*
*
*
*
*
*
**
Strange Time
When I arrived at that place, words
and actions let me know I wasn't quite
what they wanted, had expected. Yes,
I'd been invited: a technicality. I spent
some time at the party's edge. I was
following a line of exclusionary logic:
If unwanted, behave peripherally
and keep close watch on arbiters.
Later I moved toward the center,
began to perform so as to prove
they should indeed desire my presence.
You know how that sort of thing
goes. I went from ignored to resented.
Outside finally in night air alone, I told
another departing guest, "I had a
strange time in there. I'm glad I'm out."
"You're not alone," she said to
me, adding, "and by that of
course I mean you are alone.
Good night." "Good night," I said.
Copyright 2010 Hans Ostrom
Monday, April 26, 2010
Sunday, April 25, 2010
Sounds Today
*
*
*
*
**
Sounds Today
On the street, a man bounces a basketball.
The sound's not different from that of chopping
wood. It stops when he shoots the ball at a
hoop. The sound from this is something
like a dull bell in fog. The man shouts--
he sounds like a seal. A car goes by
in a slow rush, air displaced largely.
The car's sound-system thumps--that
speakered pulse all of us are used to now.
The city's sounds fill in an audio backdrop.
That wood-chopping, basket-ball-on-
pavement sound continues. The man
is frenzied because the sun's out and
Winter's been so long this year. He's
furiously glad, pounds that gray pavement
with his orange, hand-held planet.
Copyright 2010 Hans Ostrom
*
*
*
**
Sounds Today
On the street, a man bounces a basketball.
The sound's not different from that of chopping
wood. It stops when he shoots the ball at a
hoop. The sound from this is something
like a dull bell in fog. The man shouts--
he sounds like a seal. A car goes by
in a slow rush, air displaced largely.
The car's sound-system thumps--that
speakered pulse all of us are used to now.
The city's sounds fill in an audio backdrop.
That wood-chopping, basket-ball-on-
pavement sound continues. The man
is frenzied because the sun's out and
Winter's been so long this year. He's
furiously glad, pounds that gray pavement
with his orange, hand-held planet.
Copyright 2010 Hans Ostrom
Thursday, April 22, 2010
Only Dreaming
*
*
*
*
*
*
Only Dreaming
In this wet city under gray today,
you'll sense how hard and wearily
so many people work. Could be
you'll grieve for grinding toil
demanded and surrendered. Or
maybe you won't have time to
feel much because you're working.
Later you'll get across the city
somehow as gray becomes night.
Inside where you live, you'll note
again how much you and your clothes
smell of the work you do. Now other
tasks await: to cook, to listen,
to worry, to count, to try to rest.
Only dreaming will seem effortless,
but that's dreaming, which is nothing.
Copyright 2010 Hans Ostrom
*
*
*
*
*
Only Dreaming
In this wet city under gray today,
you'll sense how hard and wearily
so many people work. Could be
you'll grieve for grinding toil
demanded and surrendered. Or
maybe you won't have time to
feel much because you're working.
Later you'll get across the city
somehow as gray becomes night.
Inside where you live, you'll note
again how much you and your clothes
smell of the work you do. Now other
tasks await: to cook, to listen,
to worry, to count, to try to rest.
Only dreaming will seem effortless,
but that's dreaming, which is nothing.
Copyright 2010 Hans Ostrom
Wednesday, April 21, 2010
Salvage Yard
*
*
*
*
Salvage Yard
When I pass a salvage yard, everything
in it's dear because it's something
crumpled, because it used to be
something designed and functional. Each
piece took some work to make and worked
for a while. The yard as a whole presents
gnarled pyramids of contorted metal,
smeared rust, and broken tonnage.
I couldn't operate a salvage yard
because I'd want to keep the junk.
The yard's a tomb without a pharaoh,
an installation without a gallery. It's
a steel opera, a metal consequence,
a there. Flattened Cadillacs, pretzeled
I-beams, broken bridges, arrested
scrap: reusable, yes, bound for
a furnace hell. And beautiful--heaped
indiscriminately in mud.
Copyright 2010 Hans Ostrom
Salvage Yard Treasures of America
*
*
*
Salvage Yard
When I pass a salvage yard, everything
in it's dear because it's something
crumpled, because it used to be
something designed and functional. Each
piece took some work to make and worked
for a while. The yard as a whole presents
gnarled pyramids of contorted metal,
smeared rust, and broken tonnage.
I couldn't operate a salvage yard
because I'd want to keep the junk.
The yard's a tomb without a pharaoh,
an installation without a gallery. It's
a steel opera, a metal consequence,
a there. Flattened Cadillacs, pretzeled
I-beams, broken bridges, arrested
scrap: reusable, yes, bound for
a furnace hell. And beautiful--heaped
indiscriminately in mud.
Copyright 2010 Hans Ostrom
Salvage Yard Treasures of America
Tuesday, April 20, 2010
Two Poems By President Obama
Here is a link to two poems written by President Obama and published in 1981 in the Occidental College literary magainze:
Poems by Obama
The first one, about a father, reminds me a bit of Theodore Roethke's "My Papa's Waltz."
Poems by Obama
The first one, about a father, reminds me a bit of Theodore Roethke's "My Papa's Waltz."
Monday, April 19, 2010
All Politicians Wear Makeup
*
*
*
*
All Politicians Wear Make-Up
All politicians wear makeup because
cameras are their constituents. Actors
attempt politics because celebrity
has made them rulers of feudal
entourages. Pastors become actors
because they don't have faith that God
will fill the seats. Atheists become pastors
because they want to share the empty news.
Journalists become atheists because they
report on hell and no one seems especially
alarmed. Citizens become journalists
because journalism collapsed. Wisdom
becomes rare because so few seem
to have the patience for it. Information
replaces it. People inhale fumes
of information, get high, gaze at their
screens, see politicians, all politicians
wearing makeup.
Copyright 2010 Hans Ostrom
Cosmetics: Webster's Timeline History, 2007
*
*
*
All Politicians Wear Make-Up
All politicians wear makeup because
cameras are their constituents. Actors
attempt politics because celebrity
has made them rulers of feudal
entourages. Pastors become actors
because they don't have faith that God
will fill the seats. Atheists become pastors
because they want to share the empty news.
Journalists become atheists because they
report on hell and no one seems especially
alarmed. Citizens become journalists
because journalism collapsed. Wisdom
becomes rare because so few seem
to have the patience for it. Information
replaces it. People inhale fumes
of information, get high, gaze at their
screens, see politicians, all politicians
wearing makeup.
Copyright 2010 Hans Ostrom
Cosmetics: Webster's Timeline History, 2007
Extra-Time
*
*
*
*
Extra-Time
I know there's no next time, each time
being one time and one life, one life.
So the thing is to work up an extra-time:
one as-if, a single could-be, or a solitary
the-way-it-was. Walk in summer
up to that old barn with its baked,
rough-milled, untreated boards that
smell so great and watch black
carpenter-bees fly into, out of, holes
that just fit their bodies, and feel the body,
yours, taut, and look and breathe
that one time as someone puts a glass jar
over a bee-hole, and the next bee out
knocks itself silly against glass but
recovers, and a Ford that isn't old
passes by--sound of radio from an open
window, sound of a busted, snarling
muffler. And there, see, are tall green
weeds and sweet-pea vines. In comes
fresh air, just as easy as that, and in
your right front pocket is a folding
knife with traces of trout-guts on
its blade, fine dust, a small
piece of quartz, and coins--
the currency of this extra-time,
this one-time borrowed back.
Copyright 2010 Hans Ostrom
The Carpenter Bee
*
*
*
Extra-Time
I know there's no next time, each time
being one time and one life, one life.
So the thing is to work up an extra-time:
one as-if, a single could-be, or a solitary
the-way-it-was. Walk in summer
up to that old barn with its baked,
rough-milled, untreated boards that
smell so great and watch black
carpenter-bees fly into, out of, holes
that just fit their bodies, and feel the body,
yours, taut, and look and breathe
that one time as someone puts a glass jar
over a bee-hole, and the next bee out
knocks itself silly against glass but
recovers, and a Ford that isn't old
passes by--sound of radio from an open
window, sound of a busted, snarling
muffler. And there, see, are tall green
weeds and sweet-pea vines. In comes
fresh air, just as easy as that, and in
your right front pocket is a folding
knife with traces of trout-guts on
its blade, fine dust, a small
piece of quartz, and coins--
the currency of this extra-time,
this one-time borrowed back.
Copyright 2010 Hans Ostrom
The Carpenter Bee
Friday, April 16, 2010
President of the EU Writes Haiku
Herman Van Rompuy, from Belgium, is the President of the European Union, and he's just published a collection of haiku.
Here is a link to an article from Reuters online about Van Rompuy and the book.
Here is a link to an article from Reuters online about Van Rompuy and the book.
Wednesday, April 14, 2010
New Book On Creative Writing
British writer and professor Graeme Harper has just published a new book about creative writing, aptly titled On Creative Writing. A link:
On Creative Writing
On Creative Writing
Tuesday, April 13, 2010
Rae Armantrout Wins 2010 Pulitzer Prize for Poetry
Here is a link to an article about Rae Armantrout's having won the 2010 Pulitzer Prize in poetry:
Pulitzer
And a link to the book:
Versed (Wesleyan Poetry)
Pulitzer
And a link to the book:
Versed (Wesleyan Poetry)
Recommended Writer: Wendy Perriam
Not long ago I read a novel by Wendy Perriam, Coupling. It's terrific--one of those relatively rare fine novels about contemporary romance, sex, and love. The book reminded me of D.H. Lawrence's writing--with the crucial addition of subtlety, and with the addition of a more complex understanding of how people behave. There is more than a little humor as well, and the protagonist is someone you're glad to follow through a narrative. In a sense Perriam takes the venerable sub-genre of "novel of manners" and applies it deftly to our times.
Perriam is a British author of 14 novels and several short-story collections: She's also a professor.
Here is a link to her site:
Wendy Perriam
And here is a link to an article about her, her writing, a short story collection, and her experience with an awful personal loss:
Article on Perriam
And a link to Coupling (although there is a paperback edition as well):
Coupling
Perriam is a British author of 14 novels and several short-story collections: She's also a professor.
Here is a link to her site:
Wendy Perriam
And here is a link to an article about her, her writing, a short story collection, and her experience with an awful personal loss:
Article on Perriam
And a link to Coupling (although there is a paperback edition as well):
Coupling
A Writer of Parables
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*
*
*
*
*
A Writer of Parables
Once there was a writer of parables
who aimed to treat his readers'
maladies with narrative caplets
of wisdom. Almost no one read
his parables, for almost no one
read, and those who did read
had many reading choices. The few
who read his parables didn't know
the parables were meant instructively
to heal. They liked the parables,
however, because they were short
and crisp like chopped stalks
of celery. There was the parable
of the blind fashion-photographer;
of the return of the responsible
daughter; of the man who would play
only a rented harp; and so on.
Finally the writer of parables wrote
himself into a parable. He dissolved
into a little bit of his own home-made
wisdom and entered the bloodstream
of culture, completely absorbed.
Copyright 2010 Hans Ostrom
*
*
*
*
*
A Writer of Parables
Once there was a writer of parables
who aimed to treat his readers'
maladies with narrative caplets
of wisdom. Almost no one read
his parables, for almost no one
read, and those who did read
had many reading choices. The few
who read his parables didn't know
the parables were meant instructively
to heal. They liked the parables,
however, because they were short
and crisp like chopped stalks
of celery. There was the parable
of the blind fashion-photographer;
of the return of the responsible
daughter; of the man who would play
only a rented harp; and so on.
Finally the writer of parables wrote
himself into a parable. He dissolved
into a little bit of his own home-made
wisdom and entered the bloodstream
of culture, completely absorbed.
Copyright 2010 Hans Ostrom
Monday, April 12, 2010
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