the money. The
endodontist hails from Lebanon
and attacks her profession:
perfect. After a few

hundred x-rays, it begins.
I'm laid back in the literal sense.
A massive multi-headed beetle
hovers over my face. It looks
like it wants to feed my gaping
mouth. A mantis-like machine
approaches to inspect. Drilling
ensues. I become Texas. I scowl.
The doc needles my gums
with more pain juice.

She packs the drilled-out cave
like a smuggler, then heats
plastic to cap the gap. My
well is dry. The doc and the
nurse watch me rise from
the chair like a bear stung
by hornets. I mumble,
"Thank you." (I sense
this is rare). I shamble
out into cold sunshine and
have fun chewing on my
stoned, rubbery lip.


hans ostrom 2020