"To the Moon," Charlotte Smith

"Art for Something's Sake," by Hans Ostrom

Pater (Walt) wrote that all art
constantly aspires to the condition of music.

Some art, I think, aspires
to the condition of a sandwich
and a cup of coffee; some,

to the condition of
a large home in Bel Aire, California,
and you have to like that second e.

You know, some music
is not in great condition.
The same can be said of some artists.

Can art aspire?

I wonder if anyone called Pater "Walt."
I hope so. Because "Walt"

is musical, in its own way.
It's a beat. All art can
use another beat.



hans ostrom 2014

"People Are Terrible, No Exceptions," by Hans Ostrom

There are days when you'd settle
for running into just one person
who is at least less annoying
than you have become to yourself;
--and when even that is apparently
too much to ask.

So you go home loathing everyone.

Grudgingly, you think well enough
of yourself to get through the evening.
You observe your own quirky, tiresome,
reclusive behaviors.

You have no clue who
you really are or what
"really are" even means.
You have no interest
in finding a clue.

With disgust, then, you go to bed.
Sleep gives you desperately needed
respite from thinking of people
and your ego--that Self who's
just like everybody else.



hans ostrom 2014

"Have You About Had It?" by Hans Ostrom

You may have thought you were somebody.
Somebody like a joiner of wood or of metal pipes;
Like a CEO or a president;
A tribal elder; a teacher; a preacher; a shop steward.
Pillar of the community!
Maybe you thought you were a performer,
An artist; a critic—setter of tastes;
Or a citizen, oh yes—the authorities
Definitely want to know what you think.

Fool, you have been little more than an ox.
Ox, you have been little more than a fool.
You have been in harness, hauling the loads
Of shit that needs doing. You’ve been
Having your body and spirit broken,
Is what you’ve been up to. Boulders
Receive more respect than you. You’re
Worn out. You’ve been had. You’ve
About had it.

"Early One Morning,: by Edward Thomas

"Surreal Cat," by Hans Ostrom

Once upon a whatever,
as aluminum homes and nature
flew by where my windows
used to be, what with the tornado
and all,

there was a surreal cat.
Yep, that's what I have to report.

The color of her coat
depended greatly on
the nature of the magazine
one's eyeballs were reading to one.

"I think surrealism is bullshit,"
Margo said. "I think it is life
itself," replied Joe. Neither
one of them existed.

Things fall apart. That's
not necessarily terrible. Things
stay together--not necessarily
good. As to the falcon, the falconer,
and the goddamned gyres, who knows?
Seriously, Yeats can be
a real pain in the ass sometimes.

We at the Surreal Cat Corporation
appreciate your refraining
from talk of apocalypse.

"The Shame-Drain," by Hans Ostrom

Damn it, more than few people
among our seven or is it eight billion
need something like one of those drains
they put in patients after surgery,
except that in this case
the thing would be attached to the psyche--
a shame drain.

Hell, no wonder so many people
drown in and under the sheer tidal volume
of shame laid on them in their lives.
They slog through heavy shame
on their way to getting shamed again.
They breathe in particulate shame.
And yelled shaming hammers at their ears.

Drain that shame. It belongs to someone else.
Siphon that swamp, get out that bad water,
hateful slop, and wet air
that's got you slumped over, mumbling
things, loathing yourself.



hans ostrom 2014

"The Subway," by Carl Sandburg

"Silence," by Thomas Hood

"A Coin," by Carl Sandburg

"Youth Isn't Wasted on the Youth," by Hans Ostrom

Youth's not wasted on the youth. They
seem to know just what to do with it.

Autumn, which they call Fall, generates
fine light that shines on the longest
hair most college women will have in
their lives; or the shortest. College men

have more friends now than they will
later, after work, ambition, and lore
deliver betrayal and failure.

Youth is interested in itself. Sure, it's
part echo, part narcissism. But it's also
bursting with sympathy and verve.
Eyes bright, smiles broad.

Young people know they know they're young
and would laugh big to be asked to think
otherwise. Old people over-think.

They whittle dry adages, and their shirts
look weird untucked: young, you can make
that look work. Young people

don't waste any time. Or they waste
a lot of time because of that luscious
youthful languor, which I kind of recall.
Anyway, it's early October, which is a country
for old men and every kind of people. Youth
is a team to cheer for; that's all.


hans ostrom

"After You Speak," by Edward Thomas

"Quietude of Minnows," by Hans Ostrom

Minnows, floating like flexible
galvanized nails, bunch their crowd
tightly in shadow, then disband
and dart. Clouds of starlings come
to mind. Quietude, sure, if only
I knew what that meant. I take it
to mean the opposite of noisetude,
so you can see I don't take it seriously.

For thoughts are imperialists and may
invade one another at any time. No reason,
then, to go out of your way to confuse
yourself and others. Or is there?

We need less reflection:
difficult to argue that. Of course
the sound of fighter-jets will intrude
noisetudinally (coordinates, please) and seem
to shake the surface of the lake
(to ask if there's been a goddamned mistake)
because we are at war again always, and the
joint-base is just down the road, right? In

other news, the Greed Opera is coming to town,
colleges have become pimps for loan-sharks,
Black folks remain under siege in some cities, decades
of that shit. And now somebody walks out from
the back of this poem carrying a gun,
a flashlight. I want to move but I can't. I

can sing, though, sort of, so I croakingly
melodize something about poets and minnows in their
schools, and I keep an eye on that gun,
and the Son of God is nowhere in sight.


hans ostrom 2014