Showing posts with label surrealism. Show all posts
Showing posts with label surrealism. Show all posts

Monday, June 3, 2019

What Will You Have?

Would you like a glass
of water? Would you like
a cup of worry? I've
made some sandwiches
of bread and beauty.
And mustard, which
goes with beauty. Make
yourself at home. Because
you live here. The
satisfaction is still cooking.
It will be done soon.


hans ostrom 2019

Friday, May 4, 2018

The Stemware of the Bourgeois Garden

tulips. red yellow white orange
flexible stemware
filled with soft secrets


hans ostrom 2018

Wednesday, May 2, 2018

out of the moonlight rode the tall grasshopper


history
          is
  all knotted up.
inactivity is active interactive interactive
i like
         dirt




hans ostrom 2018

Monday, April 23, 2018

More Lies

Some more lies, then:
today in a fabricated storm,
clothes fell from the sky.
The tiniest of birds flew
through my eye into my
brain, which dreams of
the bird every night now
in jail: I am. I have been
arrested for false imaginings.
I use state-invoiced spoons
to play the bars like a xylophone
hoping someone will answer.


hans ostrom 2018

Friday, March 9, 2018

Chewing Moon

As I reached for the moon,
it shrank to the size of my hand.
Then it turned into a disc
no thicker than a sandwich.

Coincidentally, I took two
bites out of it. The texture:
that of sugar granules.
Taste: smoky lemon.

The moon in my hand bled
dark green where my teeth
had seized lunar flesh. Stung
by self-rebuke, I put the moon

back where I had found it, or
almost. It healed in its orbit.


hans ostrom 2018

Bar Codes

Draperies, and some of the folds
bunch together. The merchant
has pulled them across the whole
window in order to hide from customers.

Rain came straight down that day.
At the same time, wind plowed
it into mountains like harp strings.
We were desperate for beauty.

Was the wall in that baked town
painted white at first, with black
stripes added later? Or black
first, white lines later?

From my roasting room across
the street, I kept asking such
questions in my stupor,
in my visitor's defeat.


hans ostrom 2018

Friday, February 23, 2018

A Visit to the Sun Building

Why are you here? asked
the moon people in the sun building.
By mistake, I replied, adding,
Anyway, hello. They said

if I were to stay,
I would have to conform.
A tempting offer. But no,
for I saw there already

things that rankled. After
my departure, I walked
under invisible stars
and put money in the cardboard
coffer of a street musician
who sang of asteroids.


hans ostrom 2018

Friday, February 9, 2018

Concerning Cricket

A Cubist concoction of layered planes,
seems cricket. A match progresses
in a stiff-legged imperial ballet
with yachting costumes. Scoring

is prolific, as with stock markets.
There are slap-bats and wee wooden
sticks--quite droll. Cricket is so
very, very something, far afield

from clarity but highly ordered,
bright and secretive. Sedate, surreal.




hans ostrom 2018

Monday, December 11, 2017

Ice Hockey

They are painters on skates,
brushing and dabbing the cold canvas
on which they glide and whirl.

They are sleep-walkers
in colorful pajamas, wandering
on the bright stage of a dream,
everyone else in darkness,
looking on, fascinated.

They are hornets and wasps
in dubious and snarling battle,
released in groups from their
nests, terribly distracted by one
black fly that moves among
them, a dark dot 
playing dead, then jetting off. 



hans ostrom 2017

Monday, November 20, 2017

Knowwhere

A bed surrounds itself,
just to be sure. A bookshelf
raises questions and sells them
at the Saturday market. There
are wishes stored in cobblestones.
I have a list. Certain colors
made promises to lightning.
They lied.  Hence thunder.
This is how we talk in Knowwhere.



hans ostrom

Wednesday, October 25, 2017

Borges Before Sleep

A problem or not with reading
Borges in bed before sleep
is that Before Sleep can
go on for decades. If you read
"The Immortal," for instance, you'll
be driven by coach across centuries
into a countryside, where  you'll
enter a baroque mansion that becomes a
labyrinthine museum of statues,
and you'll settle finally in a library
designed by Escher. You will ascend,
descend, and circulate. Plots
will spill out of your mind like tiny
spiders just hatched. The plots
grow and make webs, and you
have to go to work tomorrow,
whenever that might be.



hans ostrom 2017

Sunday, March 19, 2017

The Bees Are Baking

Bees inside my head wear gold aprons
because they're baking tiny tan cookies.
Of course they buzz.  It's how they talk.
They're speaking of their relationship
to time, of how they've been bees
again and again through the ages.

I ask them a question.  Horrified,
they vanish, leaving only the pollen
of their buzzing.  Oh, well.  Their
little bee kitchen smells warm.
I put all of their cookies, which taste
of you-guessed-it, on my tongue at
once because I'm suddenly quite hungry.


hans ostrom 2017

Friday, March 10, 2017

The Ladder People

Inside birch cones
live ladder people.

They build tiny
fires and carry

hand-made ladders
to cliffs, perching

there for nights
and days, singing

to each other,
letting blue moths

alight on their hands.
These people of

the birch cones
decorate their ladders

and themselves with
paint and bits of string.

Comes a light rain.
The ladder people descend.

Comes a stiff breeze,
and birch limbs toss.

Comes regret, comes
to us, and with it

arrives a deep wish to
hear the ladder people sing.



hans ostrom 2017

Wednesday, January 25, 2017

Another Good Surreal Night in Paris

That one night in Paris, we searched
for a Mexican restaurant and found it.
Waitresses wore tight bluejeans and
cowboy boots. Nashville music
thumped and twanged.

It was a sincerely inauthentic place.
That made us happy. It brought to mind
California, where only geology
is originally from there.

We ate les tacos and drank Dutch beer.
Looked across a dark courtyard
and spied, two floors up in a kind
of warehouse, ballet dancers,
dozens of them. They faced
the instructor, stretched and jumped
to music we could not hear.

A fire-eater appeared in the courtyard.
He licked a long match and guzzled
fuel. Tipped his head back, roared
flame into night. We saw his small
audience gasp. Full,

we sipped our beers. Saw that the dancers
were drenched in sweat. When the man
with the oboe walked in, we knew
we weren't supposed to be surprised.


hans ostrom 1981/2017

Friday, November 4, 2016

Floating Windows

Like you, I've noticed windows without buildings,
ghost panes floating above city streets.
Local officials sometimes gather to argue
about how to get them washed, and would it
be a union job? Boosters plot
a Floating Pane Festival.

Local professors challenge the physics,
opposing plain sight. Like you,
I'm thankful that these hovering frames
of glass are at least something fresh
and new, for the city is, like all cities,
a weary site of congealed geometries
covering underground rivers of liquid dung.



hans ostrom 2016

Friday, October 21, 2016

Ballpark Figures

Pitcher:

He or she has just discovered the North Pole
and, behind the back, holds a snowball,
glowering down at the world.

Catcher:

The amalgam.
Body, a badger's.
Face, a prisoner's.
Legs, a knight's.
One arm, a deaf person's.
The other arm, a crab's.

Umpire:

An angry parent
yelling at the kids,
who just want to play.

Outfielders:

Three deer graze in a meadow.
A shot rings out.
They raise their heads.
They're on the move.

First Base:

A hometown kid.
Rarely leaves the house
but entertains a lot.

Dugout:

A rookery.
One bird leaves.
The others rearrange themselves.

Crowd:

Wildflowers on a terraced slope.
Blotches of paint.
A chorus of bees.

Third Base:

This one guards a thin white line.
An accountant.
Foul or fair. Profit or loss.

Second Base:

The bull charges.
The bullfighter whirls and leaps.

Shortstop: 

Holds dual citizenship.
Travels a lot.
Rents, doesn't own.
Not a joiner.

Vendor:

An evangelist.

Base Coaches:

Performance artists,
gossips, and hired applauders.

Pitching Coach:

A lachrymose intermediary.

Managers:

When they arise from the basement,
it means trouble has come.
Adults forced to wear children's clothes.


Monday, October 10, 2016

Transformation: Accountant

At the accountant's, I enter
a small room stacked with numbers.
It's a math cupboard. An assistant

deducts me from this box
to escort me to an office
where the desk is as sleek

as a panther. Someone
behind it plays a sonata
on an abacus. She wears

a tailored gray suit
with a fringe of bumble bee
fur. When the music 

of calculation ends, she says,
"Repeat after me: I owe,
and I don't owe."  "I

oh, and I don't oh,"
I say, adding, "may I pay
you in dreams?"  She says no.


hans ostrom 2016

Wednesday, September 14, 2016

Transformation: Doctor

When I visit a physician, I become a martyr,
forced to wear a backless tunic. Large white
spiders crawl all over my body, touching,
probing, tapping. Then flies swarm
around my head, each with a number painted
on its back. Then the needles. At last
I'm sent down into a dungeon of potions
and sacrificed to constant worry.


hans ostrom 2016

Transformation: Dentist

When I visit a dentist, I become a coyote.
My yips turn into howls. The moon sits
just above me, shining into a cave called
Mouth, and here comes the huntress,
my nemesis, with her quills and knives.
Her masked face blocks the moonlight.



hans ostrom 2016

Wednesday, January 13, 2016

Night Train in Fog

You hear the fractured racket of the beast,
its engine, horn, and steel on steel. The total
sound is one of the heaviest you'll know.
Fog's turned the invisible train into
a backstage cataclysm. Imagination

rises like an exhausted porter. A Black
stoker sings early versions of "Casey Jones."
Jackie Gleason offers Sherlock Holmes
a highball. John Henry stirs a kettle
of beans for hungry hobos. Dr. Zhivago

and Lara get it on joyfully in a sleeper,
and Agatha Christie shows Hitchcock
a few card tricks, but he can't concentrate
because a platinum blond just entered
the dining car. Butch and Sundance

ride disguised as old Methodist women.
Johnny Cash and Leadbelly sing
a train song, and Rain in the Face
(the engineer) leans on the horn hard.
It ain't no whistle.


hans ostrom 2016