Extra-Canonical

Some Harvard professor left a parking citation
on my bicycle. It said, "You are extra-canonical,
so get out of here." I saw a shard of
greisen (a rock of quartz and white mica)
on the ground and felt better. Just then

Donnie came buy, so I bought him a cup
of coffee and me one, too, and as we
sipped I said, "Donnie, a screen memory
is a memory a person can handle so the
person uses that to block a memory
that's too painful when called up."
Donnie said, "Hard to prove that
kind of thing, but that don't
mean it ain't real." People at

the next table were talking about
a new kind of crampon, and Donnie
said, "Where do you think they got
the name 'Tampon'?" I said I didn't
know, and then I imagined all of
reality spreading out from that
place, our conversation, and
the exact texture of the scene,
from murmur to odor to costumes
and movement, endless I say
endless physical, social, chemical,
economic, biological, and
extra-canonical transactions."It

really is all quite fascinating
in spite of its problems, isn't it?"
said Donnie. "Yes, it is," I replied.


hans ostrom 2013

"Scholars," by Walter De La Mare

"1970s Spasm"

Hey, man--hey, you net-box jumper
and rainbow-thumper. I'm seeing
albums raining down without their
covers. I mean thousands
of black albums coming on in
like swarthy, thin UFOs. ("It
just means it's unidentified,
okay? You need to fucking
lay back, man.") And I see now
the complex map of my life
is being etched by a diamond
needle, digging into undulant
vinyl, shined on by blue
lava-light. Hey, play the
other side, play the other
side, hey play--oh, okay,
cool. (It's getting cold.)
Nice tuner! I need a beer.


hans ostrom 2013

"God to Hungry Child," by Langston Hughes

"Come Slowly, Eden," by Emily Dickinson

Design or Accident

That which happens, especially the bad:
is it design or accident? we ask.
Often we ask it. Many who are also human
will provide responses. You have
heard the range of answers.

Reality, that
universal beast, does not
respond, except for its
continual and infinite shrug,
which can be interpreted
as yes or no or maybe
or I don't understand the question.



hans ostrom 2013

What Exactly Do You Mean?

Divine algorithms
press against
brittle positivist
walls, disturbing
the binary peace.
God did well in math.



hans ostrom 2013

I'm Going To Need You To

I am going to need you to
give me your license and registration.
I am going to need you to
show me your hands.
I am going to need you to
get out of the car.
I am going to need you to
get down, get down!
I am going to need you to
shut up, stop talking.
I am going to need you to
what the fuck are you doing?
I am going to need you to
stop acting Not White.
I am going to need you to
give me a reason.
I am going to need you to
be ignorant of history.
I am going to need you to
die from the bullets I shoot.
I am going to need you to
die.
I am going to need you to
not be photographed.
I am going to need you to
understand I need my union rep.
I am going to need you to
accept the verdict.
I am going to need you to
not go crazy, riot, fight.
I am going to need you to
accept what's right.
I am going to need to
accept what is RIGHT.
I am going to need you.



hans ostrom 2013

"Supremacy," by Edwin Arlington Robinson

Grave-Digging

You're in the toiling moment,
grunting, swatting mosquitoes
attracted by your sweat,
separating rocks from dirt.
You're using a pick, you're
shoveling, you're measuring
for length, depth, and width.

And then you're standing in a
grave, hearing your lungs
heave for breath, wiping
your forehead with a work-shirt
sleeve. You're listening

to a bird or two in the still
cemetery. It takes effort
to get out of the dug grave.
You take a last look,
think briefly of a body
in a box, then move into

whatever's left of the flow
called day, called life,
before your consciousness
is picked from your body
and your body,
if not burnt up,
is put in a grave to mold
and to rot and to be food
for sundry creatures
in their own version of the flow.

Yes, your body,
which once dug a grave,
will go into a grave
somebody dug, probably
not by hand like you
but with machinery.



hans ostrom 2013

At Lake Polyester

I was fly-casting aspersions

into the fetid waters

of Lake Polyester when

a squad of bankers

bum-rushed me

and knocked me about.

“Stay off our land, drifter,”

they said. I let them say

it twice more, for practice,

and then said, “This isn’t

your land, and I’m not

a drifter.” They said Oh

and ran fast to find

legal counsel. Several

women studying their

own voluptuousness

waved to me from

across the lake. Sunlight

on their curves and

globes became a

sermon, and I believed.


hans ostrom 2013

"People Who Must," by Carl Sandburg

A Day, A Season

(Mainz, Germany)



At dusk suddenly shrubs
blacken like over-ripe fruit.

Cries of children playing
soccer diminish. In last light,

women walk dogs in the park
before winos shuffle in,

rustling like cockroaches.
These and other gestures

of light, air, traffic, hunger,
routine, and business seem this

evening profound enough to be
called seasonal. The evening

seems large. There was the solitary
dying sunflower in the old woman's

garden today. Its sagging head
looked tragically rotten. Its

sad, dappled leaves hung like the fins
of a beached sea-mammal. Old

people boarding the bus now
in Mainz-Bretzenheim climb

into gray light. The bus
groans away from the curb.



hans ostrom 1980/2013