Moon Visits Altered History

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A headline in the Tacoma News Tribune two days ago read, "Moon Visits Altered History," and for an instant I misread "Visits" as being a verb and "Altered" as an adjective, so that the headline seemed to be about a journey the moon had taken.


Moon Visits Altered History


Orbit became a wearisome groove, a tedious
channel. Sun played the same old carom-shots
with rays, and just below, sad plants and creatures
marked the days. A bored moon unclipped itself
from gravity to visit an altered history.

It visited moon-museums in the gallaxy,
drank with disappointed asterioids who'd
aspired to be moons, interviewed multi-mooned
planets to ask how they kept their lunar
calendars straight. The moon was gone for a

month, exactly. No one but a few astronomers
and surfers noticed. The moon came back
to trudge its orbit like a mule, plowing
time, spinning space into legend.


Copyright 2009 Hans Ostrom

Summer-Squash Soup

Hey, who recorded "(There Ain't No Cure For) The Summertime Blues," the Who? I imagine dozens of artists have recorded it in an attempt to cure the bank-account blues.

Anyway, it turns out there's a simple cure for the summertime blues, and as you might expect, it's soup. When in doubt, make soup!

Thanks to blogger, chef, and poet Minerva, we have ourselves a link to a recipe for Summer-Squash Soup (below). (Minverva reports that she added some previously cooked chicken to give the soup a little autumnal muscle, so if you're not rolling down the Vegan Highway at present, you may give that a try.)

http://find.myrecipes.com/recipes/recipefinder.dyn?action=displayRecipe&recipe_id=1809036

And Minerva is over at . . .

http://minervadamama.blogspot.com/

Summer Squash

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'Tis the season, in the Northern Hemisphere at least, for squash. I grew up calling yellow or crook-necked squash "summer squash," and I prefer it to zucchini, the hide of which is a tad bitter, and the meat of which can be watery. I used to like to pick yellow squash because in the garden, it often had some fuzz on it. One reason to plant a garden, I submit, is that it produces imperfection, such as the fuzz, which is rubbed off by the time squash makes it to a super-market super-slickly. For instance, the cucumbers I just harvested look pretty gnarly. They're fat and fine inside, but the hide looks like it's been in a scuffle, and one of the cucumbers has an odd twist to it. You just can't find that kind of imperfection in a produce-department, no matter how hard you look.

In case anyone asks, and I'm sure someone will do so, "squash" as a verb can mean not just to press down or in upon but also to join in a crowd of people--to squash about in the city, as it were--this according to the OED online. "Squash" as a noun may refer not just to zucchini, etc., but also to the unripe pod of a pea, and in this iteration, the word was often used insultingly. One would call someone a "squash," a mere unripe pod. "Hey, pal, as far as I'm concerned, you're an unripe pod." And here's news: "squash" as a noun used to refer as well to a muskrat--or "musksquash." Wow.

My desultory research did not go so far as to tell me how the racket-game, squash, got its name. Squash seems like the upper-class version of racquet-ball, but I could be incorrect in that impression.

When something feels as if it has been squashed, we sometimes say it appears squishy, don't we? What was squashed was squished, or squishified. ;-) I seem to remember that "squish" was also deployed as a verb, back in grammar (or lower) school: "Squish that spider, Irving, will you? Thanks."

I wish you a good summer of unsquished squash, eaten raw, steamed, or roasted, and may the squash you harvest be perfectly imperfect.

Moon Poems

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(image: Swiss cheese, the chief component of the moon, in spite of astronomers' and astronauts' protestations to the contrary)
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Not that you asked, but my favorite moon-poem is W.H. Auden's "This Lunar Beauty," chiefly because of the rhythm, which subtly echoes that of Jon Skelton's poetry.

Other good moon-poems include "Under the Harvest Moon," by Carl Sandburg, famous Swedish American; "Autumn Moonlight," by Matsuo Basho [how many haikus have a moon-image in the them, I wonder?] ; "Length of Moon," by Arna Bontemps; "The Moon Versus Us Ever Sleeping Together Again," by Richard Brautigan [I think we have a winner in the title-competition]; "The Moon Was But a Chin of Gold," by Emily Dickinson [I think we have a winner in the comparison-competition, and what a shock that's it's D: never mess with Ms. D.]; "Blood and the Moon," by W.B. Yeats; and "And the Moon and the Stars and the World," by Charles Bukowski.

Moon-Shot: The Missing Article

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(image: Jules Verne)
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Moon-Shot 1969: The Missing Article


Somewhere between the moon and the Sierra Nevada,
our TV-reception got fizzed. We leaned in toward
the Zenith set that labored to freight us images
of Armstrong. Outside, illusory sky still pretended
to be blue. " . . .one small step for man, one
giant leap for mankind," said the Zenith, and
I knew the first man on the moon had flubbed
prefabricated lines. The article "a" was missing,
and without it, "man" and "mankind" meant pretty
much the same thing in 1969. The article "a"

is still missing. It tumbles in the Milky Way,
silent in an unspoken vacuum. Yes, yes, I was
properly amazed like everyone else. And a little
sad. After a cumbersome astronaut stepped off a
ladder and set feet, the moon misplaced its
mythology and became dirt and a destination.

Man In A Hole

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Man In A Hole

In summer's citified humidity, one man
pierced a street's asphalt hide with a
jack-hammer. Then someone else in a yellow
back-hoe dug something like a grave. Soon
another man was standing in the hole. Orange
plastic cones stood sentry around him. He
wore a white hard-hat and an orange vest.
Cars passed thickly by on both sides, hauling
their noise, puffing exhaust-fumes, hardly
slowing down. The man's height had been cut
in half. His co-workers looked down at him
expectantly, as if he could fix anything--
sewer, water, electricity, earthquakes.
"People give me shit," he yelled, "and
I am tired of it."


Copyright 2009 Hans Ostrom

W. H. Auden Site

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I recently ran across a site dedicated to W.H. Auden, master of lyric poems and long poems, genius at incorporating vocabulary and diction from a wide spectrum of sources into his poetry. His most anthologized poems include "Lullaby," "If I Could Tell You," "In Memoriam: W.B. Yeats," and "Musee des Beaux Arts." Collected Shorter Poems and Collected Longer Poems are both available from Random House/Vintage.

Here is a link to the site:

http://audensociety.org/