Monday, October 26, 2009

Perspectives

*
*
*
*
*
Perspectives

To a duck, a waddle
is a way to go. To
a pig, thick slop
is a medium to know.
To a snake, the ground
is the highest kind of low.
To a frog, the moonlight
might just seem a Godly glow.


Copyright 2009 Hans Ostrom

Thursday, October 22, 2009

Monty Python's Youtube Channel

Monty Python has a Youtube Channel, something a correspondent from San Diego will enjoy on this momentous October 22nd. When you arrive at the channel, you encounter video of Eric Idle and some droll responses to comments left on the Channel's site:

http://www.youtube.com/user/MontyPython#p/a

Wednesday, October 21, 2009

New Words and Definitions From the Mensa Challenge

A correspondent from California pointed me to some of the results from the Washington Post's annual Mensa word-challenge, and many of these results will appeal to lovers of word-play in general and poets in particular:

"The Washington Post’s Mensa Invitational once again invited readers to take any word from the dictionary, alter it by adding, subtracting, or changing one letter, and supply a new definition.

Here are the winners:

1. Cashtration (n.): The act of buying a house, which renders the subject financially impotent for an indefinite period of time.
2. Ignoranus : A person who's both stupid and an asshole.
3. Intaxicaton : Euphoria at getting a tax refund, which lasts until you realize it was your money to start with.
4. Reintarnation : Coming back to life as a hillbilly.
5. Bozone ( n.): The substance surrounding stupid people that stops bright ideas from penetrating. The bozone layer, unfortunately, shows little sign of breaking down in the near future.
6. Foreploy : Any misrepresentation about yourself for the purpose of getting laid.
7. Giraffiti : Vandalism spray-painted very, very high
8. Sarchasm : The gulf between the author of sarcastic wit and the person who doesn't get it.
9. Inoculatte : To take coffee intravenously when you are running late.
10. Osteopornosis : A degenerate disease. (This one got extra credit.)
11. Karmageddon : It's like, when everybody is sending off all these really bad vibes, right? And then, like, the Earth explodes and it's like, a serious bummer.
12. Decafalon (n.): The grueling event of getting through the day consuming only things that are good for you.
13. Glibido : All talk and no action.
14. Dopeler Effect: The tendency of stupid ideas to seem smarter when they come at you rapidly.
15. Arachnoleptic Fit (n.): The frantic dance performed just after you've accidentally walked through a spider web.
16. Beelzebug (n.): Satan in the form of a mosquito, that gets into your bedroom at three in the morning and cannot be cast out.
17. Caterpallor ( n.): The color you turn after finding half a worm in the fruit you're eating."

Tuesday, October 20, 2009

Bob Dylan and Allen Ginsberg at Kerouac's Gravesite

I just watched an intriguing short video featuring Allen Ginsberg talking to Bob Dylan at Jack Kerouac's gravesite. "Talking to Bob Dylan" is a fair description, as Mr. Dylan doesn't have much to say, although he does suggest that he prefers to be buried in an unmarked grave-after he dies, of course. The link:

http://www.youtube.com/watch?v=xiH9QZzGc_s&feature=related

Sunday, October 18, 2009

Some Off-Beat Movies

I'm hard-pressed to define what "off-beat" means in figurative terms, so I'll just roll along and say that here are ten of my favorite off-beat movies, in no particular order:

1. Two-Lane Blacktop (w/ James Taylor and Warren Oates)
2.Vanishing Point (w Barry Newman and Cleavon Little)
3. The Las Vegas Story (Victor Mature, with a song and an appearance by Hoagy Carmichael)
4. Slackers
5. The Brother From Another Planet (Joe Morton stars, if memory serves)
6. Harold and Maude
7. Fitzcarraldo (directed by Werner Herzog, starring Klaus Kinski, although Mick Jagger starred originally, but the production lasted too long.
8.Harry and Tonto (Art Carney, with cat; Carney won an Oscar)
9. My Life As A Dog (Swedish)
10. Sullivan's Travels (written by Preston
Sturges)


I will add only that I saw Cleavon Little play opposite Jackie Gleason in a stage-version of Sly Fox in San Francisco, in the late 1970s. It was great to watch two fine professional actors, with perfect timing.

Saturday, October 17, 2009

Phantom Pantoum

The poet and blogger Minerva often tosses out poetic challenges on her blog:

http://www.blogger.com/profile/17803450940250232122

No long ago she challenged writers to try a pantoum, so I took the challenge.


Phantom Pantoum

From the reeds of memory's marsh,
The phantom pantoum speaks itself.
It isn't owned by anyone.
It is composed of gathered sounds.

The phantom pantoum speaks, itself
An act of filling up a page or pause.
It is composed of gathered sounds.
It is a thing that's said and made.

An act of filling up a page or pause
May satisfy the phantom pantoum.
It is a thing that's said and made
But not one, maybe, that's heard or seen.

"May satisfy the phantom pantoum":
That is not a bold assertion,
Nor one, maybe, that's heard and seen.
The phantom pantoum's like a dream.


Hans Ostrom, Copyright 2009

Poets From Nevada

Poet Donald Revell, who has published several books with Wesleyan University Press, as well as books with other presses, lives in Las Vegas, although he was born in the Bronx. He also edits the Colorado Review.

Kirk Robertson
is a native of Los Angeles but has lived in Nevada since 1976. He writes and publishes poetry and is involved with a small press.

Poet Adrian Louis is a native of Nevada but now teaches in the University of Minnesota system.

For more information about Nevada and poetry, please use the link:

http://www.poets.org/state.php/varState/NV

Wednesday, October 14, 2009

Retired Oracle

*
*
*
*
Retired Oracle

Even oracles retire, weary of working
for the future, fed up with telling the truth,
a nasty business. The job-titles embarrass:
soothsayer, psychic, fortune-teller, card-reader,
prophet, futurist, wizard.
Leaving the cave,

cubicle, or sound-stage for the last time,
the oracle welcomes a future of telling lies,
claiming ignorance, and getting things wrong.
"Things wrong": what a laugh, thinks the oracle--
things are either wrong or going there. That's

the truth. Some people need an oracle to tell them
so. Home at last, the oracle dreams of reading history,
for who can predict the past? Books on shelves
promise to tell the truth. The oracle looks
at the volumes and needs to believe them.

Copyright 2009 Hans Ostrom

Monday, October 12, 2009

Sonnet In A Bar

*
*
*
*
*
Sonnet In A Bar


I sat beside a sonnet in a bar.
The sonnet looked done in. I bought a round.
The sonnet sipped its rye and said, "Too far.
"I've come too far and lived too long. The sound
Of iambs thumping drives me mad.
And yet if someone called me up on stage,
I'd sing the syllables, and I'd look glad."
"What must a sonnet be?" I asked. "A page,"
The sonnet said, "a one-page hunk of verse.
If you're a poet, then I'm going to scream."
I bought another round. "It is a curse
To be a lyric-form that people deem
Enduring but others try to kill for good.
And--oh: the rhyme I think you'll want is "hood."

Copyright 2009 Hans Ostrom

Critic: A Poem

*
*
*
*
Critic

She prefers poetry that arrives already branded
with authority, stamped with approval. Literature
is her business, and business abhors an accident,
such as a wilderness crying in a voice, or
a great poem left anonymously on someone's doorstep.
Anthologies aren't orphanages, she thinks; they're
consolidations, portable museums. In

photographs of her, bookshelves rise behind her
like battalions, she will not smile, and she looks
ready to retaliate with one swift blow
of erudition should you express an opinion. Her
criticism is like cold storage. It isn't poetry.


Copyright 2009 Hans Ostrom

Sunday, October 11, 2009

Eberhart's "The Groundhog" Read

Here is a link to a nice reading, by one Tom O'Bedlam of Youtube's Spoken Verses Channel, of Richard Eberhart's "The Groundhog":


http://www.youtube.com/watch?v=W-kdtGnngNw


I got lucky and was able to see/hear Eberhart read at U.C. Davis in the late 1970s. The venue was a large science-classroom in which the theater-like rows of seats rose steeply. I sat toward the back, so I was looking down on Eberhart even as I looked up to him as a poet. He was an exceedingly cheerful gentleman that day.